Deer Women and Elk Men
Deer Women and Elk Men

Author: Ella Cara Deloria

Publisher:

Published: 1992

Total Pages: 232

ISBN-13:

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"While Ella Deloria is known as a linguist and ethnologist and as author of the novel Waterlily, many readers may not know that she also wrote extensively in several Dakota dialects. Trained under Franz Boas, Deloria collected stories, autobiographies, and extensive descriptions of all aspects of Lakota life in the 1920s and 1930s, when the memories of her informants extended well back into camp circle days. She wrote the interviews from memory--first in Lakota, then in English, creating a literary extension of the oral tradition. In this first extended critical study of Deloria's work, Rice claims her as a major American writer." "In discussing Deloria's Dakota Texts, Rice selects the theme of sexuality because it presents social and spiritual problems that are resolved in the narratives. In addition, a comparison of such issues in Lakota narratives and in familiar Shakespeare plays highlights Lakota values and serves to contextualize Deloria's work. English translations of the thirteen stories under discussion are provided in an appendix for ease of reference." "Readers familiar with Deloria's writing will welcome this critical study, and new readers will gain an increased understanding of Lakota culture. It will be of value to scholars of literature, religion, and Native American culture."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Oglala Women
Oglala Women

Author: Marla N. Powers

Publisher: University of Chicago Press

Published: 2010-01-15

Total Pages: 274

ISBN-13: 0226677508

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Based on interviews and life histories collected over more than twenty-five years of study on the Pine Ridge reservation in South Dakota, Marla N. Powers conveys what it means to be an Oglala woman. Despite the myth of the Euramerican that sees Oglala women as inferior to men, and the Lakota myth that seems them as superior, in reality, Powers argues, the roles of male and female emerge as complementary. In fact, she claims, Oglala women have been better able to adapt to the dominant white culture and provide much of the stability and continuity of modern tribal life. This rich ethnographic portrait considers the complete context of Oglala life—religion, economics, medicine, politics, old age—and is enhanced by numerous modern and historical photographs. "It is a happy event when a fine scholarly work is rendered accessible to the general reader, especially so when none of the complexity of the subject matter is sacrificed. Oglala Women is a long overdue revisionary ethnography of Native American culture."—Penny Skillman, San Francisco Chronicle Review "Marla N. Powers's fine study introduced me to Oglala women 'portrayed from the perspectives of Indians,' to women who did not pity themselves and want no pity from others. . . . A brave, thorough, and stimulating book."—Melody Graulich, Women's Review of Books "Powers's new book is an intricate weaving . . . and her synthesis brings all of these pieces into a well-integrated and insightful whole, one which sheds new light on the importance of women and how they have adapted to the circumstances of the last century."—Elizabeth S. Grobsmith, Nebraska History

Women Intellectuals, Modernism, and Difference
Women Intellectuals, Modernism, and Difference

Author: Alice Gambrell

Publisher: Cambridge University Press

Published: 1997-07-03

Total Pages: 260

ISBN-13: 9780521556880

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How do gender and race become objects of intellectual inquiry? What happens to marginal discourses when they participate in the academic processes of scrutiny and evaluation? In Women Intellectuals, Modernism, and Difference, Alice Gambrell examines the careers of a group of women intellectuals - Leonora Carrington, Ella Deloria, H. D., Zora Neale Hurston, and Frida Kahlo - whose scholarly rediscovery coincided with the rise of feminist and minority discourse studies in the academy. She examines the exhibitions, memoirs, poems, ethnographies, and personal correspondences these women produced, combining concrete local observation with contemporary theoretical perspectives on race and gender. Through a mixture of empirical detail and theoretical speculation, Gambrell explores the role these women played in expanding the conception of American literature by their involvement in the Harlem Renaissance. She offers new ways of thinking about the relationships between cultural studies, feminism and minority discourse within the ongoing reassessment of modernism.

The Beastly Bride
The Beastly Bride

Author: Ellen Datlow

Publisher: Penguin

Published: 2010-04-01

Total Pages: 403

ISBN-13: 1101186178

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What do werewolves, vampires, and the Little Mermaid have in common? They are all shapechangers. In The Beastly Bride, acclaimed editors Ellen Datlow and Terri Windling bring together original stories and poems from a stellar lineup of authors including Peter S. Beagle, Ellen Kushner, Jane Yolen, Lucius Shepard, and Tanith Lee, as well as many new, diverse voices. Terri Windling provides a scholarly, yet accessible introduction, and Charles Vess?s decorations open each story. From Finland to India, the Pacific Northwest to the Hamptons, shapechangers are part of our magical landscape?and The Beastly Bride is sure to be one of the most acclaimed anthologies of the year.

The Only Good Indians
The Only Good Indians

Author: Stephen Graham Jones

Publisher: Gallery / Saga Press

Published: 2021-01-26

Total Pages: 336

ISBN-13: 1982136464

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A NEW YORK TIMES BESTSELLER From USA TODAY bestselling author Stephen Graham Jones comes a “masterpiece” (Locus Magazine) of a novel about revenge, cultural identity, and the cost of breaking from tradition. Labeled “one of 2020’s buzziest horror novels” (Entertainment Weekly), this is a remarkable horror story that “will give you nightmares—the good kind of course” (BuzzFeed). Seamlessly blending classic horror and a dramatic narrative with sharp social commentary, The Only Good Indians is “a masterpiece. Intimate, devastating, brutal, terrifying, warm, and heartbreaking in the best way” (Paul Tremblay, author of A Head Full of Ghosts). This novel follows four American Indian men after a disturbing event from their youth puts them in a desperate struggle for their lives. Tracked by an entity bent on revenge, these childhood friends are helpless as the culture and traditions they left behind catch up to them in violent, vengeful ways.

