"Here's Dan, Beep! Beep! the Taxi Man, going to the show and picking up the band. Climb inside while you still can with Dan, Beep! Beep! the Taxi Man." And what a band it is! A symphony of sounds and colors, this cumulative tale is as much fun to read aloud as it is to listen to.Singer/songwriter, author and renowned performer Eric Ode has crafted a delightfully engaging cumulative verse brought to life by Kent Culotta's exuberant paintings. The rhyme sings with the sounds belonging to the various instruments of each hip band member as they pile into Dan's taxi, heading to the show.
NEW YORK TIMES BESTSELLER • “Dapper Dan is a legend, an icon, a beacon of inspiration to many in the Black community. His story isn’t just about fashion. It’s about tenacity, curiosity, artistry, hustle, love, and a singular determination to live our dreams out loud.”—Ava DuVernay, director of Selma, 13th, and A Wrinkle in Time NAMED ONE OF THE BEST BOOKS OF THE YEAR BY VANITY FAIR • DAPPER DAN NAMED ONE OF TIME’S 100 MOST INFLUENTIAL PEOPLE IN THE WORLD With his now-legendary store on 125th Street in Harlem, Dapper Dan pioneered high-end streetwear in the 1980s, remixing classic luxury-brand logos into his own innovative, glamorous designs. But before he reinvented haute couture, he was a hungry boy with holes in his shoes, a teen who daringly gambled drug dealers out of their money, and a young man in a prison cell who found nourishment in books. In this remarkable memoir, he tells his full story for the first time. Decade after decade, Dapper Dan discovered creative ways to flourish in a country designed to privilege certain Americans over others. He witnessed, profited from, and despised the rise of two drug epidemics. He invented stunningly bold credit card frauds that took him around the world. He paid neighborhood kids to jog with him in an effort to keep them out of the drug game. And when he turned his attention to fashion, he did so with the energy and curiosity with which he approaches all things: learning how to treat fur himself when no one would sell finished fur coats to a Black man; finding the best dressed hustler in the neighborhood and converting him into a customer; staying open twenty-four hours a day for nine years straight to meet demand; and, finally, emerging as a world-famous designer whose looks went on to define an era, dressing cultural icons including Eric B. and Rakim, Salt-N-Pepa, Big Daddy Kane, Mike Tyson, Alpo Martinez, LL Cool J, Jam Master Jay, Diddy, Naomi Campbell, and Jay-Z. By turns playful, poignant, thrilling, and inspiring, Dapper Dan: Made in Harlem is a high-stakes coming-of-age story spanning more than seventy years and set against the backdrop of an America where, as in the life of its narrator, the only constant is change. Praise for Dapper Dan: Made in Harlem “Dapper Dan is a true one of a kind, self-made, self-liberated, and the sharpest man you will ever see. He is couture himself.”—Marcus Samuelsson, New York Times bestselling author of Yes, Chef “What James Baldwin is to American literature, Dapper Dan is to American fashion. He is the ultimate success saga, an iconic fashion hero to multiple generations, fusing street with high sartorial elegance. He is pure American style.”—André Leon Talley, Vogue contributing editor and author
Driving a cab for more than 30 years Gene Salomon has collected a remarkable selection of stories. He shares the very best in this unforgettable memoir.
"In the freewheeling, debaucherous tradition of Charles Bukowski, a taxi driver's stories from the streets of lowlife Los Angeles. Dan Fante lived the stories he wrote. His voice has the immediacy of a stranger of the next barstool, of a friend who lives on the edge. As he writes in Short Dog (the title comes from street slang for a half-pint of alcohol): I had been back working a cabbie gig as a result of my need for money. And insanity. Hack driver is the only occupation I know about with no boss, and because I have always performed poorly at supervised employment, I returned to the taxi business. The upside, now that I was working again, was that my own boozing was under control and I was on beer only, except for my days off.s"--
In Los Angeles, struggling telemarketer-writer and part-time drunk Bruno Dante is jobless again. The publication of his book of short stories has been put off indefinitely. Searching the want ads for a gig, he finds a chauffeur job. When Bruno calls the number in the ad, he discovers the boss is his former Manhattan employer David Koffman, who is opening a West Coast branch of his thriving limo service. Koffman hires Bruno as resident manager of Dav-Ko Hollywood under one condition: he must remain sober. But instant business success triggers an abrupt booze-and-blackout-soaked downward spiral for Bruno, forcing him to confront his own madness as he struggles to keep his old familiar demons from getting the best of him yet again.
