Based on the original handwritten manuscript, this book provides a new, accurate edition of Hume’s important work, faithful to his original text, marginal notes, and changes. Stanley Tweyman’s comprehensive introduction gives an interpretation of the Dialogues as a whole, as well as close analysis of each of the work’s twelve parts. Hume’s views on evil are discussed in four previously published articles, and the volume concludes with an extensive bibliography. Originally published in 1991.
David Hume’s Dialogues Concerning Natural Religion is a philosophical classic that displays a powerful mastery of the critical thinking skills of reasoning and evaluation. Hume’s subject, the question of the existence and possible nature of God, was, and still is, a persistent topic of philosophical and theological debate. What makes Hume’s text a classic of reasoning, though, is less what he says, than how he says it. As he noted in his preface to the book, the question of ‘natural religion’ was unanswerable: so ‘obscure and uncertain’ that ‘human reason can reach no fixed determination with regard to it.’ Hume chose, as a result, to cast his thoughts on the topic in the form of a dialogue – allowing different points of view to be reasoned out, evaluated and answered by different characters. Considering and judging different or opposing points of view, as Hume’s characters do, is an important part of reasoning, and is vital to building strong persuasive arguments. Even if, as Hume suggests, there can be no final answer to what a god might be like, Dialogues Concerning Natural Religion shows high-level reasoning and evaluation at their best.
Based on the original handwritten manuscript, this book provides a new, accurate edition of Hume’s important work, faithful to his original text, marginal notes, and changes. Stanley Tweyman’s comprehensive introduction gives an interpretation of the Dialogues as a whole, as well as close analysis of each of the work’s twelve parts. Hume’s views on evil are discussed in four previously published articles, and the volume concludes with an extensive bibliography. Originally published in 1991.
Hume's Dialogues provide a classic exposition and critique of the famous 'Argument to Design', the attempt to prove the existence and properties of a designing intelligence or God from the phenomena of Nature, notably the functional contrivance of the parts of plants and animals. As such, it raises questions of central interest in both philosophy and theology. This is a hugely important and exciting, yet challenging, piece of philosophical writing. In Hume's Dialogues Concerning Natural Religion: A Reader's Guide, Andrew Pyle explains the philosophical and theological background against which the book was written, including what is meant by 'natural' religion. He goes on to address the question of why Hume chose to write in dialogue form, sketches out the views of the three characters and introduces the questions they address. The book then takes the 12 parts of the Dialogues in turn and guides the reader to a clear understanding of the text as a whole. This is the ideal companion to study of this most influential and challenging of texts.
Beginning with an overview of Hume's life and work, Don Garrett introduces in clear and accessible style the central aspects of Hume's thought. These include Hume's lifelong exploration of the human mind; his theories of inductive inference and causation; skepticism and personal identity; moral and political philosophy; aesthetics; and philosophy of religion. The final chapter considers the influence and legacy of Hume's thought today. Throughout, Garrett draws on and explains many of Hume's central works, including his Treatise of Human Nature, Enquiries Concerning Human Understanding, and Dialogues Concerning Natural Religion. Hume is essential reading not only for students of philosophy, but anyone in the humanities and social sciences and beyond seeking an introduction to Hume's thought.
David Hume’s Dialogues Concerning Natural Religion is a philosophical and literary classic of the highest order. It is also an extremely relevant work because of its engagement with issues as alive today as in Hume’s time: the Design Argument for a deity, the Problem of Evil, the dangers of superstition and fanaticism, the psychological roots and social consequences of religion. In this outstanding and unorthodox collection, an international team of scholars engage with Hume’s classic work. The chapters include state-of-the-art contributions on the central interpretive questions posed by the Dialogues as well as major contributions relating the work to contemporary issues in Philosophy of Religion, Philosophy of Science, Moral Psychology, and Social Philosophy. Additional contributions tackle the historical and philosophical background of the Dialogues, relating it to Hume’s own systematic philosophy, to the work of other key seventeenth and eighteenth-century figures – Locke, Clarke, Bayle, Cudworth, Malebranche, Spinoza, Lord Bolingbroke, and Voltaire, among others – to early modern neo-Epicureanism in the life sciences, and, notably, to what Darwin missed by thinking too much like William Paley and not enough like Hume’s Philo. Overall, this volume provides fresh and even groundbreaking perspectives on Hume’s Dialogues Concerning Natural Religion. It is essential reading for students and scholars of Hume, the History of Modern Philosophy, Philosophy of Religion and the History and Philosophy of Science.
Dialogues Concerning Natural Religion is a philosophical work written by the Scottish philosopher David Hume. Through dialogue, three fictional characters named Demea, Philo, and Cleanthes debate the nature of God's existence. While all three agree that a god exists, they differ sharply in opinion on God's nature or attributes and how, or if, humankind can come to knowledge of a deity. In the Dialogues, Hume's characters debate a number of arguments for the existence of God, and arguments whose proponents believe through which we may come to know the nature of God. Such topics debated include the argument from design - for which Hume uses a house - and whether there is more suffering or good in the world (Argument from evil)
Treating David Hume as a partner in a continuing philosophical dialogue, this book tries to come to terms with Hume's influential thoughts on scepticism and naturalism in a way that sheds light on contemporary philosophy and its relationship to science.
