Few treatments of the death of Jesus Christ have made a point of accounting for the gruesome, degrading, public manner of his death by crucifixion, a mode of execution so loathsome that the ancient Romans never spoke of it in polite society. Rutledge probes all the various themes and motifs used by the New Testament evangelists and apostolic writers to explain the meaning of the cross of Christ. She shows how each of the biblical themes contributes to the whole, with the Christus Victor motif and the concept of substitution sharing pride of place along with Irenaeus's recapitulation model.
This book provides an interpretation of Galatians 6:11-17 which yields significant insights about Paul's perception of the crisis in Galatia, and the solution he presents to his readers in light of it. In the first section of the book, the epistolary form and function of Galatians 6:11-17 are analysed. Revealed as a body-closing, it works to sharpen and complete Paul's message by spelling out his motivation for writing and establishing the basis for further communication with his readers. The theme of persecution in the letter is then seen rendered both explicitly and implicitly through the examination of pertinent passages. These indicate that all parties involved share some connection to persecution. Finally, an exegetical analysis of Galatians 6:11-17 reveals Paul's claim that the agitators' primary motive is to avoid persecution 'because of the cross of Christ.' He contrasts them with himself by 'boasting' in that same cross. The net effect is that Paul draws on both the redemptive moment of Jesus' death, and the ongoing cross-shaped life he lives, to validate his apostleship.
From a world-renowned painter, an exploration of creativity’s quintessential—and often overlooked—role in the spiritual life “Makoto Fujimura’s art and writings have been a true inspiration to me. In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese “[An] elegant treatise . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art.”—Publishers Weekly Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of “making.” What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, and from Mark Rothko to Japanese Kintsugi technique, he shows how unless we are making something, we cannot know the depth of God’s being and God’s grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman’s words, “an accidental theologian,” one who comes to spiritual questions always through the prism of art.
Harold M. Best casts a holistic vision for worship that transcends narrow discussions of musical style or congregational preference, corrects errors in how Christians have viewed the arts and misunderstandings about the use of music, and offers instead a more biblically consistent approach to artistic action.
A dramatic tension confronts every Christian believer and interpreter of Scripture: on the one hand, we encounter images of God commanding and engaging in horrendous violence: one the other hand, we encounter the non-violent teachings and example of Jesus, whose loving, self-sacrificial death and resurrection is held up as the supreme revelation of God’s character in the New Testament. How do we reconcile the tension between these seemingly disparate depictions? Are they even capable of reconciliation? Throughout Christian history, many different answers have been proposed, ranging from the long-rejected explanation that these contrasting depictions are of two entirely different ‘gods’ to recent social and cultural theories of metaphor and narrative representation. The Crucifixion of the Warrior God takes up this dramatic tension and the range of proposed answers in an epic constructive investigation. Over two volumes, renowned theologian and biblical scholar Gregory A. Boyd argues that we must take seriously the full range of Scripture as inspired, including its violent depictions of God. At the same time, we must take just as seriously the absolute centrality of the crucified and risen Christ as the supreme revelation of God. Developing a theological interpretation of Scripture that he labels a “cruciform hermeneutic,” Boyd demonstrates how Scripture’s violent images of God are completely reframed and their violence subverted when they are interpreted through the lens of the cross and resurrection. Indeed, when read through this lens, Boyd argues that these violent depictions can be shown to bear witness to the same self-sacrificial character of God that was supremely revealed on the cross.
The Crucifixion and Resurrection of Christ are central events in our salvation. Yet few Christians have a good grasp of the first-century historical and religious context in which the Crucifixion took place, nor of its true significance for the people of that time-and hence for our time as well. Biblical scholar and attorney Dr. Jeannie Constantinou puts modern readers in the center of the events of Christ's Passion, bringing the best of modern scholarship to bear while keeping her interpretation faithful in every particular to the Orthodox Tradition.
The renowned scholar, Anglican bishop, and bestselling author widely considered to be the heir to C. S. Lewis contemplates the central event at the heart of the Christian faith—Jesus’ crucifixion—arguing that the Protestant Reformation did not go far enough in transforming our understanding of its meaning. In The Day the Revolution Began, N. T. Wright once again challenges commonly held Christian beliefs as he did in his acclaimed Surprised by Hope. Demonstrating the rigorous intellect and breathtaking knowledge that have long defined his work, Wright argues that Jesus’ death on the cross was not only to absolve us of our sins; it was actually the beginning of a revolution commissioning the Christian faithful to a new vocation—a royal priesthood responsible for restoring and reconciling all of God’s creation. Wright argues that Jesus’ crucifixion must be understood within the much larger story of God’s purposes to bring heaven and earth together. The Day the Revolution Began offers a grand picture of Jesus’ sacrifice and its full significance for the Christian faith, inspiring believers with a renewed sense of mission, purpose, and hope, and reminding them of the crucial role the Christian faith must play in protecting and shaping the future of the world.
Enjoy this incredible full-color presentation of biblical history in two educational forms: one an unforgettable timeline, and the second, a hand-painted panorama breathtaking in its detail now lost to time. You will be able to trace the genealogy of Jesus from creation to His birth, learning more about the biblical, historical events and the people of God’s Word. Special illustrated panels include “The City of Jerusalem at the time of Christ” and the “Family Descent of Christ from Adam.” On the reverse there is a reproduction of the famous Piglhein Panorama of Jerusalem at the time of the Crucifixion. The massive panorama in Munich was destroyed by fire but a contemporary copy captures the magnificence of Piglhein’s work. Presents a biblical timeline enhanced with informative text and beautiful imagesClarifies details and historical points for a new generation of readersConveniently packaged for both easy display and secure storage!
Beyond sound equipment and music charts, eleven noted worship leaders from around the United States write about the ministerial part of their work as it relates to the gospel, mission, disciple-making, liturgy, the Trinity, justice, creativity, family, and more.
