In the heart of a city shrouded in secrets, Detective Ellis Ward stands as a beacon of relentless pursuit of truth. When a mysterious message arrives, cryptic and laden with urgency, it marks the beginning of an enigmatic journey into the shadows of a haunting past. Within the pages of this gripping crime and mystery novel, readers are invited to join Detective Ward as he unravels a web of intrigue, betrayal, and the ever-elusive allure of the unknown. From the eerie corridors of an abandoned mansion to the depths of the human psyche, this novel promises an unforgettable exploration of the darkest aspects of human nature.
The secret double-life of Ruth Ellis and the Establishment cover-up that led to her unjust hanging Ruth Ellis, the last woman to be hanged in Britain, was convicted fifty years ago for shooting her lover David Blakely. The case became a notorious part of British criminal history and was turned into the film, Dance with a Stranger. The story that has been perpetuated ever since is that of a peroxide tart who killed in a fit of passion. Yet, crucial questions were left unasked in the original trial. Ruth Ellis's sister, Muriel Jakubait, knew her longest of all. She has never given up her search for justice. Now after fifty years she has decided to reveal the hard facts about their shared upbringing, and seek to piece together the full true story of her sister. As she is at pains to point out, the jealous killer tag has never been substantiated. This is a story of power, espionage, lies, loyalty, poverty, sex and betrayal. It suggests a third man may have pulled the trigger for the fatal shots. And that he belonged to a web of espionage into which Ruth Ellis fell long before the shooting. Above all, it indicates that Ruth was being run by Stephen Ward, at least a decade before his name became public in the Profumo Scandal. Muriel's motive is about more than proving her sister Ruth's innocence. It's about reclaiming the right to tell the story of her own family, stripped bare of the many tabloid myths that have accrued over the decades. She shows that Ruth was somebody damaged at a very early age - who strove to make something of herself, only to be caught up in something much bigger and end up paying with her life.
THE MUST-READ MULTIMILLION BESTSELLING MYSTERY SERIES • The final book in the A Good Girl's Guide to Murder series that reads like your favorite true crime podcast or show. By the end, you'll never think of good girls the same way again... Pip is about to head to college, but she is still haunted by the way her last investigation ended. She’s used to online death threats in the wake of her viral true-crime podcast, but she can’t help noticing an anonymous person who keeps asking her: Who will look for you when you’re the one who disappears? Soon the threats escalate and Pip realizes that someone is following her in real life. When she starts to find connections between her stalker and a local serial killer caught six years ago, she wonders if maybe the wrong man is behind bars. Police refuse to act, so Pip has only one choice: find the suspect herself—or be the next victim. As the deadly game plays out, Pip discovers that everything in her small town is coming full circle . . .and if she doesn’t find the answers, this time she will be the one who disappears. . . And don't miss Holly Jackson's next thriller, Five Surive!
#1 NEW YORK TIMES BESTSELLER "A haunting, beautiful, and necessary book."—Nicola Yoon, #1 New York Times bestselling author of Everything, Everything Charlotte Davis is in pieces. At seventeen she’s already lost more than most people do in a lifetime. But she’s learned how to forget. The broken glass washes away the sorrow until there is nothing but calm. You don’t have to think about your father and the river. Your best friend, who is gone forever. Or your mother, who has nothing left to give you. Every new scar hardens Charlie’s heart just a little more, yet it still hurts so much. It hurts enough to not care anymore, which is sometimes what has to happen before you can find your way back from the edge. A deeply moving portrait of a girl in a world that owes her nothing, and has taken so much, and the journey she undergoes to put herself back together. Kathleen Glasgow's debut is heartbreakingly real and unflinchingly honest. It’s a story you won’t be able to look away from. And don’t miss Kathleen Glasgow's novels You’d Be Home Now and How to Make Friends with the Dark, both raw and powerful stories of life.
