Dancing in the Narrows chronicles a mother and daughter’s multiyear journey through illness and trauma. At sixteen, Anna’s youngest daughter, Dana, is stricken with a mysterious and debilitating condition, eventually diagnosed as Lyme disease. Desperate to find a cure, the two women are thrust into the established medical world, then far beyond. Full of adventure, humor, and blind faith, Dancing in the Narrows is an inspiring story of self-discovery as a single mother fights to save the life of her child.
Link Williams is a handsome and brilliant Dartmouth graduate who tends bar due to the lack of better opportunities for an African American man in a staid mid-century Connecticut town. The routine of Link’s life is interrupted when he intervenes to save a woman from a late-night attack. Drinking in a bar together after the incident, “Camilo” discovers that her rescuer is African American and he learns that she is white. Unbeknownst to him, “Camilo” (actually Camilla Treadway Sheffield) is a wealthy married woman who has crossed the town’s racial divide to relieve the tedium of her life. Thus brought together by chance, Link and Camilla draw each other into furtive encounters that violate the rigid and uncompromising social codes of their own town and times. As The Narrows sweeps ahead to its shattering denouement, Petry shines a harsh yet richly truthful light on the deforming harm that race and class wreak on human lives. In a fascinating introduction to this new edition, Keith Clark discusses the prescience with which Petry chronicled the ways tabloid journalism, smug elitism, and mob mentality distort and demonize African American men.
From award-winning author Alexander C. Irvine comes a compelling, fantastical riff on history and World War II. Spared fighting in Europe because of a bum hand, Jared wishes he could join the cause, instead of mindlessly sifting clay to be made into golems. But there is something that preys on his dreams: the devilish dwarf known as the Nain Rouge. In his youth, Jared once actually saw the Dwarf—a chilling creature that shows itself to individuals just before their demise. Now the Nain Rouge appears to be coming back for Jared himself. Many have a profound interest in Jared’s childhood run-in with the Dwarf—including a German spy, Jared’s hateful foreman at the golem factory, and a shape-shifting Indian shaman. But what could a simple man who earns a meager living possibly have to do with espionage and dark deeds? While Jared toils invisibly in the bowels of Henry Ford’s plant, the answer is about to reveal itself in a cataclysm of mythic and sinister proportions.
With a ship to call his own at last, Royal Navy Lieutenant St. Vincent Halfhyde sails for the Dardanelles in command of the little torpedo-boat Vendetta, part of a flotilla sent to rescue a British sailing ship unlawfully detained by the Russians. Unfortunately, Halfhyde's first command comes complete with a pompous flotilla captain in love with his own voice, and the looming threat of the irascible Admiral Prince Gorsinski. Cutting out the sailing ship from amidst the Russian fleet and sneaking her back through the Narrows under the deadly batteries of the Turks and the Russians is the easy part. Facing Gorsinski's vengeance and the legendary wrath of the Romanovs is another matter!
Details geologist Dawson's 1878 exploration of the Queen Charlotte Islands. The editors have extracted comments from his journals on this area and have appended a separate report of Dawson's on the ethnology of the Native people living in the region. Includes 25 photos by Dawson. Annotation copyright by Book News, Inc., Portland, OR
After the Second World War, Vancouver emerged as a hotbed of striptease talent. In Burlesque West,the first critical history of this notorious striptease scene, Becki Ross delves into the erotic entertainment industry at the northern end of the dancers' west coast tour - the North-South route from Los Angeles to Vancouver that provided rotating work for dancers and variety for club clientele. Drawing on extensive archival materials and fifty first-person accounts of former dancers, strip-club owners, booking agents, choreographers, and musicians, Ross reveals stories that are deeply flavoured with an era before "striptease fell from grace because the world stopped dreaming," in the words of ex-dancer Lindalee Tracey. Though jobs in this particular industry are often perceived as having little in common with other sorts of work, retired dancers' accounts resonate surprisingly with those of contemporary service workers, including perceptions of unionization and workplace benefits and hazards. Ross also traces the sanitization and subsequent integration of striptease style and neo-burlesque trends into mass culture, examining continuity and change to ultimately demonstrate that Vancouver's glitzy nightclub scene, often condemned as a quasi-legal strain of urban blight, in fact greased the economic engine of the post-war city. Provocative and challenging, Burlesque West combines the economic, the social, the sexual, and the personal, and is sure to intellectually tantalize.
