For anyone who's ever wished to, but had trouble starting, keeping, or finishing a journal or sketchbook comes this journal; an illustrated book that features a subversive collection of prompts, asking readers to muster up their best mistake- and mess-making abilities to fill the pages of the book (and destroy them).
You will discover that this book can be: A secret message - tear out a page, write a note on it for a stranger, and leave it in a public place. A recording device - have everyone you contact today write their name in the book. An instrument - create as many sounds as you can using the book, like flipping the pages fast or slapping the cover. This Is Not a Book will engage readers by having them define everything a book can be by asking, 'If it's not a book, what is it then?' - with a kaleidoscope of possible answers.
Twilight of the Avant-Garde addresses the central problem of contemporary Spanish poetry: the attempt to preserve the scope and ambition of modernist poetry at the end of the twentieth century. Offering a critical analysis of Luis Garcìa Montero’s “poetry of experience,” and the work of José Angel Valente and Antonio Gamoneda, among others, Mayhew challenges received notions about the value of poetic language in relation to the society and culture at large. Ultimately championing the survival of more challenging and ambitious modes of poetic writing in the postmodern age, this volume argues that the cultural ambition of modernist poetics remains alive and well in our age of cynicism.
In this memoir by Vali Myers' long-time companion, Gianni Menichetti, Vali's life and life's work are brought into beautiful, clear focus with wit, candor, and great affection. Vali was an artist, dancer, actress, lover of animals and nature at-large. Uniquely original, Vali Myers has inspired countless artists for decades past and present. The artists that sought her out included Donovan, Marianne Faithfull, Mick Jagger, Mary Ellen Clark and more. The Australian artist, Vali Myers, was a legend in her own time. Premiere danseuse of the Melbourne Modern Ballet at seventeen, she left home and spent ten years in Paris, living much of the time on the streets but never ceasing to draw. Ed van der Elsken famously put her on the cover of his Love on the Left Bank, that manifesto of Paris in the 1950's and her work was praised by George Plimpton in his Paris Review. Then, saying good-bye to all that, she spent forty years in semi-seclusion in a wild canyon in Italy, where she continued producing her minute, mystical, and passionate drawings and looking after a large menagerie of animals. Tough as nails, she fought the local authorities who wanted to introduce loggers into the valley, after a long struggle succeeding in having it designated as a wildlife oasis. Finally, Vali returned triumphant to her native Melbourne, where she was recognized as an artist sui generis. In this memoir by her long-time companion Gianni Menichetti, Vali's life and life's work are brought into beautiful, clear focus with wit, candor, and great affection. You saw in her the personalization of something torn and loose and deep down primitive in all of us.--George Plimpton, Paris Review Vali's life is as classical, as intense, as necessary, as latently tragic an artist's life as that of Vincent van Gogh or François Villon, Arthur Rimbaud or Janis Joplin.-- Ed van der Elsken, photographer Vali--the original Tightrope Dancer. Most totter along life's tightrope; Vali embraced the danger and leapt. With her fierce wild spirit, she was a familiar who swept you up in her magical world which made everything else look like a pale shade of grey.--Ruth Cullen, director - Tightrope Dance, Painted Lady It was like being friends with some angel who had gotten kicked out for lewd behavior.--Christ Stein, musician Vali Myers... lived her life without fear.--Julia Inglis, author Vali was a gift--of sea and wind.--Peter Weller, actor Vali's dogs, Vali's trees, Vali's donkey, the birds, the flowers, the caves, the spiders of Bali. We have seen for the first time the old skeleton of nature.--Bernardo Bertolucci, filmmaker Literary Nonfiction.
From the creator of "Wreck This Journal," an exploration into the creative process and chance. Readers are instructed to go on an unusual scavenger hunt, collecting a spectrum of random items. They'll be forced out of habitual ways of thinking to discover new connections.
From the internationally bestselling creator of Wreck This Journal, a book that celebrates mistake- and mess-making like never before... Your whole life, you’ve been taught to avoid making a mess: try to keep everything under control, color inside the lines, make it perfect, and at all costs, avoid contact with things that stain. This book asks you to do the opposite of what you have been taught. Think of it as your own personal rumpus room. A place to let loose, to trash, to spew, to do the things you are not allowed to do in the “real world.” There are only three rules you will find in this book: 1. Do not try to make something beautiful. 2. Do not think too much. (There is no “wrong.”) 3. Continue under all circumstances. It's time to make a mess.
A los 14 años, con la lectura de Análisis profano de Freud, se produce un quiebre en la vida de María Esther Gilio: “Después de haber pasado mi primera infancia diciendo ‘quiero ser médica de locos’, después de ver un film de Claudette Colbert en que ésta, con todo su encanto francés, convertía a locos furiosos en santos de estampita, quise ser psicoanalista”. Este es el testimonio de alguien que sospecha que hablar de uno mismo en el pasado es como hablar de otra persona, y que el presente surge permanentemente como un espejo que no siempre queremos enfrentar de manera directa (“Llegamos a hoy. Y yo no quiero escribir sobre mí misma”). Como si la conversación con quienes compartimos preciados intereses mostrara nuestra identidad más genuina, la autora –abogada, escritora, biógrafa y periodista– nos habla de experiencias de vida a través de una serie de entrevistas. Aparecen aquí algunos de los más importantes y prestigiosos psicoanalistas contemporáneos: Jean Laplanche, Jacques Alain Miller, Emilio Rodrigué, Elisabeth Roudinesco, Benzión Winograd, Silvia Bleichmar, Janine Altounian, Lito Benvenutti, Mordechai Benyakar, César Botella, Françoise Davoine, Jean-Max Gaudilliere, Daniel Gil, Max Hernández, Philippe Jeammet, François Marty, Paul Roazen y Teresa Yuan. De manera paulatina, el lector encontrará en estas páginas una impresión de coherencia ética y profesional en el tratamiento de temas que le dan sentido a aquel primer deseo, y que revelan que “nuestras decisiones siempre están estrechamente unidas a lo que imaginamos”.