Following his progress from ice-cream salesman to gambler, agent, record producer and traveller, the irrepressible Mim Scala takes us on a helter-skelter journey through Swinging London and its afterlife on the hippie trail. A must read for the arm chair traveller
This candid and often hilarious, personal account of Nichols' experiences of being an up and coming successful writer, also reveals a man still coping with the daily grind of everyday living in the 70s. For some it will bring back memories, while for others it will provide an insight into the 70s.
Three boys. Two murders. One terrible choice. Twelve years ago, my mother climbed into a limo with a fae stranger and left without looking back. Seven years ago, my magic came in, marking me as an Earth-witch, the Element most feared by other mages. One month ago, my father exiled me to college in another country. I may be a stranger in a strange land, but no one will keep me down. Charlie, Gabe, and Darwin. Three boys who are more than my match. My best friend. My new love. My worst enemy. Are they also killers? When a fellow student is murdered, the finger of suspicion points at my boys. Can I prove their innocence? Or will I be their next victim? Meet the Bad Boys of Bevington … Publisher's Note: Teddy's Boys is a college-aged, MMFM, whychoose romance. Books 1 and 2 end on cliffhangers. This book is intended for mature readers only.
This book examines the emergence of modern working-class youth culture through the perspective of an urban history of post-war Britain, with a particular focus on the influence of young people and their culture on Britain’s self-image as a country emerging from the constraints of its post-Victorian, imperial past. Each section of the book – Society, City, Pop, and Space – considers in detail the ways in which working-class youth culture corresponded with a fast-changing metropolitan and urban society in the years following the decline of the British Empire. Was teenage culture rooted in the urban experience and the transformation of working-class neighbourhoods? Did youth subcultures emerge simply as a reaction to Britain's changing racial demographic? To what extent did leisure venues and institutions function as laboratories for a developing British pop culture, which ultimately helped Britain re-establish its prominence on the world stage? These questions and more are answered in this book.
Captures that hinge moment when everything changed form grey to colour.' - Marianne Faithfull London, 1950s. Mr Tobias, the Fulham tailor, makes young Emilio Scala a fingertip drape and he fills it, a Teddy boy extraordinaire. By day he still serves cornets and wafers on the North End Road at Scala's Ice Cream Parlour, but at night he's in Chelsea getting bloodstains on the suit, tearing out cinema seats while 'Rock Around the Clock' plays on. His two worlds collide when Diana Dors and Dandy Kim visit for a Knickerbocker Glory. Soon he's out in 1960s Soho taking Purple Hearts with the cool set: Michael Caine, Chris Stamp, Patti Boyd, Richard Harris, Sabrina Tennant. Now a King's Road gambler and junior playboy, he sees Paris and Tangiers, runs into an old Hemingway - and Burroughs - right on time. For Mim it's a baby step to becoming an agent. In a whirlwind of fame, only some of it temporary, he hires Dennis Hopper, devils with Ronan O'Rahilly, gambles with Lucian Freud, evades the Kray twins, turns down Hair in New York on Salvador Dali's say-so, and listens reverently to Cat Stevens, Jimi Hendrix and Marianne Faithfull. In 1968 he persuades Jean-Luc Godard to film The Rolling Stones and witnesses the May riots on the streets of Paris, as Nicholas Roeg's Performance is scripted and enacted next door to his London flat. Sharp suits turn to caftans in the 1970s. When his friend Brian Jones dies it marks the end of an era, but Mim himself is reincarnated. He had promised Jones they would discover the most beautiful music on the planet, and he sets off for Morocco to find it alone. With his miracle vehicle Shadowfax, he becomes part of a different world. A psychedelic nomad now, he sojurns in Sri Lanka, and watches and listens to desert life in north Africa, its sunsets, windstorms and one unforgettable eclipse. He returns to London with the ceremonial recordings of the Berber Ganoua, a world music before 'world music', and becomes head of marketing at Island Records. He discovers the post-punk band Warsaw Pakt, organizes Marianne Faithfull's comeback appearance on Saturday Night Live in New York, and adjusts to the 1980s. In the right place and the right time, Mim touched the lives of the twentieth century's most famous pop stars, and their glory touched him. Diary of a Teddy Boy is a vision of the styles, moods and drugs that defined three decades. The brilliant picaresque memoir of a working-class hero, it is a personal story of what fame can bring, and what it takes away.
'I loved the creativity, the unpredictability, its dazzling coverage of so many ideas' Rob Cowan 'Superb . . . An original character and an original book' David Quantick, Record Collector Can John Nightly be brought back to life again? John Nightly (b. 1948) finds his dimension in pop music, the art form of his time. His solo album becomes one of 1970's bestselling records – but success turns out to have side effects. Supermaxed in LA after a dazzling career, John renounces his gift, denying music and his very being, until he is rediscovered in Cornwall thirty years later by a teenage saviour dude, who persuades him to restore and complete his quasi-proto-multimedia eco-Mass, the Mink Bungalow Requiem. This epic novel mixes real and imagined lives in the tale of a young singer-songwriter, to tell a story about creativity at the highest level – the level of genius.
A study of Anglo-American cultural and countercultural exchange from the mid Fifties to the mid-Seventies, Special Relations explores aspects of London modernism, the anti-war movement, student rebellion, black power, the second-wave feminist and gay liberation movements, and transatlantic nostalgia.
In this unique and compelling book Tom Hayden argues that Barack Obama would not have been able to mount a successful presidential campaign without the movements of the 1960s. The Long Sixties shows that movements throughout history triumph over Machiavellians, gaining social reforms while leaving both revolutionaries and reactionaries frustrated. Hayden argues that the 1960s left a critical imprint on America, from civil rights laws to the birth of the environmental movement, and forced open the political process to women and people of colour. He urges President Obama to continue this legacy with a popular programme of economic recovery, green jobs and health care reform. The Long Sixties is a carefully researched history which will be of interest to activists, journalists and historians as the fiftieth anniversary of the 1960s begins.
I Could Be So Good For You is a unique portrait of north London's working class from the 1950s to the 21st century, and how it lived, struggled, survived and sometimes thrived. I Could Be So Good For You tackles head-on the pernicious and implicitly racist fiction that London, most especially north London, has no "real" working class in comparison to a more "authentic" working class in a place called "the North". In doing so it offers a history and a portrait of north London's working class from the 1950s to the 21st century, based on a wide and original range of sources including personal memoirs, autobiographies, collected oral histories and new interviews conducted by the author. The result is an important social history and a rich panorama of working-class life — its struggles, work, celebrations, events, triumphs, tragedies and the occasional nice little earner. For good or ill, from the start of post-war affluence in the 1950s to the economic crash of 2008, north London's working class had a life experience like almost no other part of the British working class, one not just of poverty, racism and exploitation, but also of bold new housing schemes in the heart of the city, of great opportunity and diversity and enjoyment. Its about time to tell that story.