Nancy and her friends need more than book smarts to get to the bottom of a literary mystery in this fourth book of the Nancy Drew Diaries, a new take on the classic series. A rash of crimes in a neighboring town--a blazing fire at a bookstore, a boat that sinks in the harbor, and a valuable dog's dognapping--are eerily similar to the plots from famous mystery writer Lacey O'Brien's popular books. So who's behind the crimes? Could it be Lacey looking for publicity? One of Lacey's superfans? Or maybe it's Paige Samuels, owner of the bookstore that burned. Nancy, Bess, and George will have to read between the lines as they dig deep into a dangerous mystery.
Almost everyone with a pulse fears death, but not everyone fears life. With crippling social anxiety, I feared both. But after an accidental call to a funeral home during my mid-life crisis trip to grad school, I reluctantly embarked on a journey to explore professions that dealt with death in order to come to terms with my own mortality. (From cover).
Gripping and evocative, How Death Becomes Life takes us inside the operating room and presents the stark dilemmas that transplant surgeons must face daily: How much risk should a healthy person be allowed to take to save someone she loves? Should a patient suffering from alcoholism receive a healthy liver? The human story behind the most exceptional medicine of our time and it is a poignant reminder that a life lost can also offer the hope of a new beginning. Leading transplant surgeon Dr Joshua Mezrich creates life from loss, moving organs from one body to another. In this intimate, profoundly moving work, he examines more than one hundred years of remarkable medical breakthroughs, connecting this fascinating history with the stories of his own patients.
The convoy didn’t make it. The armored buses have been overrun. There’s no help coming. But from the ashes of what was lost, a new hope arises. The evacuation center has fallen, but there’s still someone the government may want to rescue. Locked inside a dam, not far from their research facility, are the scientists who could very well be responsible for the outbreak, and might just have the cure. In a race against time, where failing means being left behind in the expanding wasteland, Noah and his friends are faced with an impossible task. One they won’t all survive. But with the help of some unlikely allies, they just might stand a chance. Friends become enemies. Revenge is sought. Hearts are broken. Lives are lost. And the infected remains of mankind are becoming even more dangerous in their desperation to feed. But when the world falls, heroes rise.
Beginning with halcyon days cast in soft light and cool dew, onward through veiled years of diagnosis and environmental damage, Death Becomes Us captures, with masterful grace and restraint, the intensity of absence and the importance of grief. Within the darkest moments of personal and ecological loss, Kristen Wittman's second collection fashions a garden of love poems from memories of soft kisses and falling towers, a broken Eden where pain nurtures tender, blooming petals, and the ceaseless heartbeat of Mother Nature pulses underfoot, bringing forth every new dawn.
#1 NEW YORK TIMES BESTSELLER • PULITZER PRIZE FINALIST • This inspiring, exquisitely observed memoir finds hope and beauty in the face of insurmountable odds as an idealistic young neurosurgeon attempts to answer the question What makes a life worth living? NAMED ONE OF PASTE’S BEST MEMOIRS OF THE DECADE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • People • NPR • The Washington Post • Slate • Harper’s Bazaar • Time Out New York • Publishers Weekly • BookPage Finalist for the PEN Center USA Literary Award in Creative Nonfiction and the Books for a Better Life Award in Inspirational Memoir At the age of thirty-six, on the verge of completing a decade’s worth of training as a neurosurgeon, Paul Kalanithi was diagnosed with stage IV lung cancer. One day he was a doctor treating the dying, and the next he was a patient struggling to live. And just like that, the future he and his wife had imagined evaporated. When Breath Becomes Air chronicles Kalanithi’s transformation from a naïve medical student “possessed,” as he wrote, “by the question of what, given that all organisms die, makes a virtuous and meaningful life” into a neurosurgeon at Stanford working in the brain, the most critical place for human identity, and finally into a patient and new father confronting his own mortality. What makes life worth living in the face of death? What do you do when the future, no longer a ladder toward your goals in life, flattens out into a perpetual present? What does it mean to have a child, to nurture a new life as another fades away? These are some of the questions Kalanithi wrestles with in this profoundly moving, exquisitely observed memoir. Paul Kalanithi died in March 2015, while working on this book, yet his words live on as a guide and a gift to us all. “I began to realize that coming face to face with my own mortality, in a sense, had changed nothing and everything,” he wrote. “Seven words from Samuel Beckett began to repeat in my head: ‘I can’t go on. I’ll go on.’” When Breath Becomes Air is an unforgettable, life-affirming reflection on the challenge of facing death and on the relationship between doctor and patient, from a brilliant writer who became both.
