Degas Landscapes
Author: Richard Kendall
Publisher: Yale University Press
Published: 1993-01-01
Total Pages: 330
ISBN-13: 0300058373
DOWNLOAD EBOOKBiografi om Degas landskaber set i relation til andre kunstneres behandling af landskabet som motiv
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Edgar Degas
Author: Ann Dumas
Publisher:
Published: 2006
Total Pages: 136
ISBN-13:
DOWNLOAD EBOOKThe great French Impressionist Edgar Degas (1834-1917) is best known for his images of Parisian life-for his superb renditions of cafe society, the ballet, and horse racing-and for his intimate interior scenes of bathing women. As this beautifully illustrated book reveals, however, he also maintained a lifelong interest in landscape subjects that until now has gone largely unrecognized. Despite taunting his friend Henri Rouart for "painting on the edge of a cliff," commenting "painting is not a sport," his love of this genre inspired him to create many paintings, pastels, and prints; it was, after all, the theme that the fifty-eight-year-old artist chose for his only solo show in France.
Potential Images
Author: Dario Gamboni
Publisher: Reaktion Books
Published: 2002
Total Pages: 312
ISBN-13: 9781861891495
DOWNLOAD EBOOKIn Potential Images Dario Gamboni explores ambiguity in modern art, considering images that rely to a great degree on a projected or imaginative response from viewers to achieve their effect. Ambiguity became increasingly important in late 19th- and early 20th-century aesthetics, as is evidenced in works by such artists as Redon, Cezanne, Gauguin, Ensor and the Nabis. Similarly, the Cubists subverted traditional representational conventions, requiring their viewers to decipher images to extract their full meanings. The same device was taken up in the various experiments leading to abstraction. For example, it was Kandinsky's intention that his work could be interpreted in both figurative and non-figurative ways, and Duchamp's Readymades suggested the radical conclusion that 'it is the beholder who makes the picture'. These invitations to viewers to participate in the process of artistic communication had social and political implications, as they accorded artist and beholder symmetrical, almost interchangeable, roles.
Degas' Drawings
Author: H. G. E. Degas
Publisher: Courier Corporation
Published: 2012-07-16
Total Pages: 112
ISBN-13: 0486139360
DOWNLOAD EBOOKCarefully reproduced from a rare 1923 limited edition, most of these magnificent drawings are unavailable elsewhere in published form. Dancers, nudes, portraits, travel scenes, and more. 100 drawings, including 8 in full color.
An Introduction to Landscape
Author: Peter J. Howard
Publisher: Routledge
Published: 2016-12-05
Total Pages: 347
ISBN-13: 135195878X
DOWNLOAD EBOOKInspiring deep emotion, landscape carries many meanings. This book follows the development of several threads of the concept of landscape as they have evolved across disciplines and across countries, leading to the European Landscape Convention and the designation of cultural landscapes as World Heritage Sites. The book introduces the key notions of landscape, such as landscape as meaning, as picture, as scale, as scenery and as place. It also considers the various factors which influence the way in which landscape is perceived now and in the past, with all of the senses. Finally, it looks of the various ways of protecting, managing and enhancing the landscape, taking into account a future of climate change. Beautifully illustrated and including 'capsules' in each section which provide fascinating insights into subjects from reading pictures, to mapping and GIS, through a discussion of the range of types of landscape to issues such as eco-museums, this book provides an excellent introductory overview for any students with an interest in the landscape around us.
Courbet's Landscapes
Author: Paul Galvez
Publisher: Yale University Press
Published: 2022
Total Pages: 210
ISBN-13: 0300244134
DOWNLOAD EBOOKA groundbreaking insight into Gustave Courbet and his bold experiments in landscape painting Between 1862 and 1866 Gustave Courbet embarked on a series of sensuous landscape paintings that would later inspire the likes of Monet, Pissarro, and Cézanne. This series has long been neglected in favor of Courbet's paintings of rural French life. Courbet's Landscapes: The Origins of Modern Painting explores these astonishing paintings, staking a claim for their importance to Courbet's work and later developments in French modernism. Ranging from the grottoes of Courbet's native Franche-Comté to the beaches of Normandy, Paul Galvez follows the artist on his travels as he uses a palette-knife to transform the Romantic landscape of voyage into a direct, visceral confrontation with the material world. The Courbet he discovers is not the celebrated history painter of provincial life, but a committed landscapist whose view of nature aligns him with contemporary developments in geology, history, linguistics, and literature.
Landscape with Smokestacks
Author: Howard J. Trienens
Publisher: Northwestern University Press
Published: 2000
Total Pages: 150
ISBN-13: 9780810118201
DOWNLOAD EBOOKAgainst a background of controversy over the possibility that works of art owned by American collectors may have originally been stolen by the Nazis from Jews later killed in the holocaust, the story of one work of art Landscape with Smokestacks by Degas captured the headlines. As told by the media, the story is straightforward. The landscape, owned by Jewish banker in the Netherlands, was sent to Paris in 1939. The Nazis occupied France and stole the Landscape. The Jewish banker and his wife were killed in the Holocaust. Their heirs searched for the landscape but did not locate it until, half a century later, it was found in the possession of an art collector in Chicago. The heirs sued to recover the work.
Always Looking
Author: John Updike
Publisher: Knopf
Published: 2012-11-27
Total Pages: 449
ISBN-13: 0307961834
DOWNLOAD EBOOKA dazzling collection of “remarkably elegant essays” (Newsday) on art—and the companion volume to the celebrated Just Looking and Still Looking—from one of the most gifted American writers of the twentieth century. In this book, readers are treated to a collection in which “the psychological concerns of the novelist drive the eye from work to work until a deep understanding of the art emerges” (The New York Times Book Review). Always Looking opens with “The Clarity of Things,” the Jefferson Lecture in the Humanities for 2008. Here, in looking closely at individual works by Copley, Homer, Eakins, Norman Rockwell, and others, the author teases out what is characteristically “American” in American art. This talk is followed by fourteen essays, most of them written for The New York Review of Books, on certain highlights in Western art of the last two hundred years: the iconic portraits of Gilbert Stuart and the sublime landscapes of Frederic Edwin Church, the series paintings of Monet and the monotypes of Degas, the richly patterned canvases of Vuillard and the golden extravagances of Klimt, the cryptic triptychs of Beckmann, the personal graffiti of Miró, the verbal-visual puzzles of Magritte, and the monumental Pop of Oldenburg and Lichtenstein. The book ends with a consideration of recent works by a living American master, the steely sculptural environments of Richard Serra. John Updike was a gallery-goer of genius. Always Looking is, like everything else he wrote, an invitation to look, to see, to apprehend the visual world through the eyes of a connoisseur.
