Darcus Howe: a Political Biography examines the struggle for racial justice in Britain, through the lens of one of Britain's most prominent and controversial black journalists and campaigners. Born in Trinidad during the dying days of British colonialism, Howe has become an uncompromising champion of racial justice. The book examines how Howe's unique political outlook was inspired by the example of his friend and mentor C.L.R. James, and forged in the heat of the American civil rights movement, as well as Trinidad's Black Power Revolution. The book sheds new light on Howe's leading role in the defining struggles in Britain against institutional racism in the police, the courts and the media. It focuses on his part as a defendant in the trial of the Mangrove Nine, the high point of Black Power in Britain; his role in conceiving and organizing the Black People's Day of Action, the largest ever demonstration by the black community in Britain; and his later work as one of a prominent journalist and political commentator.
This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Darcus Howe: a Political Biography examines the struggle for racial justice in Britain, through the lens of one of Britain's most prominent and controversial black journalists and campaigners. Born in Trinidad during the dying days of British colonialism, Howe has become an uncompromising champion of racial justice. The book examines how Howe's unique political outlook was inspired by the example of his friend and mentor C.L.R. James, and forged in the heat of the American civil rights movement, as well as Trinidad's Black Power Revolution. The book sheds new light on Howe's leading role in the defining struggles in Britain against institutional racism in the police, the courts and the media. It focuses on his part as a defendant in the trial of the Mangrove Nine, the high point of Black Power in Britain; his role in conceiving and organizing the Black People's Day of Action, the largest ever demonstration by the black community in Britain; and his later work as one of a prominent journalist and political commentator.
Explore the struggle for racial justice in Britain through the lens of one of Britain's most prominent and controversial black journalists and campaigners. Born in Trinidad during the dying days of colonialism, Darcus Howe became an uncompromising champion of racial justice. The book examines how Howe's unique political outlook was inspired by the example of his friend and mentor C. L. R. James, and forged in the heat of the American civil rights movement, as well as Trinidad's Black Power Revolution. Howe took a leading role in the defining struggles in Britain against institutional racism in the police, the courts and the media. Renegade focuses on his part as a defendant in the trial of the Mangrove Nine, the high point of Black Power in Britain; his role in conceiving and organizing the Black People's Day of Action, the largest ever demonstration by the black community in Britain; and his later work as a prominent journalist and political commentator.
From Bobby to Babylon, originally published in 1988, brings together a series of articles and interviews which provide the background and context to the urban rebellions which exploded across Britain in the wake of the Brixton riots of 1981, from the point of view of black people in Britain. Darcus Howe was born in Moruga, Trinidad in 1943. He came to England in 1962. For over 50 years he was a political activist and a journalist. His activism, had, as its major focus, police oppression in the black community. He took part in a Black Power rebellion in Trinidad in 1970 and became a member of the British Black Panther Movement when he returned to Britain. He came to prominence as one of the 'Mangrove Nine', after being arrested on a march outside Notting Hill police station to protest against police raids of the Mangrove restaurant. He defended himself during the subsequent trial and famously argued that the defendants should have an all-black jury of their peers. His journalism covere
The close diplomatic, economic, and military ties that comprising the "special relationship" between the United States and Great Britain have received plenty of attention from historians over the years. Less frequently noted are the countries' shared experiences of empire, white supremacy, racial inequality, and neoliberalism - and the attendant struggles for civil rights and political reform that have marked their recent history. This state-of-the-field collection traces the contours of this other "special relationship," exploring its implications for our understanding of the development of an internationally interconnected civil rights movement. Here, scholars from a range of research fields contribute essays on a wide variety of themes, from solidarity protests to calypso culture to white supremacy.
This volume of essays constitutes the first history of Labour and left-wing politics in the decade when Margaret Thatcher reshaped modern Britain. Leading scholars explore aspects of left-wing culture, activities and ideas at a time when social democracy was in crisis. There are articles about political leadership, economic alternatives, gay rights, the miners’ strike, the Militant Tendency and the politics of race. The book also situates the crisis of the left in international terms as the socialist world began to collapse. Tony Blair's New Labour disavowed the 1980s left, associating it with failure, but this volume argues for a more complex approach. Many of the causes it championed are now mainstream, suggesting that the time has come to reassess 1980s progressive politics, despite its undeniable electoral failures. With this in mind, the contributors offer ground-breaking research and penetrating arguments about the strange death of Labour Britain.
