Dictionary of Irish Artists

Dictionary of Irish Artists

Author: Theo Snoddy

Publisher: Wolfhound Press (IE)

Published: 1996

Total Pages: 608

ISBN-13:

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This comprehensive, major reference work, under development for more than twenty-five years, is a continuation of W. G. Strickland's A Dictionary of Irish Artists, first published in 1913. This new volume contains entries for some 500 artists, including such important practitioners as Paul Henry, Evie Hone, Mainie Jellett, Sir John Lavery, Sir William Orpen, Jack B. Yeats and his father, John Butler Yeats.


Dictionary of Irish Artists

Dictionary of Irish Artists

Author: Theo Snoddy

Publisher: Merlin Publishing

Published: 2002

Total Pages: 776

ISBN-13:

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This comprehensive, major reference work contains entries for some 500 artists including Paul Henry, Evie Hone, Mainie Jellett, Sir John Lavery, Sir William Orpen, Jack B. Yeats & his father, John Butler Yeats.


Dictionary of Living Irish Artists

Dictionary of Living Irish Artists

Author: Robert O'Byrne

Publisher: Plurabelle Publishing (Acc)

Published: 2010

Total Pages: 0

ISBN-13: 9780956301109

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The Dictionary of Living Irish Artists features high-quality, full-colour images of work by 200 Irish artists alongside biographical details and information on exhibitions and awards. The artists included in the book are living and working today, mai


A Biographical Dictionary of British and Irish Engravers, 1714-1820

A Biographical Dictionary of British and Irish Engravers, 1714-1820

Author: David Alexander

Publisher: A PRECISER

Published: 2021

Total Pages: 1120

ISBN-13: 9781913107215

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The first reference work to cover all engravers working on copper in Britain and Ireland 1714-1820 This biographical dictionary of engravers working on copper encompasses both those who produced fine art prints, and also those who engraved book illustrations for medical, technical and literary works, all of which played a more important part than is usually realised in spreading information in the age of Enlightenment. Some 3,000 biographical entries draw on much unpublished information, researched over four decades, notably records of apprenticeship, genealogy, insurance and bankruptcy as well as newspaper advertisements and contemporary accounts. This is the first reference work to cover all engravers working on copper in Britain and Ireland 1714-1820. Many biographical entries describe celebrated engravers producing "fine art" prints of paintings, which spread knowledge about living and dead artists. However, this book also builds up a more complex picture of the occupation of printmaking and includes engravers, many previously unresearched, who engraved ephemeral material, such as trade cards, bank notes, and satirical prints as well as the images that spread knowledge across literary, geographical, historical, topographical, medical and technical fields.


A Dictionary of British and Irish Travellers in Italy, 1701-1800

A Dictionary of British and Irish Travellers in Italy, 1701-1800

Author: John Ingamells

Publisher: Yale University Press

Published: 1997-01-01

Total Pages: 1136

ISBN-13: 0300071655

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This dictionary identifies over 6000 British and Irish travellers who toured in Italy in the 18th century. Compiled from the archive accumulted by Sir Brinsley Ford, it provides brief formal biographies of these travellers, their Italian itineries and selective accounts of their experiences.


British and Irish Paintings in Public Collections

British and Irish Paintings in Public Collections

Author: Christopher Wright

Publisher: Yale University Press

Published: 2006-01-01

Total Pages: 950

ISBN-13: 9780300117301

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This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.