Dark vistas, towering ruins under a dying sun, damp mossy vaults where the dead lay waiting to walk again, witches, wizards, sorcerers, Dunwich, Innsmouth, Carcosa, Dreamlands, monstrous beings from the aether world - could these be lost pages form the Book of Vergama?
Titled from lyrics of the song “Nobody Home” by Pink Floyd, this well-thought poetry collection touches on the subjects of loss, love, pain, happiness, depression, abandonment, war, good vs. evil, alcoholism, religion, and complicated family relationships. Written mostly in metered, rhyming stanzas, Black Book of Poems provides a non-threatening platform for reflection and meditation on life’s most difficult challenges. This collection offers a refreshingly honest approach to life and love that feels realistic and relatable to everyone.
Dark Legacy was a fan magazine of Lovecraftian horror, Chambersian Yellow King tales, and Clark Ashton Smith and Robert E Howard fantasies. This is an anthology of tales from Dark Legacy.
Poetry. There is something wondrously imponderable about the title of Nancy Botkin's latest poetry collection: the next infinity. What would that be like, the something that comes after everything? After negotiating one's way through religion, through the legacy and loss of parents, through a past receding "small and dim" as the memories of scratchy songs on an AM car radio, through moments fleeting like "ice cream melting faster than we could eat it." At another point she observes, "I'm starting to wonder if I'm in this poem / all by myself." A bit later, in the same poem, she asks "if we are keepers of our own asylum." By unpacking the experience of radical isolation in such unflinching terms, Botkins reveals how we are each our own infinity. And because we share this, we are not so alone after all. It's a lot to think about, and at times she acts as if she'd rather not: "My brain is even less inviting / when it's wild with dark birds flitting / through its spangled hallways." Perhaps less inviting to Botkin, but it is a blessing to her readers who join with those birds flitting through the hallway of her rich imagination. The final image of the book is a cosmic parlor trick, and perhaps that is all life is. And if so, these poems assure us, that's enough.
This book sheds new light on the work of Robert Hayden (1913–80) in response to changing literary scholarship. While Hayden’s poetry often reflected aspects of the African American experience, he resisted attempts to categorize his poetry in racial terms. This fresh appreciation of Hayden’s work recontextualizes his achievements against the backdrop of the Black Arts Movement and traces his influence on contemporary African American poets. Placing Hayden at the heart of a history of African American poetry and culture spanning the Harlem Renaissance to the Hip-Hop era, the book explains why Hayden is now a canonical figure in 20th-century American literature. In deep readings that focus on Hayden’s religiousness, class consciousness, and historical vision, author Derik Smith inverts earlier scholarly accounts that figure Hayden as an outsider at odds with the militancy of the Black Arts movement. Robert Hayden in Verse offers detailed descriptions of the poet’s vigorous contributions to 1960s discourse about art, modernity, and blackness to show that the poet was, in fact, an earnest participant in Black Arts-era political and aesthetic debates.
