Damiano De Luca: a curse with no cure.Before he ruled the De Luca family,before he became the man everyone feared,before he scoured an empire in search of me,he chose me to ruin.I was innocent.An untainted princess.The heiress to the Vitali mafia throne.And I was in the wrong place at the wrong time when I met the wrong boy.My name is Renata Vitali...And this is not a love story.
BOOK TWO IN THE FIVE SYNDICATES SERIES Niccolaio Andretti Asshole. Douchebag. Jerk. Those are all valid descriptions of me, especially since fleeing from Andretti territory. Angry with the turn my life has taken, I prefer the silence and loneliness of my house. Not only is it the safest place for me after my brother placed a hit on me, it is also my sanctuary-my place to get away from the bullshit that is people. Until she comes along-angry, demanding and so damn hot. I hate her immediately. Minka Reynolds Bitch. Tramp. Slut. I've heard it all before. It doesn't bother me. I have more important things to deal with-like graduating from Wilton; taking care of my little sister; and yes, finding the next guy to pay for it all. If I have to sleep around for it? So be it. If I have to lose the dwindling tethers of my sanity every day? So be it. Nothing fazes me. Until he comes along-angry, demanding and so damn hot. I hate him immediately. Minka Reynolds has never been liked, but she doesn't care. Struggling to earn custody of her little sister, she is on mission to gain the only things that will get her there-money, a home, and a stable career. Unfortunately, she has none of those three, but she's close. It's just within reach... until she meets Niccolaio Andretti, the former heir to the Andretti mafia family, and everything she thinks is right becomes wrong.
A deeply emotional graphic memoir of a young woman’s struggles with self-esteem and body image issues. All Marie-Noëlle wants is to be thin and beautiful. She wishes that her thighs were slimmer, that her stomach lay flatter. Maybe then her parents wouldn’t make fun of her eating habits at family dinners, the girls at school wouldn’t call her ugly, and the boy she likes would ask her out. This all-too-relatable memoir follows Marie-Noëlle from childhood to her twenties, as she navigates what it means to be born into a body that doesn’t fall within society’s beauty standards. When, as a young teen, Marie-Noëlle begins a fitness regime in an effort to change her body, her obsession with her weight and size only grows and she begins having suicidal thoughts. Fortunately for Marie-Noëlle, a friend points her in the direction of therapy, and slowly, she begins to realize that she doesn’t need the approval of others to feel whole. Marie-Noëlle Hébert’s debut graphic memoir is visually stunning and drawn entirely in graphite pencil, depicting a deeply personal and emotional journey that encourages us to all be ourselves without apology. Key Text Features graphic novel comic style
The mafia has always fascinated filmmakers and television producers. Al Capone, Salvatore Giuliano, Lucky Luciano, Ciro Di Marzio, Roberto Saviano, Don Vito and Michael Corleone, and Tony Soprano are some of the historical and fictional figures that contribute to the myth of the Italian and Italian-American mafias perpetuated onscreen. This collection looks at mafia movies and television over time and across cultures, from the early classics to the Godfather trilogy and contemporary Italian films and television series. The only comprehensive collection of its type, Mafia Movies treats over fifty films and TV shows created since 1906, while introducing Italian and Italian-American mafia history and culture. The second edition includes new original essays on essential films and TV shows that have emerged since the publication of the first edition, such as Boardwalk Empire and Mob Wives, as well as a new roundtable section on Italy’s “other” mafias in film and television, written as a collaborative essay by more than ten scholars. The edition also introduces a new section called “Double Takes” that elaborates on some of the most popular mafia films and TV shows (e.g. The Godfather and The Sopranos) organized around themes such as adaptation, gender and politics, urban spaces, and performance and stardom.
