Private investigator Quin St. James plies her trade in Miami, in the 1980s. She thinks she's seen it all until her lover's murder uncovers disturbing secrets about who he was. She teams up with police detective Mike McCleary, who's pursing a female serial killer who picks up her victims in singles bars. To find the killer, they must pierce their own perceptual blind spots, their dark fields.
Imagine a drug that makes your brain function in a fantastically efficient way, tapping in to your fundamental resources of intelligence and drive. Imagine a drug that could make you read and remember entire books in a matter of hours, or learn a foreign language in a day. Imagine a drug that could make you process information so fast you can see the patterns on the stock market. Eddie Spinola is on such a drug. It's a pill called MDT-48. It's a Viagra for the brain, a designer drug that's redesigning his life. Eddie's not the only one doing MDT, but with his dealer shot dead and Eddie escaping with a large stash, he's the only one with a supply. And while the drug is helping Eddie make the sort of money he's only dreamed about, he's also beginning to suffer its side-effects ...
1950s Manhattan: the CIA carries out a covert study of psychoactive drugs. Ad man Ned Sweeney is dosed with MDT-48, and finds his horizons dramatically expand. But how long can he maintain the extraordinary pace of his new life? Sixty years later, all that Ray Sweeney knows of his grandfather's life is that he committed suicide. But then Ray meets a retired government official, who claims he can illuminate the truth behind Ned's death. Both a sequel and a prequel to The Dark Fields, which was adapted into the hit movie Limitless, Under the Night explores the seductive power and dangers of unlocking the human mind.
NATIONAL BESTSELLER • A blackly comic late 20th-century murder mystery set against the looming end of the millennium, in which a woman tries to orchestrate her own extinction—from "one of the most gifted novelists of his generation" (TIME). “Lyrical and obscene, colloquial and rhapsodic." —The New York Times First published in 1989, London Fields is set ten years into a dark future, against a backdrop of environmental and social decay and the looming threat of global cataclysm. As the dreaded Y2K approaches, Nicola Six, a “black hole” of sex and self-loathing, has chosen her thirty-fifth birthday, November 5, 1999, as the date of her own murder. Whom to manipulate into killing her is the question; her choice wavers between violent lowlife Keith Talent, who is obsessed with winning a darts tournament, and a dimly romantic banker named Guy Clinch. When Samson Young—a writer suffering from a long bout of writer’s block—stumbles upon these three, he believes he has found a story that will write itself. A highly unusual mystery with an unexpected twist at the end, London Fields is also a corrosively funny narrative of pyrotechnic complexity and scalding moral vision.
"When does a life bend towards freed? grasp its direction" asks Adrienne Rich in Dark Fields of the Republic, her major new work. Her explorations go to the heart of democracy and love, and the historical and present endangerment of both. A theater of voices of men and women, the dead and the living, over time and across continents, the poems of Dark Fields of the Republic take conversations, imaginary and real, actions taken for better or worse, out of histories and songs to extend the poet's reach of witness and power of connection--and then invites the reader to participate.
In this remarkable tale of hope and survival, Hannah Luce tells how, as the sole survivor of a terrible plane crash, she came to grips with her faith: “a calamitous, fascinating memoir, written with surprising spiritual sophistication” (Publishers Weekly, starred review). On May 11, 2012, a small plane carrying five young adults, en route to a Christian youth rally, crashed in a Kansas field, skidding 200 yards before hitting a tree and bursting into flames. Only two survived the crash: ex-marine Austin Anderson, who would die the next morning from extensive burns, and his friend Hannah Luce, the daughter of Teen Mania founder and influential youth minister Ron Luce. This is Hannah’s story. In Fields of Grace, Hannah details the investigation of her faith, her coming-of-age as the dutiful daughter of Evangelical royalty, her decision to join her father’s ministry outreach to teens, and her miraculous survival and recovery following the accident. It also serves as a tribute and testament to the lives of the dear friends who perished in the catastrophic plane crash and reveals how their memory continues to inspire all that she does. Here is the “riveting personal account” (Booklist) of a girl who grew up as the daughter of one of the most influential evangelical leaders of our time, who questioned her early religious convictions somewhere along the way and who, from the embers of that doomed plane ride, finally found her faith.
We Who Are Dark provides the first extended philosophical defense of black political solidarity. Tommie Shelby argues that we can reject a biological idea of race and agree with many criticisms of identity politics yet still view black political solidarity as a needed emancipatory tool. In developing his defense of black solidarity, he draws on the history of black political thought, focusing on the canonical figures of Martin R. Delany and W. E. B. Du Bois.
