Curiosities of the American Stage

Curiosities of the American Stage

Author: Laurence Hutton

Publisher: BoD – Books on Demand

Published: 2020-07-24

Total Pages: 157

ISBN-13: 3752332077

DOWNLOAD EBOOK

Reproduction of the original: Curiosities of the American Stage by Laurence Hutton


Curiosities of the American Stage

Curiosities of the American Stage

Author: Laurence Hutton

Publisher: BoD – Books on Demand

Published: 2020-08-01

Total Pages: 158

ISBN-13: 375238641X

DOWNLOAD EBOOK

Reproduction of the original: Curiosities of the American Stage by Laurence Hutton


Brooklyn Takes the Stage

Brooklyn Takes the Stage

Author: Samuel L. Leiter

Publisher: McFarland

Published: 2023-12-20

Total Pages: 388

ISBN-13: 147665137X

DOWNLOAD EBOOK

America's third largest city until 1890, Brooklyn, New York, had a striking theatrical culture before it became a borough of Greater New York in 1898. As the city gained size and influence, more and more theatres arose, with at least 15 venues ultimately vying for favor. Too many theatregoers, however, preferred the discomforts of a ferry and horsecar trip to New York's playhouses instead of supporting the local product. Nor did the completion of the Brooklyn Bridge in 1883 do Brooklyn's theatres any favors. Manhattan's Goliath slayed Brooklyn's David. This first comprehensive study of Brooklyn's old-time theatre describes the city's early history, each of its many playhouses, its plays and actors (including nearly every foreign and domestic star), and its scandals and catastrophes, including the theatre fire that killed nearly 300. Brooklyn's ongoing struggle to establish theatres in a society dominated by anti-theatrical preachers, including Henry Ward Beecher, is detailed, as are all the ways that Brooklyn typified 19th century American theatre, from stock companies to combinations. Replete with fascinating anecdotes, this is the story of a major city from which theatre all but vanished before being reborn as a present-day artistic mecca.


Nineteenth-Century American Women Theatre Managers

Nineteenth-Century American Women Theatre Managers

Author: Jane K. Curry

Publisher: Bloomsbury Publishing USA

Published: 1994-07-21

Total Pages: 169

ISBN-13: 0313031096

DOWNLOAD EBOOK

Many women held positions of great responsibility and power in the United States during the 19th century as theatre managers: managing stock companies, owning or leasing theatres, hiring actors and other personnel, selecting plays for production, directing rehearsals, supervising all production details, and promoting their dramatic offerings. Competing in risky business ventures, these women were remarkable for defying societal norms that restricted career opportunities for women. The activities of more than 50 such women are discussed in Nineteenth-Century American Women Theatre Managers, beginning with an account of 15 pioneering women managers who were all managing theatres before 24 December 1853, when Catherine Sinclair, often incorrectly identified as the first woman theatre manager in the United States, opened her theatre in San Francisco.


The Development of American Social Comedy from 1787 to 1936

The Development of American Social Comedy from 1787 to 1936

Author: John Geoffrey Hartman

Publisher: University of Pennsylvania Press

Published: 2017-01-30

Total Pages: 160

ISBN-13: 1512816744

DOWNLOAD EBOOK

This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.


The Palgrave Handbook of the History of Women on Stage

The Palgrave Handbook of the History of Women on Stage

Author: Jan Sewell

Publisher: Springer Nature

Published: 2020-04-29

Total Pages: 850

ISBN-13: 3030238288

DOWNLOAD EBOOK

This book brings together nearly 40 academics and theatre practitioners to chronicle and celebrate the courage, determination and achievements of women on stage across the ages and around the globe. The collection stretches from ancient Greece to present-day Australasia via the United States, Soviet Russia, Europe, India, South Africa and Japan, offering a series of analytical snapshots of women performers, their work and the conditions in which they produced it. Individual chapters provide in-depth consideration of specific moments in time and geography while the volume as a whole and its juxtapositions stimulate consideration of the bigger picture, underlining the challenges women have faced across cultures in establishing themselves as performers and the range of ways in which they gained access to the stage. Organised chronologically, the volume looks not just to the past but the future: it challenges the very notions of ‘history’, ‘stage’ and even the definition of ‘women’ itself.