The booklet was a project Bomberg embarked upon in time he could spare from his work as an official war artist. The lithographs were executed on zinc plates, the original designs for them being drawings from 1914, done at a time when Bomberg was strongly influenced by Diaghilev's designs for the Ballet Russes. One hundred copies of the booklet were handprinted by Bomberg, with the covers sewn on by his wife Alice. The imprint of Henderson's (a bookshop in Charing Cross Road) was probably added after Bomberg was prevented from selling the booklets himself at the Alhambra Theatre, where Diaghilev's company was performing in 1919. ( Information from : David Bomberg / [by] Richard Cork (New Haven ; London : Yale University Press, 1987)).
"Published to accompany the exhibition: "Young Bomberg and the old masters", The National Gallery, London, 27 November 2019 - 1 March 2020."--Title page verso.
A biographical excavation of one of the world’s great, troubled cities A remarkable view of one of the world’s most beloved and troubled cities, Adina Hoffman’s Till We Have Built Jerusalem is a gripping and intimate journey into the very different lives of three architects who helped shape modern Jerusalem. The book unfolds as an excavation. It opens with the 1934 arrival in Jerusalem of the celebrated Berlin architect Erich Mendelsohn, a refugee from Hitler’s Germany who must reckon with a complex new Middle Eastern reality. Next we meet Austen St. Barbe Harrison, Palestine’s chief government architect from 1922 to 1937. Steeped in the traditions of Byzantine and Islamic building, this “most private of public servants” finds himself working under the often stifling and violent conditions of British rule. And in the riveting final section, Hoffman herself sets out through the battered streets of today’s Jerusalem searching for traces of a possibly Greek, possibly Arab architect named Spyro Houris. Once a fixture on the local scene, Houris is now utterly forgotten, though his grand Armenian-tile-clad buildings still stand, a ghostly testimony to the cultural fluidity that has historically characterized Jerusalem at its best. A beautifully written rumination on memory and forgetting, place and displacement, Till We Have Built Jerusalem uncovers the ramifying layers of one great city’s buried history as it asks what it means, everywhere, to be foreign and to belong.
Part of the 'Belair World of Display' series, this work provides primary school teachers with practical ideas for display using the art of the 20th century as a starting point. It contains 16 chapters, each covering an art movement, with several activities, display ideas and cross-curricular links.
In 1948, Britain withdrew from Palestine, bringing to an end its 30 years of rule in the territory. What followed has been well-documented and is perhaps one of the most intractable problems of the post-imperial age. However, the long-standing connection between Britain and Palestine before May 1948 is also a fascinating story. This volume takes a fresh look at the years of the British mandate for Palestine; its politics, economics, and culture. Contributors address themes such as religion, mandatory administration, economic development, policy and counter-insurgency, violence, art and culture, and decolonization. This book will be valuable to scholars of the British mandate, but also more broadly to those interested in imperial history and the history of the West’s involvement in the Middle East.
David Bomberg, Dora Carrington, Mark Gertler, Paul Nash, C.R.W. Nevinson and Stanley Spencer - six of the most important and distinctive British artists of the twentieth century - had all been students together at the Slade School of Art in London. They formed part of what their drawing teacher, Henry Tonks, described as the school's last 'crisis of brilliance'. For young British artists working in the years immediately before the Great War it was an exciting and demanding time as various Modernist movements fought for precedence: Primitivism, Futurism, Cubism, Vorticism and Expressionism. Each of the six artists found their own distinctive response. David Boyd Haycock's group biography, A Crisis of Brilliance, was published to much acclaim in 2009. Jenny Uglow wrote in her review in the Guardian, 'We should call for a joint exhibition of [their] work, to complement the moving portrayal of their lives in this engrossing and enjoyable book.' This book marks the fulfilment of that wish. It features Haycock's selection of 70 works, ranging from their early student drawings, watercolours and oil paintings, to the first great mature works that they made during and immediately after the Great War of 1914-18. AUTHOR: David Boyd Haycock is a freelance writer, lecturer and curator specialising in British and European art and culture of the early twentieth century. He is the author of a number of books, including A Crisis of Brilliance: Five Young British Artists and the Great War (2009) and I Am Spain (2012). SELLING POINTS: *Illustrated follow-up to the author David Boyd Haycock's first book on the subject, a group biography, A Crisis of Brilliance, which was published to much acclaim in 2009 *Includes contributions by Frances Spalding, the leading art historian and biographer of the Bloomsbury Group, and by Alexandra Harris, whose Romantic Moderns won the Guardian First Book award in 2010 110 colour illustrations
