Professor Whit Filmore thought he’d left his life as a detective behind to focus on teaching, but after a personal realization changed his life, he discovered his heightened senses help him pick up on clues that others can’t. Together with his assistant Anna, an empath who is barely scratching the surface of her own talents, Whit travels to Aldridge, a small town in Texas, at the request of an old acquaintance in the FBI. Two girls have gone missing from opposite sides of town, and no one is cooperating. With so many obstacles, can Whit use his keen senses to find the girls in time?
“An imaginative, dark, and creepy blend of classic fairy tales in a page-turning thriller . . . unpredictable and enjoyable.” —The Quiet Concert One girl is kept in a room where every day the only food she’s given is a poisoned apple. Another is kept in a room covered in needles—and if she pricks her finger, she’ll die. Then there are the brother and sister kept in a cell that keeps getting hotter and hotter . . . A sinister kidnapper is on the loose in Kate’s world. She’s not involved until one day she heads to her grandmother’s house in the woods—and finds her grandmother has also been taken. Already an outcast, Kate can’t get any help from the villagers who hate her. Only Jack, another outsider, will listen to what’s happened. Then a princess is taken, and suddenly the king is paying attention—even though the girl’s stepmother would rather he didn’t. It’s up to Kate and Jack to track down the victims before an ever after arrives that’s far from happy. “Paulson’s world-building is intriguing . . . compulsively readable.” —MuggleNet
Marti MacAlister, a police detective and African-American widowed mother of two, gets thrown into the biggest case of her career when a maniac murderer targets a group of homeless children to be his next victims. In a desperate race against time, Marti must also battle her white partner's reservations. Martin's.
This book explores how modernity gives rise to temporal disorders when time cannot be assimilated and integrated into the realm of lived experience. It turns to Baudelaire and Flaubert in order to derive insights into the many temporal disorders (such as trauma, addiction, and fetishism) that pervade contemporary culture.
A woman from Alan Gregory's past draws him into a deadly mystery in this exhilarating thriller from New York Times bestselling author Stephen White. Colorado psychologist Alan Gregory is struggling to repair his insecure marriage when he makes an unexpected connection with the past. His ex-wife Merideth needs his help. She claims that the surrogate mother of her unborn child has vanished without a trace—a mystery with unnerving connections to the disappearance of another young woman several years earlier at the base of the Grand Canyon. As new demons, old betrayals, and unknown enemies surface, Alan unearths a series of secrets someone will kill to keep buried, and deceptions that will forever change his life.
For the Right Honourable Harry White, Britain's charismatic and politically savvy prime minister, it is a busy day like any other at 10 Downing Street. Every minute is packed with politics, people and policies, and the odd flirtation. There is a peremptory invitation to lunch with megalomaniac media lord Matt Drummond, a parliamentary rebellion to be batted away, an urgent call from the White House about a crisis in the Middle East. Until, finally, Harry White and his entourage are ready to fly to Glasgow for the last item on their schedule: the Old Firm game between Rangers and Celtic, the traditional Scottish rivals. It is a game that Harry has little interest in, but there are at least two men who have waited many years for exactly this moment. Will they be able to realize their plans? Will blood flow between the Catholic and Protestant fans as their teams battle for supremacy on the ground? Will the day end well for Harry White and his new conquest Sarah? Or will the events of this single day transform the political face of England for ever? An unexpected first novel by the well-known economist and political commentator, Dead on Time is a delightful mix of action, humour and realpolitik. The author brilliantly renders recognizable characters and situations in a manner that blurs fact and fiction to give us a racy behind-the-scenes take on politics and politicians, journalists and media planners, and all those who shape the way we perceive the world today.
