Robert Oliver Reed, born on 13th February 1938, at 9, Durrington Park Road, Wimbledon, London, England, UK, was an actor, best known for his upper-middle class, macho image and 'hellraiser' lifestyle. His movies included The Trap (1966), playing Bill Sikes in the Best Picture Oscar winner Oliver! (1968), Women in Love (1969), Hannibal Brooks (1969), The Devils (1971), portraying Athos in The Three Musketeers (1973), Tommy (1975), Lion of the Desert (1981), Castaway (1986), The Adventures of Baron Munchausen (1988), Funny Bones (1995) and Gladiator (2000).
Eighteen-year-old Mistral is an innocent abroad in the sophisticated Côte D'Azur, where princes and millionaires mingle in the casinos and sumptuous hotels while others plot to relieve them of their riches. Accompanied only by her embittered and domineering Aunt Emilie and kindly servant Jeanne, Mistral appears dressed all in grey like a ghost in the salons and ballrooms of Monte Carlo and sets Society's tongues wagging. It's not long before her waif-like beauty has men falling at the feet of Madamoiselle Fântóme – gentlemen such as Sir Robert Stanford. But on her sister's bewildering but strict instructions, she must not converse with any but the Russian Prince Nikolai, who's also keen to woo her, as is an opulent Indian Rajah... Something about Mistral touches Sir Robert's heart – and he cannot understand why Mistral appears afraid to be with him. Yet both of them crave love. Only if Mistral's innocent eyes are finally opened to the truth – that Aunt Emilie's motives are borne not of concern for her niece but of pure evil and greed – will she find her heart's desire...
The Turn of the Screw by Henry James is a classic ghost story that continues to captivate readers over a century after its initial publication. Set in the late 19th century, the novella follows a young governess who is hired to care for two young children, Flora and Miles, at the remote and eerie Bly Manor. As the governess begins her duties, she becomes increasingly convinced that the manor is haunted by the spirits of the previous governess, Miss Jessel, and her lover, Peter Quint, who both died under mysterious circumstances. The story unfolds as the governess tries to protect the children from the malevolent ghosts, while also questioning her own sanity and the motives of the children in their interactions with the spirits. One of the most intriguing aspects of The Turn of the Screw is its unreliable narrator. The story is told through the perspective of the governess, whose mental state and perceptions of events are constantly called into question. This creates a sense of ambiguity and uncertainty, leaving readers to question whether the ghosts are real or just figments of the governess's imagination. James masterfully plays with the theme of perception and reality, leaving readers to draw their own conclusions about the events at Bly Manor. Another striking element of the novella is its use of Gothic elements. The isolated location, the decaying mansion, and the presence of ghosts all contribute to the eerie atmosphere of the story. James also incorporates psychological horror, as the governess's fears and paranoia intensify throughout the story, building tension and suspense. The Turn of the Screw is a prime example of Gothic literature, with its exploration of the dark side of human nature and the blurred lines between the living and the dead. One of the most controversial aspects of the novella is its ambiguous ending. The governess's final confrontation with the ghosts and the fate of the children are left open to interpretation, inviting readers to ponder the true meaning of the story. Some critics argue that the ghosts are a product of the governess's overactive imagination, while others believe that they are real and that the children are in danger. This open-ended conclusion has sparked countless debates and interpretations, making The Turn of the Screw a thought-provoking and enduring piece of literature. In addition to its literary merits, The Turn of the Screw also offers insight into the societal norms and expectations of the time period in which it was written. James explores themes of gender roles and class distinctions through the character of the governess, who is expected to be subservient and obedient to her male employer and to maintain the social hierarchy between herself and the children. The story also touches on the taboo subject of sexual relationships, particularly in regards to the ghosts and their influence on the children. Ultimately, The Turn of the Screw is a haunting and enigmatic work that continues to captivate readers with its complex characters, Gothic atmosphere, and thought-provoking themes. It is a testament to Henry James's mastery of storytelling and his ability to create a sense of unease and suspense that lingers long after the final page. A must-read for anyone interested in Gothic literature, psychological thrillers, or the blurred lines between reality and the supernatural.
