The Bloomsbury circle has long preoccupied writers, critics, and the general public alike. For many years its focal point was Charleston Farmhouse in Sussex, home to Vanessa and Clive Bell and Duncan Grant. A Cézanne in the Hedge brings together thirty firsthand reminiscences of the Charleston, vividly and amusingly evoking its creativity—and eccentricity. Childhood memories from Quentin Bell, Angelica Garnett, and Nigel Nicholson are interspersed with appraisals of the work of Bloomsbury members such as Roger Fry, Maynard Keynes, and Virginia Woolf and of their contribution to twentieth-century British art and thought. The finale is a childhood spoof written by Virginia Woolf entitled "A Terrible Tragedy in a Duckpond."
Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot events, and configure poetry and memoir. As forms and formal theories cross from one artistic realm to another and back again, modernism shows its obsession with form—and even at times becomes a formalism itself—but as Lewis writes, that form is far more dynamic than we have given it credit for. Form fulfills such various functions that we cannot characterize it as a mere container for content or matter, nor can we consign it to ignominy opposite historicism or political commitment. As a structure or scheme that enables action, form in modernism can be plastic, protean, or even fragile, and works by Henry James, Virginia Woolf, Mina Loy, Evelyn Waugh, and Gertrude Stein demonstrate the range of form's operations. Revising three major formal paradigms—spatial form, pure form, and formlessness—and recasting the history of modernist form, this book proposes an understanding of form as a verbal category, as a kind of doing. Dynamic Form thus opens new possibilities for conversation between modernist studies and formalist studies and simultaneously promotes a capacious rethinking of the convergence between literary modernism and creative work in other media.
Winner of the prestigious Prix Goncourt award for biography, this remarkable portrait sheds new light on Virginia Woolf's relationships with her family and friends and how they shaped her work. Virginia Woolf: A Portrait blends recently unearthed documents, key primary sources, and personal interviews with Woolf's relatives and other acquaintances to render in unmatched detail the author's complicated relationship with her husband, Leonard; her father, Leslie Stephen; and her half-sister, Vanessa Bell. Forrester connects these figures to Woolf's mental breakdown while introducing the concept of "Virginia seule," or Virginia alone: an uncommon paragon of female strength and conviction. Forrester's biography inhabits her characters and vivifies their perspective, weaving a colorful, intense drama that forces readers to rethink their understanding of Woolf, her writing, and her world.
A major biography--the first comprehensive new assessment to be published in decades--of the brilliant work and restless life of Paul Cezanne, the most influential painter of his time, whose vision revolutionized the role of the painter.
"Paul Cezanne (1839-1906) was one of the most influential and well-loved artists of all time. He was a key figure in the great debate about Modernism that took place in Britain in the early years of the twentieth century, and a stylistic innovator who constantly struggled to perfect his art. Yet, during his lifetime, Cezanne remained virtually unknown in this country, and as recently as 1964 the National Gallery's purchase of the most important Cezanne in Britain - Bathers - was denounced in the press as a public outrage." "Today, more than 80 of Cezanne's works remain in British collections, public and private, and over half of these pictures , covering the full range of his oeuvre - paintings, drawings, watercolours and prints - are reproduced here, tracing the artist's development from the 1860s until his death."--BOOK JACKET.
An in-depth study of how the famed Bloomsbury Group expressed their liberal philosophies and collective identity in visual form "[Fascinating and wide-ranging. . . . Will be enjoyed by both Bloomsbury aficionados and newcomers alike."--Lucinda Willan, V&A Magazine The Bloomsbury Group was a loose collective of forward-thinking writers, artists, and intellectuals in London, with Virginia Woolf, John Maynard Keynes, and E. M. Forster among its esteemed members. The group's works and radical beliefs, spanning literature, economics, politics, and non-normative relationships, changed the course of 20th-century culture and society. Although its members resisted definition, their art and dress imparted a coherent, distinctive group identity. Drawing on unpublished photographs and extensive new research, The Bloomsbury Look is the first in-depth analysis of how the Bloomsbury Group generated and broadcast its self-fashioned aesthetic. One chapter is dedicated to photography, which was essential to the group's visual narrative--from casual snapshots, to amateur studio portraits, to family albums. Others examine the Omega Workshops as a design center, and the evidence for its dress collections, spreading the Bloomsbury aesthetic to the general public. Finally, the book considers the group's extensive participation in 20th-century modernism as artists, models, curators, critics, and collectors.
When Virginia Woolf wrote A Room of One's Own in 1929, she established her reputation as a feminist, and an advocate for unheard voices. But like thousands of other upper-class British women, Woolf relied on live-in domestic servants for the most intimate of daily tasks. That room of Woolf's own was kept clean by a series of cooks and maids throughout her life. In the much-praised Mrs. Woolf and the Servants, Alison Light probes the unspoken inequality of Bloomsbury homes with insight and grace, and provides an entirely new perspective on an essential modern artist.
More than 50 after her death, Virginia Woolf remains a haunting figure, a woman whose life was both brilliantly successful and profoundly tragic. This brilliant new biography weaves together diverse strands of Woolf's life and career, offering a dazzlingly complete portrait brimming with new revelations. 64 halftone illustrations.
This new, thoroughly updated third edition of Sussex (Slow Travel), Bradt’s much-praised guide, features the South Downs, High Weald and coast, and offers a greater, more personal selection of places to explore than any other guide. Author Tim Locke and updater Emma Gregg, both expert residents, take a leisurely, detailed approach that teases out Sussex’s special qualities. The result is highly personal and honest, encouraging you to slow down and gain a deep understanding of what makes this stunning region tick and why it deserves repeat visits. Sussex may be less than 50 km from the fringes of London (and easily accessed from the capital), and only minutes from Gatwick’s international airport, but is a very different world thanks to its irresistible blend of history, archaeology, seaside towns, thatched villages, centuries-old buildings, world-class gardens, literary connections and quintessentially English scenery. Sussex offers much scope for ‘Slow travel’ with or without a car, including ten meticulously described walks, pottering around on bikes, steam trains, volunteer-run buses, or on small boats (including a solar-powered craft in Chichester harbour). The writing team directs expert eyes on places and experiences that deserve savouring to the full – the very best (if sometimes delightfully obscure) sights. Their choices take in the heights of the South Downs, encounter the primeval landscapes of the High Weald and pick out the best of Sussex’s long coastline. Their selection includes easily-to-miss gems, from a full-size replica of the Sistine Chapel ceiling in an obscure modern church to a unique Hastings factory providing cloth flowers for movies and theatres. New or expanded coverage in this edition includes the Tolkein-like ancient yew forest of Kingley Vale, stoolball (a Sussex-special alternative to cricket), Sussex viniculture (particularly champagnes), Roman baths and mosaics, the world-class gardens of Leonardslee, the painstakingly restored saloon in Brighton’s Royal Pavilion, the WWII Wings Museum, renovations on East Brighton beach, and Knepp’s groundbreaking rewilding project. From beaches to castles, cathedrals to modern art, restored mansions to vernacular architecture, Bradt’s Sussex (Slow Travel) is the essential guide for discovering this popular region.