Dead and dying women are surely an age-old narrative trope. While associations of femininity with death have become almost prototypical in literary criticism and are familiar fodder for cultural conversations, the editors of Death Becomes Her offer us an opportunity to investigate the values that underlie such associations. But from where does our tireless investment in what constitutes a feminine death, a feminine reaction to death, and death’s courting of women emerge? These essays give voice to the idea that power and victimization are not opposites, but rather are complements in an operatic fantasy of intrigue, agency, absence and presence that pervades American writing and experience. Each chapter of Death Becomes Her offers a different lens to investigate the nature of death as surely more than just an anatomical matter: The penny press obsessively covers the death of a beautiful prostitute in 1840s Chicago; a novel of seduction becomes also a narrative of autopsy; a story of haunting allows women outlets for sexual license and the polemics of desire. Overall this volume invites readers to explore the ways in which death is portrayed as both an ornamentation of femininity and an ontological reality of it: how, put simply, “death becomes her.” Essays include analyses of women’s deathbed scenes, suicides, murders, funerals, and autopsies in literature and other nineteenth-century media. As such, the chapters in Death Becomes Her show how the authorial and readerly interest in scripting and staging women’s deaths is both intricate and abiding. They tell us that death is never, of course, simply about death, and they make relevant other issues, from linguistics to politics, as they inform the literature and lives of women from the late-eighteenth to early twentieth-century America. Taken together, the pieces in Death Becomes Her allow us greater access to the surrounding culture out of which the American woman emerges, performs, lives and dies. In doing so, they offer fresh insight into the often unsettling and highly relevant role of death in feminism.
Veronica is eternally fifty-one years old with a proclivity for problematic drinking. Like most hormonally challenged women negotiating the change of life, she is a hot mess. To retain her sanity, she attends weekly AA meetings and adheres to a strict diet of organic, locally-sourced, (mostly) cruelty-free human blood from the hospice facility where she works. Her life stopped being fun about a hundred years ago, right about the time her teenage daughter stole her soul and took off for California with a hot, older guy. These days, Veronica’s existence is just that – an existence, as flat and empty as her own non-reflection in the bathroom mirror. When her estranged daughter contacts her via Facebook, Veronica learns that she has one chance to escape her eternal personal summer: she must find and apologize to every one of the people she’s turned into vampires in the last century. That is, if they’re still out there. With raging hormones and a ticking clock, Veronica embarks on a last-ditch road trip to regain her mortality, reclaim her humanity, and ultimately, die on her own terms.
Inspired by the website that the New York Times hailed as "redefining mourning," this book is a fresh and irreverent examination into navigating grief and resilience in the age of social media, offering comfort and community for coping with the mess of loss through candid original essays from a variety of voices, accompanied by gorgeous two-color illustrations and wry infographics. At a time when we mourn public figures and national tragedies with hashtags, where intimate posts about loss go viral and we receive automated birthday reminders for dead friends, it’s clear we are navigating new terrain without a road map. Let’s face it: most of us have always had a difficult time talking about death and sharing our grief. We’re awkward and uncertain; we avoid, ignore, or even deny feelings of sadness; we offer platitudes; we send sympathy bouquets whittled out of fruit. Enter Rebecca Soffer and Gabrielle Birkner, who can help us do better. Each having lost parents as young adults, they co-founded Modern Loss, responding to a need to change the dialogue around the messy experience of grief. Now, in this wise and often funny book, they offer the insights of the Modern Loss community to help us cry, laugh, grieve, identify, and—above all—empathize. Soffer and Birkner, along with forty guest contributors including Lucy Kalanithi, singer Amanda Palmer, and CNN’s Brian Stelter, reveal their own stories on a wide range of topics including triggers, sex, secrets, and inheritance. Accompanied by beautiful hand-drawn illustrations and witty "how to" cartoons, each contribution provides a unique perspective on loss as well as a remarkable life-affirming message. Brutally honest and inspiring, Modern Loss invites us to talk intimately and humorously about grief, helping us confront the humanity (and mortality) we all share. Beginners welcome.
Anne Geraghty was a clinical psychologist and psychotherapist when her son, Tim Guest, author of My Life in Orange died suddenly. Her old life ended. She went on a search for her lost son. Where was he? What was he? Did he live on in some other realm? Or had he fallen into the darkness of oblivion? Her search for Tim became an exploration into the nature of death itself. We die as we have lived. Our lives are not like those of a C12th Tibetan, a C15th Cardinal or a Zen monk; we cannot, therefore, simply turn to old maps and myths of what happens when we die. We need a new narrative of death that embraces our modern understandings of our humanity and the workings of the universe. This book is the story of a grieving mother looking for her dead son, an investigation into death in our modern world, and an exploration of our struggles to live well in the ever-present shadow of death. It is not a book with answers; it is an invitation to look at death differently. This book offers fresh and original ideas about death and dying. And it will radically change your understanding of what death is.