Overtourism explores a growing phenomenon in tourism that is currently creating tensions in both urban and rural tourist destinations worldwide. This volume proposes a framework for a series of possible solutions and management strategies for dealing with overtourism and the various negative impacts that large quantities of tourists can impose. Questioning the causes of this phenomenon – such as increased prosperity and mobility, technological development, issues of security and stigma for certain parts of the world, and so on – this book supposes that better visitor management strategies and distribution of tourists can offset the negative impacts of overtourism. Individual chapters focus on a range of destinations including Venice, Barcelona and Dubrovnik, as well as UNESCO cultural and natural heritage sites, where local political actors and public authorities are not always able to deal with the situation effectively. Integrating research and practice, this book will be of great interest to upper-level students, researchers and academics in tourism, development studies, cultural studies and sustainability, as well as professionals in the field of tourism management.
The increasingly crucial role of companies’ non-financial disclosure (NFD) and integrated reporting (IR) has led to a lively debate among academics, practitioners, and regulators on the approaches, framework, contents, principles, and standards that should oversee these forms of reporting. Through several expert contributions, conducted both with qualitative and quantitative methodologies, this book provides an up-to-date portrait of the debate by exploring corporate NFD either in its mandated contents or voluntary information. Contributing authors provide studies that encompass the different lines of NFD, namely non-financial risk reporting, sustainability reporting, and intellectual capital reporting, as well as the integration of financial and non-financial information through IR, the assurance of the NFD and IR through auditing activities, and the role of management and CFOs in NFD and IR.
Molecular Logic Gates and Luminescent Sensors Based on Photoinduced Electron Transfer, by A. Prasanna de Silva and S. Uchiyama; Luminescent Chemical Sensing, Biosensing, and Screening Using Upconverting Nanoparticles, by D. E. Achatz, R. Ali, and O. S. Wolfbeis; Luminescence Amplification Strategies Integrated with Microparticle and Nanoparticle Platforms, by S. Zhu, T. Fischer, W. Wan, A. B. Descalzo, and K. Rurack; Luminescent Chemosensors Based on Silica Nanoparticles, by S. Bonacchi, D. Genovese, R. Juris, M. Montalti, L. Prodi, E. Rampazzo, M. Sgarzi, and N. Zaccheroni; Fluorescence Based Sensor Arrays, by R. Paolesse, D. Monti, F. Dini, and C. Di Natale; Enantioselective Sensing by Luminescence, by A. Accetta, R. Corradini, and R. Marchelli
There was no Reichstag fire. No storming of the Bastille. No mutiny on the Aurora. Instead, the mediocre have seized power without firing a single shot. They rose to power on the tide of an economy where workers produce assembly-line meals without knowing how to cook at home, give customers instructions over the phone that they themselves don’t understand, or sell books and newspapers that they never read. Canadian intellectual juggernaut Alain Deneault has taken on all kinds of evildoers: mining companies, tax-dodgers, and corporate criminals. Now he takes on the most menacing threat of all: the mediocre.
For readers of Fox & I comes “a fable very much for our time.”—The TIMES “Unusual and fascinating... Read this book and enter into another world."— Jane Goodall In this sensuous and moving memoir, a young man forms a powerful connection with deer while living alone in the woods for seven years. Geoffroy Delorme does not fit in the human world. As a boy, he dreams of transforming into a fox so he can escape into the forest. As he gets older, he disappears into the woods at night, drawn to the rhythms of animal life. One night, an encounter with a deer changes his life: from then on, he knows he wants to live among them. Delorme becomes a creature of the forest. He learns to live without a tent or sleeping bag and forage for whatever food he can find. He blends in with the deer and, slowly, they accept him into their world. He witnesses their births and deaths, courtship and battles, ostracism and friendship over the cycles of their lives. Among the deer, he experiences the beauty, pain, fear, and joy of a life lived as a part of nature, not separate from it. In his final year in the forest, Delorme meets a woman walking through the trees. He knows he can stay in the forest and die with his friends—or he can leave, and speak their truth to a human world that desperately needs to hear it. Deer Man is a moving story of what it’s like to be an outsider and how forming connections with the natural world can help us feel less alone. A unique and powerful window into how far one human is willing to go to understand an animal, Deer Man asks us to never take for granted the flora and fauna of our world, and to work for their protection in whatever ways we can.