Introducing the sisterHOOD of the sight The first in an all-new series featuring sexy paranormal romance, government secrets, and female special-ops with very special talents. Government agent Susan Chase always kept her psychic abilities a secret. Now her secret is out and the C.I.A. needs her help. A highly classified all- female team of paranormal agents, Susan and her squad are now entrusted with the government’s most unusual and dangerous assignments.
In a cave of mystery and wonder deep in the Carpathian Mountains, bodyguard Joie Sanders encounters a most remarkable being. Proud, strong, immortal, he is called Traian - an ageless hunter, locked in a life and death battle with enemy vampires - and he will be her salvation in a labyrinth protected by the ingenious traps of a mysterious ancient race. What awaits them in the darkness is not known, and each step could be their last - as their destined path leads them toward a fiery passion that will illuminate the perilous dark night.
From New York Times bestselling author Nina Bangs comes the first book in her sizzling Castle of Dark Dreams series. Welcome to the Castle of Dark Dreams, the yummiest attraction in an adult theme park where women take erotic role-playing to new heights with only the most dangerously tempting men. Okay, so they’re not quite human, but that’s a secret. Tonight, Eric, the castle’s resident vampire, will prove that he’s everything bad should be. Talk-show host Donna Nolan—on the lookout for a weird and wacky story—finds it when she braves the Castle of Dark Dreams and meets Eric. With the coldest blue eyes and the hottest mouth she’s ever seen, he’s a primitive call to the wild in every woman. Love between a talk-show host and a vampire shouldn’t be possible. But then, strange things happen in the Castle of Dark Dreams...
Light and darkness shape our perception of the world. This is true in a literal sense, but also metaphorically: in theology, philosophy, literature and the arts the light of day signifies life, safety, knowledge and all that is good, while the darkness of the night suggests death, danger, ignorance and evil. A closer inspection, however, reveals that things are not quite so clear cut and that light and darkness cannot be understood as simple binary opposites. On a biological level, for example, daylight and darkness are inseparable factors in the calibration of our circadian rhythms, and a lack of periodical darkness appears to be as contrary to health as a lack of exposure to sunlight. On a cultural level, too, night and darkness are far from being universally condemnable: in fiction, drama and poetry the darkness of the night allows not only nightmares but also dreams, it allows criminals to ply their trade and allows lovers to meet, it allows the pursuit of pleasure as well as deep thought, it allows metamorphoses, transformations and transgressions unthinkable in the light of day. But night is not merely darkness. The night gains significance as an alternative space, as an ‘other of the day’, only when it is at least partially illuminated. The volume examines the interconnection of night, darkness and nocturnal illumination across a broad range of literary texts. The individual essays examine historically specific light conditions in literature, tracing the symbolic and metaphoric content of darkness and illumination and the attitudes towards them.
For Each, There Could Be Only One: They came from the darkest places: secluded monasteries, the Carpathian mountains, galaxies under siege. They were men with the blackest pasts-warriors, vampire monks, leaders of armies-but whose passions burned like dying stars. They had one purpose: to find those women who fulfilled them, completed them, and made them rage with a fire both holy and profane. They sought soul mates whose touch consumed them with desire, yet whose kisses refreshed like the coolest rain. And each man knew that for him there was only one true love-and in finding her, he would find salvation.
Untamable. Damaged. Angry. Once full of promise and life, now lost in the shadows of resentment and detachment, this is Dream of Night's story—and it is also Shiloh’s. One is a thoroughbred racehorse, the other an eleven-year-old foster child. Starved to the bone, Dream of Night is still a very powerful animal, kicking, bucking, screaming to show his strength. Shiloh has been starved in other ways—starved of affection, starved of stability and she lashes out too…with sarcasm. This injured and abused racehorse has a lot in common with punky Shiloh and by chance they both find themselves under the care of Jessalyn DiLima—a last stop for each before the state takes more drastic measures—sending the girl to a “residential facility” and the horse to a vet...for euthanizing. Jess is giving them a second chance, a last chance—but she fosters animals and children like this for a reason—she’s a little broken, too. And she knows what it’s like to have lost nearly everything she loves. As the horse warms up to the girl and the girl lets her guard down for the horse, the three of them become an unlikely family. They recognize their similarities in order to heal their pasts, but not before one last tragedy threatens to take it all away.
She’s known him since she was fifteen. Every night, he is with her: his face, his voice. Tonight, Sara Marten will meet the man who is both angel and demon, salvation and temptation: Falcon—the Carpathian, the banished hero. Tonight, Sara will meet the dark-eyed destroyer destined to be her mate.
On the night lovely Néomi Renate, a famous ballerina at the turn of the century, was murdered, an evil force turned her into a spectre - a phantom that's neither alive nor dead - and cursed her to relive her harrowing death every month during the full moon. Unable to leave her home, she has managed to scare away any trespassers, until she encounters an inhabitant even more terrifying than Néomi herself. When Conrad Wroth, a vampire warlord who's been half-mad for centuries, first beholds Néomi, he knows nothing will stop him from claiming the ethereal beauty as his own - not even death itself. Yet even if the gruff warrior can win her love and defeat the evil that surrounds her, he still must determine a way to bring her fully back to life, and back to him.
