Hay un nuevo barco pirata surcando los mares, ¡el barco de las Pirañas Intrépidas! Se están haciendo famosas, han salvado a gente en peligro y han conseguido tesoros fabulosos...
Daniela descubre un antiguo libro de su abuela con la historia de diez valientes mujeres pirata. Desde los mares de China hasta las costas de Nueva York, desde la antigua Grecia hasta tiempos modernos, estas mujeres pirata surcaron los océanos en busca de riquezas. Aunque muchas veces trataron de impedirles navegar, ellas se negaron a aceptar su destino o lucharon por mejorarlo. Awilda, Mary Read, Lai Choi San, Grace O'Malley, Ching Shih... Sus vidas y hazañas inspiraron a Daniela.
La malvada bruja Sofronisa vive en Isla Tenebrosa. Desde su cabaña, observa todo en su bola de cristal. No soporta las risas de los demás y cuando ve a alguien feliz le lanza hechizos para que todo le salga mal. ¡Daniela pirata se enfrentará a Sofronisa! ¡Un nuevo libro de la pirata más famosa! ¡Más de 170.000 libros vendidos!
Daniela sueña con ser pirata en el Caimán Negro. Pero Orejacortada y sus piratas no parecen muy contentos con la idea. Daniela tendrá que pasar difíciles pruebas y se enfrentará a piratas machistas. ¿Conseguirá la niña convertirse en una pirata del Caimán Negro?
Fabio es un perro diferente. No le gusta nada de lo que les gusta a los otros perros. Un día, Max descubre que su perro desaparece cada noche y decide seguirlo... Una divertidísima y tierna historia que nos ayuda apreciar nuestras propias cualidades y a entender la diversidad. ¿Quién no se ha sentido alguna vez como Fabio
This book follows the ways in which women negotiate and navigate between their feminist identities and their belonging to science fiction fandoms that at times disregard or dismiss them. It explores frictions and discords, including those between feminist women fans and other members in their communities, and between the fan and the object of her fandom. This book examines the intersection of fandom and feminism through the lenses of gender, ethnicity and age, and provides an in-depth and intersectional perspective on fan communities and the layered discrimination and marginalization enfolded in them. Based on 40 in-depth interviews with women fans of Star Wars and Doctor Who, this book highlights the different aspects of a feminist woman fan’s identity: becoming, being, belonging, representing, and reconciling. Each chapter in this book unravels the complexity, ambivalence, and contradictions between feminism and fandom, and reveals the tactics women develop to overcome and harmonize them.
THE STORY: Jabez Stone, young farmer, has just been married, and the guests are dancing at his wedding. But Jabez carries a burden, for he knows that, having sold his soul to the Devil, he must, on the stroke of midnight, deliver it up to him. Shortly before twelve Mr. Scratch, lawyer, enters and the company is thunderstruck. Jabez bids his guests begone; he has made his bargain and will pay the price. His bride, however, stands by him, and so will Daniel Webster, who has come for the festivities. Webster takes the case. But Scratch is a lawyer himself and out-argues the statesman. Webster demands a jury of real Americans, living or dead. Very well, agrees the Devil, he shall have them, and ghosts appear. Webster thunders, but to no avail, and at last realizing Scratch can better him on technical grounds, he changes his tactics and appeals to the ghostly jury, men who have retained some love of country. Rising to the height of his powers, Webster performs the miracle of winning a verdict of Not Guilty.
Offering a new understanding of canonical Romanticism, Daniela Garofalo suggests that representations of erotic love in the period have been largely misunderstood. Commonly understood as a means for transcending political and economic realities, love, for several canonical Romantic writers, offers, instead, a contestation of those realities. Garofalo argues that Romantic writers show that the desire for transcendence through love mimics the desire for commodity consumption and depends on the same dynamic of delayed fulfillment that was advocated by thinkers such as Adam Smith. As writers such as William Blake, Lord Byron, Sir Walter Scott, John Keats, and Emily Brontë engaged with the period's concern with political economy and the nature of desire, they challenged stereotypical representations of women either as self-denying consumers or as intemperate participants in the market economy. Instead, their works show the importance of women for understanding modern economics, with women's desire conceived as a force that not only undermines the political economy's emphasis on productivity, growth, and perpetual consumption, but also holds forth the possibility of alternatives to a system of capitalist exchange.