This joint venture between ICOMOS, the advisory body to UNESCO on cultural sites, and the International Astronomical Union is the second volume in an ongoing exploration of themes and issues relating to astronomical heritage in particular and to science and technology heritage in general. It examines a number of key questions relating to astronomical heritage sites and their potential recognition as World Heritage, attempting to identify what might constitute "outstanding universal value" in relation to astronomy. "Heritage Sites of Astronomy and Archaeoastronomy--Volume 2" represents the culmination of several years' work to address some of the most challenging issues raised in the first ICOMOS-IAU Thematic Study, published in 2010. These include the recognition and preservation of the value of dark skies at both cultural and natural sites and landscapes; balancing archaeoastronomical considerations in the context of broader archaeological and cultural values; the potential for serial nominations; and management issues such as preserving the integrity of astronomical sightlines through the landscape.Its case studies are developed in greater depth than those in volume 1, and generally structured as segments of draft nomination dossiers. They include seven-stone antas (prehistoric dolmens) in Portugal and Spain, the thirteen towers of Chankillo in Peru, the astronomical timing of irrigation in Oman, Pic du Midi de Bigorre Observatory in France, Baikonur Cosmodrome in Kazakhstan, and Aoraki-Mackenzie International Dark Sky Reserve in New Zealand. A case study on Stonehenge, already a World Heritage Site, focuses on preserving the integrity of the solstitial sightlines.As for the first ICOMOS-IAU Thematic Study, a international team of authors including historians, astronomers and heritage professionals is led by Professor Clive Ruggles for the IAU and Professor Michel Cotte for ICOMOS.
This book takes readers back and forth through time and makes the past accessible to all families, students and the general reader and is an unprecedented collection of a list of events in chronological order and a wealth of informative knowledge about the rise and fall of empires, major scientific breakthroughs, groundbreaking inventions, and monumental moments about everything that has ever happened.
Presents the history of art from prehistoric times to the present day, describes major artists and movements, and details the influence of art on society through the ages.
Discover and explore the most incredible statues, monuments, temples, bridges, and ancient cities with this unparalleled survey of the most famous buildings and structures ever created by humans. From Stonehenge to the Sagrada Familia, from the Great Wall of China to the Burj Khalifa, Manmade Wonders of the World plots a continent-by-continent journey around the world, exploring and charting the ingenuity and imagination used by different cultures to create iconic buildings. This truly global approach reveals how humans have tackled similar challenges - such as keeping the enemy out or venerating their gods - in vastly different parts of the world. As writer, historian, and broadcaster Dan Cruickshank writes in his foreword, "reading this book is like taking a journey through the world not only of the present but also of the past, because the roots of many wonders lie in antiquity." By combining breathtaking photography with 3D cutaway artworks, floorplans, and other illustrations, the hidden details and engineering innovations that make each building remarkable are revealed. Featuring the most visited monuments in the world - such as the Eiffel Tower, Taj Mahal, and Machu Picchu - as well as some hidden gems, Manmade Wonders of the World can help you to map out the trip of a lifetime or simply be enjoyed as a celebration of the world that humans have built over thousands of years.
A modern, comprehensive compilation of more than 7,000 entries covering themes, concepts, and discoveries in archaeology written in nontechnical language and tailored to meet the needs of professionals, students and general readers. The main subject areas include artifacts; branches of archaeology, chronology; culture; features; flora and fauna; geography; geology; language; people; related fields; sites; structures; techniques and methods; terms and theories; and tools.
This introduction to the archaeology of Asia focuses on casestudies from the region’s last 10,000 years of history. Comprises fifteen chapters by some of the world’sforemost Asia archaeologists Sheds light on the most compelling aspects of Asianarchaeology, from the earliest evidence of plant domestication tothe emergence of states and empires Explores issues of cross-cultural significance, such asmigration, urbanism, and technology Presents original research data that challenges readers tothink beyond national and regional boundaries Synthesizes work previously unavailable to western readers
The funerary shrine of the Confucian scholar Wu Liang, created in AD 151, is the most important surviving pre-Buddhist monument in China. That is to say, it is the most important single work of visual art from the centuries that set the patterns of Chinese thought for almost two millennia. The importance of the shrine lies in the beauty of the stone reliefs on its walls and, especially, in the remarkably comprehensive iconography of its nearly one hundred scenes. They constitute, in effect, a coherent symbolic structure of the universe as the Han Chinese conceived it. This structure consists of three sections: the ceiling carvings present the Mandate of Heaven; the scenes on the two gables depict the paradise of the immortals; and the 44 stories related on the walls illustrate the history of mankind, starting with the creators of human culture and ending with a portrait of Wu Liang, who designed his own memorial. The author finds the shrine comparable, in the comprehensiveness and cultural significance of its iconography, to the cathedral at Chartres or the Sistine Chapel.
Dear Black Girls is a letter to all Black girls. Every day poet and educator Shanice Nicole is reminded of how special Black girls are and of how lucky she is to be one. Illustrations by Kezna Dalz support the book's message that no two Black girls are the same but they are all special--that to be a Black girl is a true gift. In this celebratory poem, Kezna and Shanice remind young readers that despite differences, they all deserve to be loved just the way they are.