In 1986, Cam Tribolet was on his way home from a night of drinking when, at a Ft. Wayne, Indiana, stoplight, three men tried to carjack him. During the assault, Cam was shot three times in the stomach. One bullet ripped through his aorta, another lodged near his back, and the third tore through his bowels, spewing infection throughout his body. Cam’s family was informed that he probably wouldn’t survive the night. But he did. In the days and weeks that followed, both of Cam’s legs would be amputated above the knee. He would endure thirty-six operations and require resuscitation thirteen times. His fiancée would break up with him in the hospital. He would become addicted to drugs to deal with the pain. And he would face the loss of his career. He would even contemplate suicide. But God was not done with Cam Tribolet. During his remarkable recovery, Cam befriended and eventually married his physical therapist, Sue, who was instrumental in helping him to find God and begin living again. Since then, his disability has not slowed him down. Cam became an engineer. He and Sue had one child and adopted another from Russia. Cam became an engineer, a father, a downhill skier, and more. Born out of tragedy, Cam’s life is fuller and more rewarding than he ever imagined it could be. His story of redemption, perseverance, and hope is for anyone who needs to discover that our God is a God of amazing second chances.
“[A] vivid, gripping account of inhuman cruelty, laced with rays of hope and courage and dignity amidst the horrors” (Noam Chomsky, leading public intellectual and author of Hopes and Prospects). A dramatic true story of men and women trapped in the grip of war, Next Time They’ll Come to Count the Dead is modern crisis reporting at its best. For six weeks in the spring of 2015, award-winning journalist Nick Turse traveled on foot, as well as by car, SUV, and helicopter, around war-torn South Sudan, talking to military officers and child soldiers, United Nations officials and humanitarian workers, civil servants, civil society activists, and internally displaced persons—people whose lives had been blown apart by a ceaseless conflict there. In a fast-paced and emotionally powerful fashion, Turse reveals the harsh reality of modern warfare in the developing world and the ways people manage to survive the unimaginable. Next Time They’ll Come to Count the Dead isn’t about combat. It’s about the human condition, about ordinary people thrust into extraordinary circumstances, and about death, life, and the crimes of war in the newest nation on earth. “The average journalist follows the herd of others. A bold one like Nick Turse goes to where the herd isn’t. His searing reporting in this book brings alive the suffering of a country that the United States, midwife to its birth, has largely forgotten.” ―Adam Hochschild, author of King Leopold’s Ghost and Mirror at Midnight
“Whether you’re an individual woman looking for help or a reader looking for the truth about the thousands of women who are battered by the men they live with, Next Time, She’ll Be Dead is the one book you should read.” —Gloria Steinem At least 1 in 4 women will be abused during her lifetime—that is 25% of our mothers, daughters, sisters, partners, and friends. Thousands will be killed. As author Ann Jones observes, despite its devastation battering is regarded not as a serious crime, but instead as an inevitable “problem” blandly labeled “domestic violence.” Stories of household assaults and murders are all over the news, but the blame is usually pinned on the woman who is said to have either provoked the attack or failed to “leave.” In this groundbreaking book, Jones points instead to the many factors in society that promote, trivialize, and perpetuate brutality against women: from popular psychology, academic “expertise,” mass media, and pop culture, to the criminal justice system and the law itself. Delving deep into the history, legality, and personal politics of male violence against wives and girlfriends, Next Time, She’ll Be Dead fearlessly reframes the issue. This critically acclaimed masterwork offers productive ways of thinking and speaking about battering and explains what must be done to stop it.
An in-depth look at how mortuary cultures and issues of death and the dead in Africa have developed over four centuries In My Time of Dying is the first detailed history of death and the dead in Africa south of the Sahara. Focusing on a region that is now present-day Ghana, John Parker explores mortuary cultures and the relationship between the living and the dead over a four-hundred-year period spanning the seventeenth to twentieth centuries. Parker considers many questions from the African historical perspective, including why people die and where they go after death, how the dead are buried and mourned to ensure they continue to work for the benefit of the living, and how perceptions and experiences of death and the ends of life have changed over time. From exuberant funeral celebrations encountered by seventeenth-century observers to the brilliantly conceived designer coffins of the late twentieth century, Parker shows that the peoples of Ghana have developed one of the world’s most vibrant cultures of death. He explores the unfolding background of that culture through a diverse range of issues, such as the symbolic power of mortal remains and the dominion of hallowed ancestors, as well as the problem of bad deaths, vile bodies, and vengeful ghosts. Parker reconstructs a vast timeline of death and the dead, from the era of the slave trade to the coming of Christianity and colonial rule to the rise of the modern postcolonial nation. With an array of written and oral sources, In My Time of Dying richly adds to an understanding of how the dead continue to weigh on the shoulders of the living.