The Black Elk Reader
The Black Elk Reader

Author: Clyde Holler

Publisher: Syracuse University Press

Published: 2000

Total Pages: 404

ISBN-13: 9780815628354

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A compilation of essays by authorities on Black Elk. The introduction explores his life and texts, and the essays demonstrate Black Elk's relevance to today's scholarly discussions, and consider his work from postcolonial, anthropological and cultural perspectives.

We Are the Stars
We Are the Stars

Author: Sarah Hernandez

Publisher: University of Arizona Press

Published: 2023-02-21

Total Pages: 233

ISBN-13: 0816545642

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After centuries of colonization, this important new work recovers the literary record of Oceti Sakowin (historically known to some as the Sioux Nation) women, who served as their tribes’ traditional culture keepers and culture bearers. In so doing, it furthers discussions about settler colonialism, literature, nationalism, and gender. Women and land form the core themes of the book, which brings tribal and settler colonial narratives into comparative analysis. Divided into two parts, the first section of the work explores how settler colonizers used the printing press and boarding schools to displace Oceti Sakowin women as traditional culture keepers and culture bearers with the goal of internally and externally colonizing the Dakota, Nakota, and Lakota nations. The second section focuses on decolonization and explores how contemporary Oceti Sakowin writers and scholars have started to reclaim Dakota, Nakota, and Lakota literatures to decolonize and heal their families, communities, and nations.

Tribal Theory in Native American Literature
Tribal Theory in Native American Literature

Author: Penelope Myrtle Kelsey

Publisher: U of Nebraska Press

Published: 2008-01-01

Total Pages: 198

ISBN-13: 9780803227712

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Scholars and readers continue to wrestle with how best to understand and appreciate the wealth of oral and written literatures created by the Native communities of North America. Are critical frameworks developed by non-Natives applicable across cultures, or do they reinforce colonialist power and perspectives? Is it appropriate and useful to downplay tribal differences and instead generalize about Native writing and storytelling as a whole? ø Focusing on Dakota writers and storytellers, Seneca critic Penelope Myrtle Kelsey offers a penetrating assessment of theory and interpretation in indigenous literary criticism in the twenty-first century. Tribal Theory in Native American Literature delineates a method for formulating a Native-centered theory or, more specifically, a use of tribal languages and their concomitant knowledges to derive a worldview or an equivalent to Western theory that is emic to indigenous worldviews. These theoretical frameworks can then be deployed to create insightful readings of Native American texts. Kelsey demonstrates this approach with a fresh look at early Dakota writers, including Marie McLaughlin, Charles Eastman, and Zitkala-?a and later storytellers such as Elizabeth Cook-Lynn, Ella Deloria, and Philip Red Eagle. ø This book raises the provocative issue of how Native languages and knowledges were historically excluded from the study of Native American literature and how their encoding in early Native American texts destabilized colonial processes. Cogently argued and well researched, Tribal Theory in Native American Literature sets an agenda for indigenous literary criticism and invites scholars to confront the worlds behind the literatures that they analyze.

Lame Deer, Seeker of Visions
Lame Deer, Seeker of Visions

Author: Lame Deer

Publisher: Simon and Schuster

Published: 1994-10

Total Pages: 388

ISBN-13: 0671888021

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Lame Deer Storyteller, rebel, medicine man, Lame Deer was born almost a century ago on the Rosebud Reservation in South Dakota. A full-blooded Sioux, he was many things in the white man's world -- rodeo clown, painter, prisioner. But, above all, he was a holy man of the Lakota tribe. Seeker of Vision The story he tells is one of harsh youth and reckless manhood, shotgun marriage and divorce, history and folklore as rich today as ever -- and of his fierce struggle to keep pride alive, though living as a stranger in his own ancestral land.

Graphic Indigeneity
Graphic Indigeneity

Author: Frederick Luis Aldama

Publisher: Univ. Press of Mississippi

Published: 2020-06-04

Total Pages: 442

ISBN-13: 1496828038

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Honorable Mention Recipient for the Comics Studies Society Prize for Edited Book Collection Contributions by Joshua T. Anderson, Chad A. Barbour, Susan Bernardin, Mike Borkent, Jeremy M. Carnes, Philip Cass, Jordan Clapper, James J. Donahue, Dennin Ellis, Jessica Fontaine, Jonathan Ford, Lee Francis IV, Enrique García, Javier García Liendo, Brenna Clarke Gray, Brian Montes, Arij Ouweneel, Kevin Patrick, Candida Rifkind, Jessica Rutherford, and Jorge Santos Cultural works by and about Indigenous identities, histories, and experiences circulate far and wide. However, not all films, animation, television shows, and comic books lead to a nuanced understanding of Indigenous realities. Acclaimed comics scholar Frederick Luis Aldama shines light on how mainstream comics have clumsily distilled and reconstructed Indigenous identities and experiences. He and contributors emphasize how Indigenous comic artists are themselves clearing new visual-verbal narrative spaces for articulating more complex histories, cultures, experiences, and narratives of self. To that end, Aldama brings together scholarship that explores both the representation and misrepresentation of Indigenous subjects and experiences as well as research that analyzes and highlights the extraordinary work of Indigenous comic artists. Among others, the book examines Daniel Parada’s Zotz, Puerto Rican comics Turey el Taíno and La Borinqueña, and Moonshot: The Indigenous Comics Collection. This volume’s wide-armed embrace of comics by and about Indigenous peoples of the Americas and Australasia is a first step to understanding how the histories of colonial and imperial domination connect the violent wounds that still haunt across continents. Aldama and contributors resound this message: Indigeneity in comics is an important, powerful force within our visual-verbal narrative arts writ large.