**Winner of the 2020 Sunday Times/University of Warwick Young Writer of the Year Award** Jay Bernard's extraordinary debut is a fearless exploration of the New Cross Fire of 1981, a house fire at a birthday party in which thirteen young black people were killed. Dubbed the 'New Cross Massacre', the fire was initially believed to be a racist attack, and the indifference with which the tragedy was met by the state triggered a new era of race relations in Britain. Tracing a line from New Cross to the 'towers of blood' of the Grenfell fire, this urgent collection speaks with, in and of the voices of the past, brought back by the incantation of dancehall rhythms and the music of Jamaican patois, to form a living presence in the absence of justice. A ground-breaking work of excavation, memory and activism - both political and personal, witness and documentary - Surge shines a much-needed light on an unacknowledged chapter in British history, one that powerfully resonates in our present moment. 'The verse has anger and political purpose, but a rare lyrical precision, too. The combination is powerful' Sebastian Faulks, Spectator, Books of the Year 2020 *Winner of the Ted Hughes Award for New Work in Poetry* *Shortlisted for the Costa Poetry Award; T.S. Eliot Prize; Forward Prize for Best First Collection; Dylan Thomas Prize; RSL Ondaatje Prize; John Pollard Foundation International Poetry Prize* *Longlisted for the Jhalak Prize 2020*
An outstanding photography book documenting a movement that rocked the world. Syd Shelton: Rock Against Racism is a body of photographs that Syd Shelton produced for and about the British Rock Against Racism movement (RAR) of 1976-1981. For Shelton, this work was a socialist act, what he calls a "graphic argument," on behalf of marginalized lives. His practice of photographic activism began in 1973 when he was driven to document the socio cultural and political dynamics expressed on the streets of Sydney by urban Australian Aboriginal communities, the working class, and the architectural landscapes of these groups. Shelton's first solo show in 1975, "Working Class Heroes" at the Sydney Film-makers Cooperative, established his distinct activist eye. Shelton joined RAR in early 1977 on his return to England from Australia. He did so because he found his birthplace a more racist country than it had been when he left. This was marked by the increased political presence of the National Front, notably its gain of some 119,000 votes in the Greater London Council Elections of May 1977. Shelton, like millions of others, feared for the future of multi-cultural Britain. His contribution to RAR was to be on the London committee, to create graphic material with other RAR members such as the RAR publication "Temporary Hoarding," posters' badges and his photography--RAR did not have an official photographer. Shelton's instinctive need to document RAR--its events, contributors, and supporters--has resulted in the largest collection of images on the movement. Alongside his documentation of RAR, Shelton took photographs of what he calls "the contextual images," the lives and landscapes that were defined by others as "different," and that often fueled racist acts of violence by simply being. What is presented here are Shelton's authoritative visual statements as participant-photographer on the social tempo in Britain at this time and the activist potency of RAR. As collective activism, RAR's success was dependent on individual contributions to fuel the movement's activities across the country. This unique national, and eventually international, charge incorporated the visual dynamic of how Black and white RAR contributors and participants styled their bodies as another antagonistic tool against racism. These were acts of style activism--the making of an activist identity through the considered composition of clothes, accessories, hairstyles, makeup, and body language. Shelton's images prompt us to remember that the individuals at RAR carnivals, gigs, and demonstrations were the event--they were RAR. There are many versions of what RAR was and its legacy. Syd Shelton: Rock Against Racism provides an auto/biographical telling of that historical moment. It reflects on how Shelton's work as a photographer contributed towards social change at a critical moment of political and racial tension in Britain.
Rather than reserving the teaching of Black history to Black history month, Black narratives deserve to be seen and integrated into every aspect of the school curriculum. A unique yet practical resource, Global Black Narratives addresses this issue by providing primary teachers with a global outline of Black history, culture and life within the framework of the UK’s National Curriculum. Each topic explored in this essential book provides teachers and teaching assistants with historical, geographic and cultural context to build confidence when planning and teaching. Full lesson plans and printable worksheets are incorporated into each topic, alongside tips to build future lessons in line with the themes explored. Volume I of this book explores the following parts: Part 1 examines Black Britain, a term used to refer to African and Caribbean immigrants to the United Kingdom and their descendants. Teachers will gain essential contextual knowledge and the practical skills to deliver lessons exploring many examples of Black Britain, dating as far back as the Tudor period. Part 2 explores Black Presence in Europe, providing focused examples of Black narratives. Topics explored include Negritude, Josephine Baker, Afro-Spaniards and the Moorish occupation of Spain, Afro-Surinamese people in the Netherlands and Black presence in France. Created by BLAM UK, this highly informative yet practical resource is an essential read for any teacher, teaching assistant or senior leader who wishes to diversify their curriculum and address issues of Black representation within their school.
