Stevie can alter her appearance through genetic manipulation. Her job affords her considerable power. And she'll use both to clean up her corrupted City, one evildoer at a time... as long as she doesn't get caught. In Season 1 of Daughters of Anarchy, Stevie's corrupt city struggles to rebuild itself after decades of war. The City is bankrupt. The shaky economy benefits the wealthy. Greenery is scarce. Women genetically enhance their appearances to attract a shortage of men. Perhaps worst of all, the Feds have instituted mass surveillance to prevent more terrorist attacks. Stevie has only one goal: restore balance to her native City. And she does so with great finesse... until her risky endeavors begin to catch up with her.
Wall Street Journal’s Five Best Books on the Confederates’ Lost Cause Southern Association for Women Historians Julia Cherry Spruill Prize Even without the right to vote, members of the United Daughters of the Confederacy proved to have enormous social and political influence throughout the South—all in the name of preserving Confederate culture. Karen Cox traces the history of the UDC, an organization founded in 1894 to vindicate the Confederate generation and honor the Lost Cause. In this edition, with a new preface, Cox acknowledges the deadly riots in Charlottesville, Virginia, showing why myths surrounding the Confederacy continue to endure. The Daughters, as UDC members were popularly known, were daughters of the Confederate generation. While southern women had long been leaders in efforts to memorialize the Confederacy, UDC members made the Lost Cause a movement about vindication as well as memorialization. They erected monuments, monitored history for "truthfulness," and sought to educate coming generations of white southerners about an idyllic past and a just cause—states' rights. Soldiers' and widows' homes, perpetuation of the mythology of the antebellum South, and pro-southern textbooks in the region's white public schools were all integral to their mission of creating the New South in the image of the Old. UDC members aspired to transform military defeat into a political and cultural victory, in which states' rights and white supremacy remained intact. To the extent they were successful, the Daughters helped to preserve and perpetuate an agenda for the New South that included maintaining the social status quo. Placing the organization's activities in the context of the postwar and Progressive-Era South, Cox describes in detail the UDC's origins and early development, its efforts to collect and preserve manuscripts and artifacts and to build monuments, and its later role in the peace movement and World War I. This remarkable history of the organization presents a portrait of two generations of southern women whose efforts helped shape the social and political culture of the New South. It also offers a new historical perspective on the subject of Confederate memory and the role southern women played in its development.
Women Science fiction authors—past and present—are united by the problems they face in attempting to write in this genre, an overwhelmingly male-dominated field. Science fiction has been defined by male-centered, scientific discourse that describes women as alien "others" rather than rational beings. This perspective has defined the boundaries of science fiction, resulting in women writers being excluded as equal participants in the genre. Frankenstein's Daughters explores the different strategies women have used to negotiate the minefields of their chosen career: they have created a unique utopian science formulated by and for women, with women characters taking center stage and actively confronting oppressors. This type of depiction is a radical departure from the condition where women are relegated to marginal roles within the narratives. Donawerth takes a comprehensive look at the field and explores the works of authors such as Mary Shelley, Marion Zimmer Bradley, Ursula K. Le Guin, and Anne McCaffrey.
In Victorian London, India Black has all the attributes a high-class madam needs to run a successful brothel--wit, beauty, and an ability to lie with a smile. Luckily for Her Majesty's Government, all these talents also make her a first-rate spy... India Black, full-time madam and occasional secret agent, is feeling restless, when one of Disraeli's men calls on her to meet the prime minister--alone. Even though all her previous meetings have been organized by the rakishly handsome spy French, it's been decided this is a mission India must attempt on her own. Revolt has spread across Europe and reached the shores of England--anarchists have begun assassinating lords and earls, one by one. Now India must infiltrate the ranks of the underground group responsible for those attacks, the sinister Dark Legion. To stop their dread plot, India will go from the murkiest slums of London to the highest levels of society, uncovering secrets that threaten her very existence...
The Harlem Renaissance was a watershed moment for racial uplift, poetic innovation, sexual liberation, and female empowerment. Aphrodite’s Daughters introduces us to three amazing women who were at the forefront of all these developments, poetic iconoclasts who pioneered new and candidly erotic forms of female self-expression. Maureen Honey paints a vivid portrait of three African American women—Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V. Cowdery—who came from very different backgrounds but converged in late 1920s Harlem to leave a major mark on the literary landscape. She examines the varied ways these poets articulated female sexual desire, ranging from Grimké’s invocation of a Sapphic goddess figure to Cowdery’s frank depiction of bisexual erotics to Bennett’s risky exploration of the borders between sexual pleasure and pain. Yet Honey also considers how they were united in their commitment to the female body as a primary source of meaning, strength, and transcendence. The product of extensive archival research, Aphrodite’s Daughters draws from Grimké, Bennett, and Cowdery’s published and unpublished poetry, along with rare periodicals and biographical materials, to immerse us in the lives of these remarkable women and the world in which they lived. It thus not only shows us how their artistic contributions and cultural interventions were vital to their own era, but also demonstrates how the poetic heart of their work keeps on beating.
A Vigil Amongst The Wilderness Of Paradox Realities is the follow up to Nomadic Inspirations From The Rear-view Mirror. This version of the book is the 2019 re-release with bonus material found hidden behind the sofa and FREE inner peace in a time dimension of your choosing. Our author delves into the subjects of politics, life, parody, the future, rock n roll, suicide, authority, rebellion, love, hope, dreams, the past, greed, humour and much more. It's poetry but not as we know it. Rules of poetry, where we are going we don't need rules. I love the smell of poetry in the morning. And don't forget live the dream, wear the dream and learn how to fly.
After the Civil War, many Americans did not identify strongly with the concept of a united nation. Francesca Morgan finds the first stirrings of a sense of national patriotism--of "these United States--in the work of black and white clubwomen in the late nineteenth and early twentieth centuries. Morgan demonstrates that hundreds of thousands of women in groups such as the Woman's Relief Corps, the National Association of Colored Women, the Universal Negro Improvement Association, the United Daughters of the Confederacy, and the Daughters of the American Revolution sought to produce patriotism on a massive scale in the absence of any national emergency. They created holidays like Confederate Memorial Day, placed American flags in classrooms, funded monuments and historic markers, and preserved old buildings and battlegrounds. Morgan argues that while clubwomen asserted women's importance in cultivating national identity and participating in public life, white groups and black groups did not have the same nation in mind and circumscribed their efforts within the racial boundaries of their time. Presenting a truly national history of these generally understudied groups, Morgan proves that before the government began to show signs of leadership in patriotic projects in the 1930s, women's organizations were the first articulators of American nationalism.
When a letter arrives at Tulip Manor stating a Folkvar has been sighted in the city of Mistford, Fable and her friends are thrust into chaos. A mystery involving Thorn's missing sister, a mystical bow and arrow, kidnapped magical creatures, and a dangerous curse looms over the spring festival-and it's up to the kids to solve.
