With its focus on dangerous, determined femmes fatales, hardboiled detectives, and crimes that almost-but-never-quite succeed, film noir has long been popular with moviegoers and film critics alike. Film noir was a staple of classical Hollywood filmmaking during the years 1941-1958 and has enjoyed a resurgence in popularity since the 1990s. Dames in the Driver's Seat offers new views of both classical-era and contemporary noirs through the lenses of gender, class, and race. Jans Wager analyzes how changes in film noir's representation of women's and men's roles, class status, and racial identities mirror changes in a culture that is now often referred to as postmodern and postfeminist. Following introductory chapters that establish the theoretical basis of her arguments, Wager engages in close readings of the classic noirs The Killers, Out of the Past, and Kiss Me Deadly and the contemporary noirs L. A. Confidential, Mulholland Falls, Fight Club, Twilight, Fargo, and Jackie Brown. Wager divides recent films into retro-noirs (made in the present, but set in the 1940s and 1950s) and neo-noirs (made and set in the present but referring to classic noir narratively or stylistically). Going beyond previous studies of noir, her perceptive readings of these films reveal that retro-noirs fulfill a reactionary social function, looking back nostalgically to outdated gender roles and racial relations, while neo-noirs often offer more revisionary representations of women, though not necessarily of people of color.
The story of Samson and Delilah in Judges 16 has been studied and retold over the centuries by biblical interpreters, artists, musicians, filmmakers and writers. Within these scholarly and cultural retellings, Delilah is frequently fashioned as the quintessential femme fatale - the shamelessly seductive 'fatal woman' whose sexual treachery ultimately leads to Samson's downfall. Yet these ubiquitous portrayals of Delilah as femme fatale tend to eclipse the many other viable readings of her character that lie, underexplored, within the ambiguity-laden narrative of Judges 16 - interpretations that offer alternative and more sympathetic portrayals of her biblical persona. In Reimagining Delilah's Afterlives as Femme Fatale, Caroline Blyth guides readers through an in-depth exploration of Delilah's afterlives as femme fatale in both biblical interpretation and popular culture, tracing the social and historical factors that may have inspired them. She then considers alternative afterlives for Delilah's character, using as inspiration both the Judges 16 narrative and a number of cultural texts which deconstruct traditional understandings of the femme fatale, thereby inviting readers to view this iconic biblical character in new and fascinating lights.
DigiCat Publishing presents to you this special edition of "Veiled Women" by Marmaduke William Pickthall. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
A Country Doctor and Ex-Ballplayer Save "The Bambino" from Thugs, the Baseball Commissioner, and Himself in the Historical Fiction Novel, The Babe Ruth Conspiracy, from Author David O. Stewart --New York City, 1920-21-- In 1920, Babe Ruth--larger than life on the ball field and off--is enjoying a record-breaking season in his first year as a New York Yankee when his 1918 World Series win falls under suspicion of being "fixed." Then rumors start that his silent movie, Headin' Home, was bankrolled by the top aide to gambling kingpin, Arnold Rothstein. Ruth turns to Speed Cook--a professional ballplayer before the game was segregated and who now promotes Negro baseball--for help. If anyone knows the dirty underbelly of America's favorite pastime, it's Cook. Cook enlists the help of a long-time friend, Dr. Jamie Fraser, whose new wife, Eliza, coproduced the Babe's silent film. While Cook, Fraser, and Eliza dig for the truth, protecting the oftentimes-reckless Ruth from thugs and the new baseball commissioner proves even more dangerous when they come face-to-face with hidden power-hitters who are playing for keeps. Publisher's Note: The Fraser and Cook Historical Mystery Series will be enjoyed by fans of American history and period mystery novels. Free of graphic sex and with some mild profanity, this series can be enjoyed by readers of all ages. "Within these pages, he ushers us into the randy, gritty, wanton world of Babe Ruth, just arrived in New York from Boston, where he would power the Yankees—hell, the whole damn city—for the next decade. It is a world filled with molls and toughs, crooked pols and bootleggers, gamblers and righteous cops, not to mention Stewart’s beloved characters, Speed Cook, the wise head and former Negro Leaguer, and Dr. Jamie Fraser, who have teamed up before in previous fictions. The texture of the city is rendered with precision and believability. When Stewart describes the new impediment at the corner of 42nd and Fifth Avenue, the city’s first traffic tower, a reader can see the snarl of horse-drawn wagons, bicycles, pedestrians and oh so many automobiles—“machines” in the argot of the Twenties--clogging the street. Even the Babe had to stop for that. The book is full of such knowing details like the Thomas splint, an invention of World War I medicine, that saves Jamie Fraser’s daughter from losing her leg. Larger-than-life Ruth is made palpable through a mosaic of small but unassailable images. Ruth, resplendent in a red satin dressing gown worn over a pair of green and white diamond pajamas, earns “a low whistle” from Cook when he is admitted to the Babe’s sumptuous apartment in the Ansonia Hotel. It earns something more important from the reader: a belief in narrative plausibility and in the characters that inhabit it. So, when Stewart writes of the Babe that getting angry at him was a waste of time, “like losing your temper at a thunderstorm,” you know he knows what he’s talking about. The book is grand. Just like the Babe." ~Jane Leavy, Author of The Big Fella: Babe Ruth and the World He Created The Fraser and Cook Historical Mystery Series The Lincoln Deception The Paris Deception The Babe Ruth Deception
Johnny Edwards is fishing when he gets Tony’s letter from Cuba. Tony is in trouble and urgently needs Johnny down in Havana. But Johnny stalls—ashamed to admit to his former war buddy that he has been living a life of indifferent ease and indulgence—and when he does arrive, he finds Tony has just been murdered. His boredom replaced with thoughts of revenge, Johnny decides to try and find the murderer himself. And that’s when he runs into Ellen McCarter—trim, slim, with sun-streaked hair—a helluva distraction. But not enough to sidetrack Johnny, who continues to follow the murderer’s trail up to Fort Myers, Florida...where the first person he runs into is slim, trim Ellen!
This book is an historical survey of women’s sport from 1850-1960. It looks at some of the more recent methodological approaches to writing sports history and raises questions about how the history of women’s sport has so far been shaped by academic writers. Questions explored in this text include: What are the fresh perspectives and newly available sources for the historian of women’s sport? How do these take forward established debates on women’s place in sporting culture and what novel approaches do they suggest? How can our appreciation of fashion, travel, food and medical history be advanced by looking at women’s involvement in sport? How can we use some of the current ideas and methodologies in the recent literature on the history and sociology of sport in order to look afresh at women’s participation? Jean Williams’s original research on these topics and more will be a useful resource for scholars in the fields of sports, women’s studies, history and sociology.