The Virgin and the Gypsy is a short story by English author D. H. Lawrence, about personal and sexual liberation. It was written in 1926 and published posthumously in 1930. The Virgin and the Gypsy has become a classic and is one of Lawrence’s most vibrant short novels.
Oliver Reed may not have been Britain's biggest film star - for a period in the early 70s he came within a hairsbreadth of replacing Sean Connery as James Bond - but he is an august member of that small band of people, like George Best and Eric Morecambe, who transcended their chosen medium, became too big for it even, and grew into cultural icons. For the first time Reed's close family has agreed to collaborate on a project about the man himself. The result is a fascinating new insight into a man seen by many as merely a brawling, boozing hellraiser. And yet he was so much more than this. For behind that image, which all too often he played up to in public, was a vastly complex individual, a man of deep passions and loyalty but also deep-rooted vulnerability and insecurities. Why was a proud, patriotic, intelligent, successful and erudite man so obsessed about proving himself to others, time and time again? Although the Reed myth is of Homeric proportions, he remains a national treasure and somewhat peculiar icon. Praise for other books by Robert Sellers: Hellraisers: The Life and Inebriated Times of Richard Burton, Richard Harris, Peter O'Toole, and Oliver Reed: 'So wonderfully captures the wanton belligerence of both binging and stardom you almost feel the guys themselves are telling the tales.' GQ. Vic Armstrong: The True Adventures of the World's Greatest Stuntman: 'This is the best and most original behind-the-scenes book I have read in years, gripping and revealing.' Roger Lewis, Daily Mail. Don't Let the Bastards Grind You Down: '...a rollicking good read... Sellers has done well to capture a vivid snapshot of this exciting time.' Lynn Barber, Sunday Times.
In May 1999, after a 40-year career including 100 films, Oliver Reed died, as he had invariably, lived, drinking with friends while making another film - his well-reviewed performance in the blockbuster Gladiator. Having risen through Hammer Horror films to international stardom as Bill Sykes in Oliver!, Reed became, in his own works, 'the biggest star this country has got'. With his legendary off-screen exploits and blunt opinions - especially of his co-stars - he was also on the most infamous. Bestselling author Cliff Goodwin uses material from first-hand interviews with Reed's family, friends and colleagues and never before seen photographs to explore Reed's eventful career. but he also reveals another side to this unique and complex man.
'A wickedly entertaining new memoir' Daily Mail According to the Daily Mail Ian Ogilvy was 'the undisputed star of 1970s TV as the dashing Simon Templar in Return Of The Saint'. The show turned him into a household name, causing him to be touted as the next James Bond. From a liberal upbringing in post-war Britain, boarding school escapades and life at RADA, Ogilvy enjoyed an acting career spanning more than fifty years, including TV show Upstairs, Downstairs and films Witchfinder General, No Sex Please: We're British and Death Becomes Her. His story plays host to a spectacular all-star cast including Boris Karloff, Hayley Mills, Penelope Keith, Derek Nimmo, Timothy Dalton, Derek Jacobi and Meryl Streep, and Ogilvy gives a vivid account from behind the scenes of the Golden Age of television and film. Once a Saint is an amusing and unvarnished story: a tremendously endearing tale from a working actor. His story is modest and endlessly charming, told in such a way that opens a reader's heart to him.
London’s suspense thriller focuses on the fine distinction between state- justified murder and criminal violence in the Assassination Bureau—an organization whose mandate is to rid the state of all its enemies. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Still broadcast in syndication across the U.S., the urbane British program "The Avengers" went through many changes in the course of its run. This volume provides an overview of the series, a show-by-show guide to each episode, a comprehensive guide to memorabilia, and more than 200 photographs of England's most dashing crime fighters.
Dame Enid Diana Elizabeth Rigg, DBE, born on 20th July 1938, Doncaster, West Riding of Yorkshire, England, UK is an actress, who played Emma Peel in the TV series The Avengers (1965-68) then Olenna Tyrell in Game of Thrones (2013-17). Rigg has also had a career in theatre, including playing the title role in Medea, both in London and New York, for which she won the Tony Award for Best Actress in a Play during 1994. Diana was made a CBE in 1988 then a Dame for services to drama during 1994.
