One of Time Magazine’s Sixteen Best True Crime Books of All Time A crusading Mexican-American journalist searches for justice and hope in an increasingly violent Mexico In the last decade, more than 100,000 people have been killed or disappeared in the Mexican drug war, and drug trafficking there is a multibillion-dollar business. In a country where the powerful are rarely scrutinized, noted Mexican-American journalist Alfredo Corchado refuses to shrink from reporting on government corruption, murders in Juárez, or the ruthless drug cartels of Mexico. One night, Corchado received a tip that he could be the next target of the Zetas, a violent paramilitary group—and that he had twenty-four hours to find out if the threat was true. Midnight in Mexico is the story of one man’s quest to report the truth of his country—as he races to save his own life.
Finch chronicles the harrowing true story of two friends who plunge 900 feet into the water in South Africa--and only one returns. What happened that day is the stuff of nightmarish drama, but it's also a compelling human story of friendship and of coming to terms with loss and tragedy. 8-page color photo insert.
Not since Betty Eadie’s Embraced by the Light has a personal account of a Near-Death Experience (NDE) been so utterly different from most others—or nearly as compelling. "This is a book you devour from cover to cover, and pass on to others. This is a book you will quote in your daily conversation. Storm was meant to write it and we were meant to read it." —from the foreword by Anne Rice In the thirty years since Raymond Moody’s Life After Life appeared, a familiar pattern of NDEs has emerged: suddenly floating over one’s own body, usually in a hospital setting, then a sudden hurtling through a tunnel of light toward a presence of love. Not so in Howard Storm’s case. Storm, an avowed atheist, was awaiting emergency surgery when he realized that he was at death’s door. Storm found himself out of his own body, looking down on the hospital room scene below. Next, rather than going “toward the light,” he found himself being torturously dragged to excruciating realms of darkness and death, where he was physically assaulted by monstrous beings of evil. His description of his pure terror and torture is unnerving in its utter originality and convincing detail. Finally, drawn away from death and transported to the realm of heaven, Storm met angelic beings as well as the God of Creation. In this fascinating account, Storm tells of his “life review,” his conversation with God, even answers to age-old questions such as why the Holocaust was allowed to take place. Storm was sent back to his body with a new knowledge of the purpose of life here on earth. This book is his message of hope.
In this provocative, classic metaphysical thriller, a group of suburban amateur actors plagued by personal demons and terrors explore the pathways to heaven and hell Certain inhabitants of Battle Hill, a small community on the outskirts of London, are preparing to mount a new play by the neighborhood’s most illustrious resident, the writer Peter Stanhope. Each actor struggles with self-absorption, doubt, fear, and sin. But “the Hill” is not like other places. Here the past and present intermingle, ghosts walk among the living, and reality is often clouded by dreams and the dark fantastic. For young Pauline Anstruther, who is caring for an aging grandmother and frightened by the specter of a doppelgänger who gets closer with each visitation, the prospect of heaven exists in the renowned playwright’s willingness to bear the burden of her terror. For eminent historian Lawrence Wentworth, the rejection of his desire pulls him deeper inside himself, leaving him vulnerable to the lure of the succubus and opening wide the entrance to hell. A brilliant theological thriller, Descent into Hell is an extraordinary fictional meditation on sin and personal salvation by one of the twentieth century’s most original and provocative literary artists. Charles Williams, a member of the Inklings alongside fellow Oxfordians C. S. Lewis, J. R. R. Tolkien, and Owen Barfield, has written a powerful work at once profoundly disturbing and gloriously uplifting, an ingenious amalgam of metaphysics, religious thought, and darkest fantasy.
He descended into hell. Hans Urs von Balthasar, one of the most influential theologians of the twentieth century, placed this affirmation of the Nicene Creed at the heart of his reflection on the world-altering events of Holy Week, asserting that this identification of God with the human experience is at the "absolute center" of the Christian faith. Yet is such a descent to suffering really the essence of Catholic belief about the mystery of Holy Saturday? Alyssa Lyra Pitstick's Light in Darkness -- the first comprehensive treatment of Balthasar's theology of Holy Saturday -- draws on the multiple yet unified resources of authoritative Catholic teaching on Christ's descent to challenge Balthasar's conclusions. Pitstick conducts a thorough investigation of Balthasar's position that Christ suffered in his descent into hell and asks whether that is compatible with traditional teaching about Christ. Light in Darkness is a thorough argument for the existence and authority of a traditional Catholic doctrine of Christ's descent as manifested in creeds, statements of popes and councils, Scripture, and art from Eastern and Western traditions. Pitstick's carefully argued, contrarian work is sure to spur debate across the theological spectrum.
On October 10, 1941, the Jewish population of the Belarusian village of Krucha was rounded up and shot. This atrocity was not the routine work of the SS but was committed by a regular German army unit acting on its own initiative. Marching into Darkness is a bone-chilling exposé of the ordinary footsoldiers who participated in the Final Solution on a daily basis. Although scholars have exploded the myth that the Wehrmacht played no significant part in the Holocaust, a concrete picture of its involvement has been lacking. Marching into Darkness reveals in detail how the army willingly fulfilled its role as an agent of murder on a massive scale. Waitman Wade Beorn unearths forced labor, sexual violence, and grave robbing, though a few soldiers refused to participate and even helped Jews. Improvised extermination progressively became methodical, with some army units going so far as to organize "Jew hunts." The Wehrmacht also used the pretense of Jewish anti-partisan warfare as a subterfuge by reporting murdered Jews as partisans. Through military and legal records, survivor testimonies, and eyewitness interviews, Beorn paints a searing portrait of an army's descent into ever more intimate participation in genocide.