From Children's Literature Legacy Award-winning author Nikki Grimes comes a feminist-forward new collection of poetry celebrating the little-known women poets of the Harlem Renaissance--paired with full-color, original art from today's most talented female African-American illustrators. For centuries, accomplished women--of all races--have fallen out of the historical records. The same is true for gifted, prolific, women poets of the Harlem Renaissance who are little known, especially as compared to their male counterparts. In this poetry collection, bestselling author Nikki Grimes uses "The Golden Shovel" poetic method to create wholly original poems based on the works of these groundbreaking women-and to introduce readers to their work. Each poem is paired with one-of-a-kind art from today's most exciting female African-American illustrators: Vanessa Brantley-Newton, Cozbi A. Cabrera, Nina Crews, Pat Cummings, Laura Freeman, Jan Spivey Gilchrist, Ebony Glenn, April Harrison, Vashti Harrison, Ekua Holmes, Cathy Ann Johnson, Keisha Morris, Daria Peoples-Riley, Andrea Pippins, Erin Robinson, Shadra Strickland, Nicole Tadgell, and Elizabeth Zunon. Legacy also includes a foreword, an introduction to the history of the Harlem Renaissance, author's note, and poet biographies, which make this a wonderful resource and a book to cherish. Acclaim for One Last Word A Boston Globe-Horn Book Honor winner A New York Public Library Best Kids Book of the Year A Kirkus Reviews Best Book of the Year, Middle Grade A School Library Journal Best Book of the Year, Nonfiction
The never-before-told story of one of the worst rail disasters in U.S. history in which two trains full of people, trapped high in the Cascade Mountains, are hit by a devastating avalanche In February 1910, a monstrous blizzard centered on Washington State hit the Northwest, breaking records. The world stopped—but nowhere was the danger more terrifying than near a tiny town called Wellington, perched high in the Cascade Mountains, where a desperate situation evolved minute by minute: two trainloads of cold, hungry passengers and their crews found themselves marooned without escape, their railcars gradually being buried in the rising drifts. For days, an army of the Great Northern Railroad's most dedicated men—led by the line's legendarily courageous superintendent, James O'Neill—worked round-the-clock to rescue the trains. But the storm was unrelenting, and to the passenger's great anxiety, the railcars—their only shelter—were parked precariously on the edge of a steep ravine. As the days passed, food and coal supplies dwindled. Panic and rage set in as snow accumulated deeper and deeper on the cliffs overhanging the trains. Finally, just when escape seemed possible, the unthinkable occurred: the earth shifted and a colossal avalanche tumbled from the high pinnacles, sweeping the trains and their sleeping passengers over the steep slope and down the mountainside. Centered on the astonishing spectacle of our nation's deadliest avalanche, Gary Krist's The White Cascade is the masterfully told story of a supremely dramatic and never-before-documented American tragedy. An adventure saga filled with colorful and engaging history, this is epic narrative storytelling at its finest.
Poetry. African & African American Studies. Latinx Studies. Women's Studies. Diannely Antigua's debut collection, UGLY MUSIC, is a cacophonous symphony of reality, dream, trauma, and obsession. It reaches into the corners of love and loss where survival and surrender are blurred. The poems span a traumatic early childhood, a religious adolescence, and, later, a womanhood that grapples with learning how to create an identity informed by, yet in spite of, those challenges. What follows is an exquisitely vulgar voice, unafraid to draw attention to the distasteful, to speak a truth created by a collage of song and confession, diary and praise. It is an account of observation and dissociation, the danger of simultaneously being inside and outside the experiences that mold a life. UGLY MUSIC emerges as a story of witness, a realization that even the strangest things exist on earth and deserve to live. "Diannely Antigua's UGLY MUSIC is a beautiful disturbance of erotic energy. This debut counters the pull of thanatos with the effervescent allure of pure imagination, and everything is dangerously alive. Antigua's seduction is both intellectual and physical, a force strong enough to counter the emotional pains recounted here--an abandoning father, trespassed bodies, pregnancies lost, wanted, feared. At times, the speaker of these poems trespasses on her own body, as if to say a body is both precious and to be ruined, used, used up. At its deepest song, this is a theological protest and investigation by a speaker wrestling with faith and fathers, with unapologetic desire. These poems have found a way to circumvent the most precarious silences, to boast and to rue." --Catherine Barnett
Dark. Sweet. offers readers the sweep of LindaHogan's work—environmental and spiritual concerns, her Chickasaw heritage—in spare, elemental, visionary language. From "Those Who Thunder": Those who thunder have dark hair and red throw rugs. They burn paper in bathroom sinks. Their voices refuse to suffer and their silences know the way straight to the heart; it's bus route number eight. Linda Hogan is the recipient of the 2007 Mountains and Plains Booksellers Spirit of the West Literary Achievement Award. She is also a recipient of the 2016 PEN New England Henry David Thoreau Prize. Her poetry has received an American Book Award, Colorado Book Award, and a National Book Critics Circle nomination.