This book, with its focus on the dancing body, is the first of its kind within the larger context of dance in India. The Dancing Body is a body that exists, survives, inhabits and performs in multiple space and time, by moving, laboring, migrating and straddling across geographic, cultural and emotional borders, writing different cultural meanings at different moments of time. In India, discourses around the body in dance have long been trapped within hagiographic histories in and around dancers and their dance. During the last few decades, however, significant scholarly inroads were made into the domain of dance by shaking up the stereotypes, assertions and labels, shaped and moulded by patriarchy, class, caste and power. This book brings together emerging discourses around dance and the body that have become central in the Indian nation-state. Contemporary discourses around identity politics, moral policing, politics of exclusion, and neo-liberal dispossessions vis a vis sexual labour, means of survival, pleasure and agency of dancers have helped frame the focus around labour, leisure and livelihood concerning the everyday existence of the body in dance. This volume will be of great value to students, researchers and scholars in dance, gender studies, cultural studies, and performance studies, with a particular interest in Asian and South Asian Studies. The chapters in this book were originally published in a special issue of South Asian History and Culture. The chapters in this book were originally published in a special issue of South Asian History and Culture.
People all over the world dance traditional and popular dances that have been staged for purposes of representing specific national and ethnic groups. Anthony Shay suggests these staged dance productions be called “ethno identity dances”, especially to replace the term “folk dance,” which Shay suggests should refer to the traditional dances found in village settings as an organic part of village and tribal life. Shay investigates the many motives that impel people to dance in these staged productions: dancing for sex or dancing sexy dances, dancing for fun and recreation, dancing for profit - such as dancing for tourists - dancing for the nation or to demonstrate ethnic pride. In this study Shay also examines belly dance, Zorba Dancing in Greek nightclubs and restaurants, Tango, Hula, Irish step dancing, and Ukrainian dancing.
When horse-savvy James is hired by the Duke of Dorchester to deliver a young Arab stallion to the colony of Newfoundland aboard the Hindsight in the year 1800, James and the duke’s beautiful daughter, Alicia, realize this is a perfect opportunity for them both to board the ship and escape to the New World. They would cross the sea, deliver the young horse to a Mr. Penney who lived on Bell Island, and then they would be free to live their lives as husband and wife. Nothing could stop them, so they thought. Then it happened. The Hindsight could not withstand a sudden Atlantic storm that arose near the Newfoundland coastline. Yet James and Alicia are not defeated, even as the ship founders, they tie themselves to each other with horse leads and then to the young stallion. Even as they hear frantic cries as the Hindsight slides below the waves - the powerful stallion - bred to withstand any challenge surges onward and away to an unknown shore. Alicia gives in to the ice-cold sea. James catches sight of a single light, flickering in the distance, and with that the young black stallion senses shore - and is able to scramble up on a rocky beach. Out of the darkness come two Newfoundlanders. Knowing the secrets of how to outsmart Poseidon’s deadly hand, Ted and Marion Martin, true Newfoundlanders, get to work to save Alicia. Equally important and pivotal to the entire saga is the lonely Mr. Robert Penney. Overwhelmed with joy when James delivers the young stallion to his doorstep, Mr. Penney offers James, Alicia and their two Newfoundland friends an opportunity that sweeps the reader through the next fifty years of true-to-life Newfoundland‘s rich history.
Sophocles' tragedies--from Antigone to Oedipus Tyrannus--are filled with highly wrought, vivid, and emotionally powerful poetry. Yet most translations sacrifice the poetry to convey only the sense of the lines as dramatic speech. This is the first book in English to present Sophocles exclusively as a poet, and the only volume to reveal the full force and beauty of his verse. With a fresh and consistent attention to structure, language, and rhythm across Sophocles' writings, Reginald Gibbons has translated a selection of odes from Sophocles' surviving plays as well as fragments from his lost works. What emerges is a genuinely new sense of a Sophocles who was as much poet as dramatist. Bringing the Greek poet and his world surprisingly close to us, these translations also restore a sense of the long continuity of poetry. Complete with an introduction, this edition reveals Sophocles' poetic brilliance as never before.