Examines the trend of Americans away from the traditionally mobile, risk-accepting, and adaptable tendencies that defined them for much of recent history, and toward stagnation and comfort, and how this development has the potential to make future changes more disruptive. --Publisher's description.
“Dan Gerber tenderly reels his readers through the ‘beautiful movie’ he calls the passing of time on earth in a language completely unadorned and Zen-like in its quietude. The thing itself carries the weight of these poems, which recall the deep imagery of Vallejo, Neruda and Wright.”—Rain Taxi Dan Gerber is a master of layered, bittersweet imagery. In his seventh book of poems, he writes of childhood misgivings and fears, the oak savannah landscape of California’s central coast, and a near-mystical relationship with nature. As novelist John Nichols once wrote of Gerber’s poetry, “Dan Gerber has an exquisitely muted, yet profound understanding of tragedy, love, family, and the haunting vagaries of nature.” “Some Distance” I wanted to be a stone in the field, simply that, and then I wanted to be the grass around it, and then the cattle grazing under the too blue sky, and then the blue, which has of itself no substance, and yet goes on and on and on. Dan Gerber is the author of a dozen books of poetry, fiction, essays, and memoir. He has earned the Mark Twain Award, Book of the Year honors from ForeWord Magazine, and inclusion in The Best American Poetry. He lives in Santa Ynez, California.
Cliff Fyman's Taxi Night is a splendid and powerful book-length poem in four parts. The real-life patter and ambience of his fares reach the hackie, Fyman, as he transports a rainbow cast of denizens around the boroughs from 5 p.m. until 5 a.m. The first two sections are transcribed from overheard cellphone combat, or a jiving fare who tries to play Fyman verbally, or more than a few nutcases. But Fyman's show is the farthest thing from a freak show. Each appearance at the mike, so to speak, is brief. Fyman presents the words he captures in precisely sculpted form, ingenious line breaks, one word lines - from-the-gut poems which retain a credible verbatim and are rigorously artful. Eloquence in their realism. The last two sections increasingly are transcribed from Fyman's own silent, deeply inner verbatim. These pieces are equally Swiss-movement poems. Vibrant slices of anonymous lives rendered with a dramedy of depth and compassion. A moving celebration of whatever we become when we buy a ride and take to the backseat stage. -JOHN GODFREYTaxi Night is strong and clear like an ink drawing with bold lines that are few and stark but tell the whole story, the place and time, the people, how they think and speak, the music of it, a documentation of the undocumented, simultaneously very close and very far, which is how people are. -TANIA SUSSKINDThere's no better place to view the human condition than the driver's seat of a New York City cab. Just ask poet Cliff Fyman, who has transformed his stint behind the wheel into Taxi Night, a touching, sometimes mind-blowing work. Through lovingly handled "found" material; curious diction; and acute, sometimes deadpan observation, Fyman gives the reader all the drama, humor and pathos that comes from a steady stream of humanity in the backseat. He has an excellent ear for everyday speech and the sharp editing skills of a top-notch documentarian. Read Taxi Night slowly or breathlessly. Read it all the way through or read it in bits. Either way, you're in for a great ride. -PETER BUSHYEAGER Dude, they are pure gold! They capture the upper class in unguarded moments. Yr bits are the highlight of my day! -RON KOLM
