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Crosby, Stills, Nash and Young's 50-Year Quest

Author: Robert McParland

Publisher: McFarland

Published: 2019-04-26

Total Pages: 195

ISBN-13: 1476636001

Crosby, Stills, Nash, and Young, with their distinct vocal harmonies, blending of rock, jazz, folk, and blues, and political and social activism, have remained one of the most enduring musical acts of the 1960s. This book examines their songs and themes, which continue to resonate with contemporary listeners, and argues that Crosby, Stills, Nash, and Young reflect part of the broader story of American culture. This appreciative volume contextualizes their work within the political climate of the late 1960s, and makes the case that the values and concerns expressed in their music thread through the American experience today.

Records & Briefs

Author:

Publisher:

Published:

Total Pages: 966

ISBN-13:

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Crosby's Political Record of Parliamentary Elections in Great Britain and Ireland: with select biographical notices and speeches of distinguished statesmen,&c.&c

Author: George CROSBY

Publisher:

Published: 1849

Total Pages: 432

ISBN-13:

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Crosby's Parliamentary Record of Elections in Great Britain and Ireland

Author: George Crosby

Publisher:

Published: 1847

Total Pages: 576

ISBN-13:

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A Descriptive List of the Coppers Issued by Authority, for the State of Connecticut, for the Year 1787 ...

Author: Thomas Hall

Publisher:

Published: 1892

Total Pages: 74

ISBN-13:

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Liverpool Prints and Documents

Author: Liverpool (England). Public Libraries, Museums, and Art Gallery. Library

Publisher:

Published: 1908

Total Pages: 392

ISBN-13:

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Popular Music

Author: Simon Frith

Publisher: Psychology Press

Published: 2004

Total Pages: 424

ISBN-13: 9780415299053

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Popular music studies is a rapidly expanding field with changing emphases and agendas. The music industry has changed in recent years, as has governmental involvement in popular music schemes as part of the culture industry. The distinction between the major record labels and the outsider independents has become blurred over time. Popular music, as part of this umbrella of the culture industry, has been progressively globalized and globalizing. The tensions within popular music are now no longer between national cultural identity and popular music, but between the local and the global. This four volume collection examines the changing status of popular music against this background. Simon Frith examines the heritage of popular music, and how technology has changed not only the production but the reception of this brand of sound. The collection examines how the traditional genres of rock, pop and soul have broken down and what has replaced them, as well as showing how this proliferation of musical styles has also splintered the audience of popular music.