Authoritative in its reference to all Rudkin's work for theatre, cinema, radio and television, this profound critical study aims to prompt a reappraisal of his work in current dramatic, theoretical, and sexual contexts.
Dr. Rabey's profound critical study of David Rudkin's drama constitutes an in-depth evaluation of this unique dramatist, re-assessed in the light of his bi-sexuality and Anglo-Irish origins. This key study includes insights from noted performers of Rudkin's work, including Ian Hogg, Peter McEnery, Ian McDiarmid, Gerard Murphy, and Charlotte Cornwell. It is a fully authorized study with exclusive reference to archival material which includes some frank and urgent interview contributions from the dramatist himself, who is usually deemed reclusive. It is enhanced by Dr. Rabey's own experience of Wales, Ireland, and the English Black Country for his exposition of Rudkin's mythic sense of Celtic and Mercian history.
Dr. Rabey's profound critical study of David Rudkin's drama constitutes an in-depth evaluation of this unique dramatist, re-assessed in the light of his bi-sexuality and Anglo-Irish origins. This key study includes insights from noted performers of Rudkin's work, including Ian Hogg, Peter McEnery, Ian McDiarmid, Gerard Murphy, and Charlotte Cornwell. It is a fully authorized study with exclusive reference to archival material which includes some frank and urgent interview contributions from the dramatist himself, who is usually deemed reclusive. It is enhanced by Dr. Rabey's own experience of Wales, Ireland, and the English Black Country for his exposition of Rudkin's mythic sense of Celtic and Mercian history.
Sure there's no end to the disasters that could choose to unfurl themselves on the world. The harvest is ripe in a Black Country pear orchard. Seasoned hands settle to familiar tasks and the ritual education of newcomers. But corrupted lands yields a bitter crop. The weather turns, friction mounts and pesticide begins to fall...
And yet it is unquestionably extraordinary, a vivid and haunting manifestation of Dreyer's power to make visible on screen the inner human state, and to convey a dreamlike imagery of textures of nature amidst which transient, solitary human figures pass, some illuminated by an inner light, others threatened by a malign or demonic presence."
Exploring Penda's Fen, a 1974 BBC film that achieved mythic status. In 1974, the BBC broadcast the film Penda's Fen, leaving audiences mystified and spellbound. “Make no mistake. We had a major work of television last night,” The Times declared the next morning. Written by the playwright and classicist David Rudkin, the film follows Stephen, an 18-year-old boy, whose identity, sexuality, and suffocating nationalism unravels through a series of strange visions. After its original broadcast, Penda's Fen vanished into unseen mythic status, with only a single rebroadcast in 1990 sustaining its cult following. With a DVD release by the BFI in 2016, Penda's Fen has now become totemic for those interested in Britain's deep history, folklore, and landscape. Of Mud and Flame brings together writers, artists, and historians to excavate and explore this unique cornerstone of Britain's uncanny archive. Contributors include David Rudkin, Sukhdev Sandhu, Roger Luckhurst, Gareth Evan, Adam Scovell, Bethany Whalley, Carl Phelpstead, David Ian Rabey, David Rolinson, Craig Wallace, Daniel O'Donnell Smith, William Fowler, Yvonne Salmon, Andy W. Smith, Carolyne Larrington, John Harle, Timothy J. Jarvis, Tom White, Daniel Eltringham, Joseph Brooker, Gary Budden
Alfred Hitchcock, at the height of his powers, is possessed by a dreamlike vision of a woman. From his director's chair the sixty year old Hitchcock begins to unravel some of the defining films of our time, drawing us into the imagination of one of the world's most mysterious creative minds. This poetic new play takes a unique look at the way the great filmmaker Alfred Hitchcock developed the idea of his most famous films, including Marnie, Vertigo, Psycho and Strangers on A Train. The result is a unique and haunting character study and an unprecedented journey into the mind of one our most fascinating cultural icons.
Writing from first-hand experience, the author describes the role of the producer in the making of an original television play, from the initial discussions with writers to the transmission. Irene Shubik worked on "Play for Today" for the BBC and was also a drama producer for ITV.