This unique horror collection is meticulously edited & formatted to the highest digital standards and adjusted for readability on all devices. Contents: Suspense Stories: The Box with the Iron Clamps (Florence Marryat) The Birth Mark (Nathaniel Hawthorne) The Oblong Box (Edgar Allan Poe) A Terribly Strange Bed (Wilkie Collins) The Torture by Hope (Villiers de l'Isle Adam) The Great Valdez Sapphire (Anonymous) The Mysterious Card (Cleveland Moffett) My Fascinating Friend (William Archer) The Lost Room (Fitz-James O'Brien)Detective Stories: A Scandal in Bohemia (A. Conan Doyle) The Safety Match (Anton Chekhov) The Black Hand (Arthur B. Reeve) The Purloined Letter (Edgar Allan Poe) The Rope of Fear (Thomas W. Hanshew and Mary E. Hanshew) The Biter Bit (Wilkie Collins) Missing: Page Thirteen (Anna Katherine Green) Some Scotland Yard Cases (Sir Robert Anderson) Ghost Stories: The Horla (Guy de Maupassant) Number 13 (Montague Rhodes James) Thrawn Janet (Robert Louis Stevenson) The Man Who Went Too Far (E.F. Benson) To Sura: A Letter (Pliny the Younger) The Beast with Five Fingers (William F. Harvey) Joseph: A Story (Katherine Rickford) Sister Maddelena (Ralph Adams Cram) The Phantom Rickshaw (Rudyard Kipling) The Apparition of Mrs. Veal (Daniel Defoe) Canon Alberic's Scrap-Book (M. R. James) The Haunted and the Haunters (Lord Edward Bulwer-Lytton) The Silent Woman (Leopold Kompert) The Rival Ghosts (Brander Matthews) The Damned Thing (Ambrose Bierce) The Interval (Vincent O'Sullivan) Dey Ain't No Ghosts (Ellis Parker Butler) The Banshees of Ireland Some Real American Ghosts The Deserted House (E. T. A. Hoffmann) The Withered Arm (Thomas Hardy) The House and the Brain (Lord Edward Bulwer-Lytton) The Roll-Call of the Reef (A. T. Quiller-Couch) The Open Door (Mrs. Margaret Oliphant) The Mysterious Sketch (Erckmann-Chatrian) Green Branches (Fiona Macleod) The Were-Wolf (H. B. Marryatt) Clarimonde (Théophile Gautier) The Stalls of Barchester Cathedral (M. R. James) Paranormal Psychic Stories Humorous Mystery Stories...
Drawing conclusions about a murder that has interrupted the nuptial plans between a reluctant bride and a significantly older man, Brother Cadfael traces the clues to the Saint Giles leper colony. Reprint.
The immense popularity of movies has its roots in the silent films of the early 1900s, this being especially true of the crime genre. The authors of this Guide have compiled for the first time in one volume an entire history of the crime genre during the silent era, preserving the memories of these films for their own generation and introducing these works to a new generation thirsty for entertainment and knowledge. This Guide includes more than 2,000 film entries, complete with names of directors, screenwriters, and major players and offers a wealth of data supported by plot evaluations and occasional thematic commentaries. This is the only work that includes one- and two-reelers and serials along with full-length crime features. Each entry covers title, date of release, distributor or studio, director, screenwriter, major cast members, plot description, and thematic commentary, reviving this almost forgotten genre for generations of students and movie fans both old and new. The Guide pays tribute to the glory of cinema pioneers as diverse as D. W. Griffith and Lon Chaney who have given the world a wide variety of stories and experiences both thought-provoking and startling. Although men tended to dominate the silent years in Hollywood, women managed to contribute dramatically. Among them were director Lois Weber and film personalities Mabel Normand, Pearl White, Mary Pickford, and Ruth Roland. These creative men and women and their often neglected works deserve a second look. The likes of Pacino, Eastwood, and Brando can look to the past where the ground for their work was carefully prepared in such earlier silent films as Griffith's The Musketeers of Pig Alley (1912) and von Sternberg's Underworld (1927).
