Julie Wyant spent one night with John Foy--a night of psychopathic cruelty that Foy, a professional killer, called love. Desperate to get away from him, she vanishes. From a town called Paradise, through a wilderness that feels like hell, Private Detective Scott Weiss searches for Julie--and the killer follows, waiting for his chance.
The Daring And The Doomed. . . It's the last chance for Jacob Gamble, Rough Rider, outlaw and man of a few principles. Nearing 50 and flat broke, Jacob bends his own rule about robbing trains. But by the time he reaches the payroll safe on a Rock Island train, he finds another thief there first with a bullet in his head. Jacob is caught holding the bag--and turned into hero. A broke hero. In A Place Called Damnation Road. . . Shackled by unwanted fame, running from a life gone wrong, and raising the suspicions of a Pinkerton detective, Jacob listens to a woman: beautiful and tattooed by the Indians who seized her as a child. Olivia Weathers knows of a treasure hidden in a cave along the Jornada del Muerto--a merciless hundred mile stretch of hell on earth guarded by Apache warriors. Now, Jacob will follow Olivia into the most savage and deadly territory in the southwest--where few ever come out of Canyon Diablo alive. "Max McCoy is a masterful storyteller. A force of fascinating characters and unexpected plot twists create a can't-put-it-down story." --Cotton Smith, author of Spirit Rider
“Great characters, inventive plotting, darkness, light, horror, and humor . . . a relentless tale of suspense” from an Edgar Award–winning author (Booklist, starred review). They are two sworn enemies with a single obsession: a woman on the run from them both. Scott Weiss is a private detective. John Foy is a professional killer. The woman is Julie Wyant, a hooker with the face of an angel. Julie spent one night with Foy—a night of psychopathic cruelty that Foy called love. Desperate to get away from him, she vanished without a trace. And Foy wants her back. There’s only one man who can find her: Weiss, the best locate operative in the business. She’s begged him not to look for her, fearing he’ll bring the killer in his wake. But Weiss can’t stay away. Now, from a town called Paradise, through a wilderness that feels like hell, Weiss searches for Julie—and the killer follows, waiting for his chance. They are two expert hunters matching move for move—until it ends on Damnation Street.
NATIONAL BESTSELLER Named a Best Book of 2021 by Newsweek, the San Francisco Chronicle, The Washington Post, and the Los Angeles Times “A glorious book—an assured novel that’s gorgeously told.” —The New York Times Book Review “An incredibly moving epic about an unforgettable family.” —CBS Sunday Morning “[An] absorbing novel…I felt both grateful to have known these people and bereft at the prospect of leaving them behind.” —The Washington Post A stunning novel about love, work, and marriage that asks how far one family and one community will go to protect their future. Colleen and Rich Gundersen are raising their young son, Chub, on the rugged California coast. It’s 1977, and life in this Pacific Northwest logging town isn’t what it used to be. For generations, the community has lived and breathed timber; now that way of life is threatened. Colleen is an amateur midwife. Rich is a tree-topper. It’s a dangerous job that requires him to scale trees hundreds of feet tall—a job that both his father and grandfather died doing. Colleen and Rich want a better life for their son—and they take steps to assure their future. Rich secretly spends their savings on a swath of ancient redwoods. But when Colleen, grieving the loss of a recent pregnancy and desperate to have a second child, challenges the logging company’s use of the herbicides she believes are responsible for the many miscarriages in the community, Colleen and Rich find themselves on opposite sides of a budding conflict. As tensions in the town rise, they threaten the very thing the Gundersens are trying to protect: their family. Told in prose as clear as a spring-fed creek, Damnation Spring is an intimate, compassionate portrait of a family whose bonds are tested and a community clinging to a vanishing way of life. An extraordinary story of the transcendent, enduring power of love—between husband and wife, mother and child, and longtime neighbors. An essential novel for our times.
The savage, apocalyptic classic novel by the Nebula and Hugo Award-winning author that inspired the cult 1977 film starring Jan-Michael Vincent and George Peppard is reissued.
Hell mattered in the United States' first century of nationhood. The fear of fire-and-brimstone haunted Americans and shaped how they thought about and interacted with each other and the rest of the world. Damned Nation asks how and why that fear survived Enlightenment critiques that diminished its importance elsewhere.
“A riveting character-driven dive into 19th-century New York and the extraordinary history of Blackwell’s Island.” —Laurie Gwen Shapiro, author of The Stowaway: A Young Man’s Extraordinary Adventure to Antarctica On a two-mile stretch of land in New York’s East River, a 19th-century horror story was unfolding . . . Today we call it Roosevelt Island. Then, it was Blackwell’s, site of a lunatic asylum, two prisons, an almshouse, and a number of hospitals. Conceived as the most modern, humane incarceration facility the world ever seen, Blackwell’s Island quickly became, in the words of a visiting Charles Dickens, “a lounging, listless madhouse.” In the first contemporary investigative account of Blackwell’s, Stacy Horn tells this chilling narrative through the gripping voices of the island’s inhabitants, as well as the period’s officials, reformers, and journalists, including the celebrated Nellie Bly. Digging through city records, newspaper articles, and archival reports, Horn brings this forgotten history alive: there was terrible overcrowding; prisoners were enlisted to care for the insane; punishment was harsh and unfair; and treatment was nonexistent. Throughout the book, we return to the extraordinary Reverend William Glenney French as he ministers to Blackwell’s residents, battles the bureaucratic mazes of the Department of Correction and a corrupt City Hall, testifies at salacious trials, and in his diary wonders about man’s inhumanity to man. In Damnation Island, Stacy Horn shows us how far we’ve come in caring for the least fortunate among us—and reminds us how much work still remains.
Theology in the Early British and Irish Gothic, 1764–1832 reassesses the relationship between contemporary theology and the Gothic. Investigating Gothic aesthetics, depictions of the supernatural and portrayals of religious organisations, it explores how the Gothic engages with contemporary theologies, both Dissenting and Anglican. Moving away from the emphasis on either a monolithic Protestantism or on the Gothic as a secular mode, it shows the ways in which the Gothic exploration of the transcendent and the obscure cannot be separated from the diverse theologies of its day. The project maps how the Gothic not only reflects but actively engages in the theological debates and controversies contemporary to its efflorescence.