With the sweep of an epic novel, Michael Schumacher tells the story of Allen Ginsberg and his times, with fascinating portraits of Jack Kerouac, Neal Cassady, and William Burroughs, among others, along with many rarely seen photographs.
"A must-read for all dancers as the invaluable historical references and in-depth coverage of the different jazz forms cannot be found in such detail in any other book on the market today."--Debra McWaters, author of "Musical Theatre Training" "Artfully weaves history and professional perspectives to reveal the boundaries of the jazz dance world. It invites the reader to develop a more complicated definition of jazz dance for the twenty-first century."--Susan A. Lee, Northwestern University The history of jazz dance is best understood by thinking of it as a tree. The roots of jazz dance are African. Its trunk is vernacular, shaped by European influence, and exemplified by the Charleston and the Lindy Hop. From the vernacular have grown many and varied branches, including tap, Broadway, funk, hip-hop, Afro-Caribbean, Latin, pop, club jazz, popping, B-boying, party dances, and more. Unique in its focus on history rather than technique, "Jazz Dance" offers the only overview of trends and developments since 1960. Editors Lindsay Guarino and Wendy Oliver have assembled an array of seasoned practitioners and scholars who trace the numerous histories of jazz dance and examine various aspects of the field, including trends, influences, training, race, aesthetics, international appeal, and its relationship to tap, rock, indie, black concert dance, and Latin dance.Featuring discussions of such dancers and choreographers as Bob Fosse and Katherine Dunham, as well as analyses of how the form's vocabulary differs from ballet, this complex and compelling history captures the very essence of jazz dance.
A traditional biography on the life of Mipham Rinpoche--one of the greatest 19th-century masters--from Dilgo Khyentse Rinpoche, one of the greatest 20th-century masters. The first half of this volume comprises the first-ever English translation of the biography of Mipham Rinpoche written by Dilgo Khyentse Rinpoche, a teacher to His Holiness the Dalai Lama as well as an entire generation of other teachers and students throughout the Himalayan region and the West. Composed in 1939, it was left behind in Tibet in 1959 when Khyentse Rinpoche went into exile and was lost for fifty-one years before its discovery in 2010 by an extraordinary stroke of good luck. Reverential in tone, it is informed by both oral accounts preserved in notes kept by Khyentse Rinpoche's elder brother and the recollections of Mipham's devoted personal attendant of thirty-seven years. In keeping with the identification of Mipham as an emanation of Manjushri, the lion of speech, the second half comprises a selection of Mipham's writings, designed to give the reader an experience of Mipham's eloquent speech and incisive thought. It includes both a new translation of The Lion's Roar: A Comprehensive Discourse on the Buddha-Nature and A Lamp to Dispel the Dark, a teaching of the Great Perfection, as well as excerpts from previously published translations of his works on Madhyamaka and tantra.
Stiles hopes to correct some popular misreadings of the nineteenth-century writers and provide a new approach to reading the twentieth-century authors by juxtaposing them alongside their predecessors."--BOOK JACKET.
A collection of teachings on how to correctly practice the view and meditation of Dzogchen by one of its most accomplished and beloved masters of the twentieth century. This volume is a heartfelt, intimate presentation of the entire system of the Nyingma tradition from sutra to tantra to Dzogchen, the Great Perfection, and how through it, modern-day practitioners can succeed in attaining fully realized buddhahood. Inspiring stories of the great masters Longchenpa and Jigme Lingpa kindle the prerequisites of faith and devotion that are the basis for the practices that follow. The Tibetan Buddhist master Nyoshul Khenpo Jamyang Dorje gave these talks during a three-year retreat in France from 1982 to 1985.
