Primitive man's discovery of the ability to change matter from one state to another brought about a profound change in spiritual behavior. In The Forge and the Crucible, Mircea Eliade follows the ritualistic adventures of these ancient societies, adventures rooted in the people's awareness of an awesome new power. The new edition of The Forge and the Crucible contains an updated appendix, in which Eliade lists works on Chinese alchemy published in the past few years. He also discusses the importance of alchemy in Newton's scientific evolution.
Glenn Alexander Magee's pathbreaking book argues that Hegel was decisively influenced by the Hermetic tradition, a body of thought with roots in Greco-Roman Egypt. Magee traces the influence on Hegel of such Hermetic thinkers as Baader, Böhme, Bruno, and Paracelsus, and fascination with occult and paranormal phenomena. Hegel and the Hermetic Tradition covers Hegel's philosophical corpus and shows that his engagement with Hermeticism lasted throughout his career and intensified during his final years in Berlin. Viewing Hegel as a Hermetic thinker has implications for a more complete understanding of the modern philosophical tradition, and German idealism in particular.
Theologia et Apologia gathers together eighteen essays, written by a wide range of scholars, on Reformation theology and its defense. Orthodox theology, grounded in the Scriptures, calls humanity to believe. This same theology must also be presented and defended to a world that has often not attended to its vital message. Collectively, these essays teach and defend the biblical theology articulated during the Reformation and still today. They address topics including the inspiration, canon, and interpretation of Scripture, Reformation era developments, classic and modern apologetics, and other topics. This helpful book, honoring Rod Rosenbladt, a notable theologian and apologist, is a welcome addition to the library of any thinking Christian.
What did it mean to believe in alchemy in early modern England? In this book, Bruce Janacek considers alchemical beliefs in the context of the writings of Thomas Tymme, Robert Fludd, Francis Bacon, Sir Kenelm Digby, and Elias Ashmole. Rather than examine alchemy from a scientific or medical perspective, Janacek presents it as integrated into the broader political, philosophical, and religious upheavals of the first half of the seventeenth century, arguing that the interest of these elite figures in alchemy was part of an understanding that supported their national—and in some cases royalist—loyalty and theological orthodoxy. Janacek investigates how and why individuals who supported or were actually placed at the traditional center of power in England’s church and state believed in the relevance of alchemy at a time when their society, their government, their careers, and, in some cases, their very lives were at stake.
In these seven engaging essays, renowned Lutheran scholar and Christian apologist John Warwick Montgomery presents a firm defense of Martin Luther, the leader of the Reformation. Republished for the 500th anniversary of that influential movement, this book helps readers discover Luther's true beliefs by letting the Reformer speak for himself on a variety of hotly contested topics. Through this book, you will better understand and appreciate the work Luther did to proclaim the pure Word of God, even in the face of constant opposition.
This book sets the foundations of Newton's alchemy in their historical context in Restoration England. It is shown that alchemical modes of thought were quite strong in many of those who provided the dynamism for the scientific revolution of the seventeenth century and that these modes of thought had important relationships with general movements for reform in the same period.
What is it to "do theology"? Numerous conflicting and inadequate answers (e. g., Bultmannian existentialism, the post Bultmannian "New Hermeneutic") hold the field today these have in common a basic misunderstanding as to the relation of theological theologizing to theory construction in other fields of knowledge, and a fundamental misconception in regard to the proper way of confirming or disconfirming theological judgments. In this essay, a detailed comparison between scientific and theological methodologies is set forth, and the artistic and sacred dimensions of theological theorizing are explicated by way of an original structural model suggested by Wittgensteinian philosophical and linguistic analysis.
All Three volumes deal with the issue of biblical inerrancy (that the Bible is completely true and accurate, not only when it speaks to ideas of religious belief, but also when it speaks about factual elements of history and science, properly understood). This issue rocked the Lutheran Church Missouri Synod back in the late 1960s and early 1970s, prompting the release of the first two volumes. Volume one consists of essays by John Warwick Montgomery himself, and is addressed primarily to theologians. Volume two consists of an anthology by eight separate Lutheran contributors and is addressed to laymen as well as professional theologians. Volume 3 contains new, never before published material and consists of essays by Dr. Montgomery outlining a new challenge along the same lines. Dr. Jeffery Kloha suggested a few years ago with the latest critical edition of the New Testament (Nestle-Aland 28th Edition), because of the interchangeability of some variant readings, that we now had a "plastic text". Dr. Montgomery goes up against this assertion with everything he has. Though obviously addressing themselves primarily to Lutheranism, the materials are, to a large degree, equally applicable to many of the other Christian communions and will be found to be extremely valuable in assessing the needs of a variety of denominations.
In 1643/4 the once-famous Francis Cleyn painted the unhappy young heir of Corfe Castle, John Bankes, and his tutor, Dr Maurice Williams. The painter is now almost forgotten,the painting much neglected, and the sitters themselves have left little to mark their lives, but on the table of the painting lies a book, open to an immediately identifiable and very significant page. The representation omits the author's name and the book's title; it sits there as a code, as only viewers who had encountered the original and the characteristic figures on its frontispiece would have known its significance. The book is Galileo's Dialogue on the two chief world systems (1632), the defence of Copernican cosmology that incited the infamous clash between its author and the Church, and its presence in this painting is no accident, but instead a statement of learning, attitudes, and cosmopolitan engagement in European discourse by the painting's English subjects. Grasping hold of the clue, John Helibron deciphers the significance of this contentious book's appearance in a painting from Stuart England to unravel the interlocking threads of art history, political and religious history, and the history of science. Drawing on unexploited archival material and a wide range of printed works, he weaves together English court culture and Italian connections, as well as the astronomical and astrological knowledge propagated in contemporary almanacs and deployed in art, architecture, plays, masques, and political discourse. Heilbron also explores the biographies of Sir John Bankes (father of the sitter), Sir Maurice, and the painter, Francis Cleyn, setting them into the narrative of their rich and cultured history.