Introduction (內容簡介) The Wondrous Dharma Lotus Flower Sutra teaches the Bodhisattva Way, which is the original intent of all buddhas in opening the provisional to reveal the true. It is the Middle Way where matters and principles are in harmony; it is the perfect teaching of wondrous existence in true emptiness. It is the king of all sutras, the ultimate reality of the One Vehicle, and the one teaching that leads to buddhahood. The Lotus Sutra consists of Twenty-Eight Chapters, divided into three parts: Preface, Main Teachings, and Transmission. The Introductory Chapter is the Preface. The Jing Si Dharma Essence of the Wondrous Lotus Sutra combines the wondrous meanings of the sutra text with Dharma Master Cheng Yen’s notes as she explains the Dharma. The two parts connect and complement each other, skillfully explaining the Dharma in subtle and wondrous detail and revealing the wondrous state of the extremely profound true Dharma. 《妙法蓮華經》旨在教菩薩法,乃開權顯實之諸佛本懷,是事理圓融之中道,是真空妙有之圓教,為諸經之王,一乘實相,成佛唯一之教。 《法華經》共二十八品,入文為三︰初序分,二正宗分,三流通分。本書〈序品第一〉為序分。 《靜思法髓妙蓮華》融會經文妙義與證嚴法師之講法手札,此兩部分相連貫、互呼應,宛轉委曲、微妙細膩,顯示法華經真實甚深法藏之奧祕境界。
This second volume of passages gathered from the leading monks and teachers of the Pure Land, or Shin, school of Buddhist teaching focuses on religious practice. Extending from the foundational texts and first interpreters in the 4th century, to Rennyo in the 15th century, Professor Bloom’s selections trace the development of Shin Buddhist teaching from monastic visualization practices to the widely popular path to salvation through faith in, and recitation of, the name of Amida Buddha. Volume 2 features a foreword by Kenneth K. Tanaka and an introduction by renowned scholar and editor, Alfred Bloom, whose selected passages have been arranged topically for easy reference on issues of Pure Land teaching. The key interpreters featured are the Seven Great Teachers from India, China, and Japan (Nagarjuna, Vasubandhu; T’an-luan, Tao-ch’o, Shan-tao; Genshin, Honen), selected as doctrinal authorities by Shinran (1173-1263), the founder of the Japanese Pure Land sect.
The Oxford Handbook of American Buddhism offers the most comprehensive and up-to-date scholarship available on Buddhism in America. It charts the history and diversity of Buddhist communities, including traditions and communities that have been previously neglected, and looks at the ways in which Buddhist practices such as mindfulness meditation have been adopted in non-Buddhist settings.
An exultant song of realization by one of Tibet’s greatest yogis, explained and elaborated upon by a beloved contemporary Tibetan teacher. Jetsun Rinpoche Dragpa Gyaltsen (1147–1216)—revered as one of Tibet’s greatest yogis and one of the founding figures of the Sakya school of Tibetan Buddhism—composed his Great Song of Experience as a way to distill and communicate the essence of the Buddhist path to enlightenment. Shimmering with double meanings and seeming tautologies, Dragpa Gyalsten’s verses resound with insights thrown out like bolts of lightning. Beloved teacher Khenpo Migmar Tseten’s newly updated translation of Dragpa Gyaltsen’s Great Song brings these verses to life with a clarity and immediacy that belies the underlying challenge that these verses pose to our ordinary ways of thinking and being. In his extensive verse-by-verse commentary, Khenpo Migmar unravels Dragpa Gyaltsen’s terse, enigmatic verses with clarity and humor, bringing Rinpoche’s ecstatic realization and pointed insights into conversation with twenty-first-century concerns, showing how the experiential teachings of a twelfth-century Tibetan yogi can help us understand and counteract the modern pressures of wanton consumerism, greed and inequality, isolation and loneliness, and environmental degradation. Khenpo Migmar’s insightful commentary opens the door to the radical vision presented by Dragpa Gyalsten’s poetic teachings, showing us a view of the mind without center or limits, as bright as the sun, and clear and open as space. In addition to Khenpo Migmar’s extensive verse-by-verse commentary, the book includes facing-page English and Tibetan editions of the root text of Great Song of Experience, and the laudatory poem Praise to Jetsun Rinpoche Dragpa Gyaltsen by Dragpa Gyaltsen’s nephew and student, the great Sakya Pandita (1182–1251).