This is the only available collection of biblical criticism from this period. The process whereby the 'Holy Scriptures' became the object of human critique independent of church control, is illustrated in the present volume with excerpts from such famous critics as Coleridge, Bake and Matthew Arnold, as well as Collins and Deist and Bishop Sherlock.
In Between Biblical Criticism and Poetic Rewriting, Samuel Tongue offers an account of the aesthetic and critical tensions inherent in the development of the Higher Criticism of the Bible. Different ‘types’ of Bible are created through the intellectual and literary pressures of Enlightenment and Romanticism and, as Tongue suggests, it is this legacy that continues to orientate the approaches deemed legitimate in biblical scholarship. Using a number of ancient and contemporary critical and poetic rewritings of Jacob’s struggle with the ‘angel’ (Gen 32:22-32), Tongue makes use of postmodern theories of textual production to argue that it is the ‘paragesis’, a parasitical form of writing between disciplines, that best foregrounds the complex performativity of biblical interpretation.
In the present day, there is widespread confusion regarding the theological achievements of the Catholic Enlightenment. This book outlines such contributions in the fields of biblical exegesis, church reform, liturgical renewal, and the move toward a more tolerant view of other churches and religions. Since some of the most important Catholic Enlighteners lived in Germany, this book concentrates on their endeavors, but also frequently points to other European players. Only an unpolemical historical assessment of the Catholic Enlightenment can help us to get out of the current gridlock of interpreting Vatican II: was there a break with tradition, or was there continuity? By reviewing the historical debates that preceded Vatican II, the unknown, marginalized, or deliberately forgotten roots of the conciliar debates come to light that can help us fine-tune future hermeneutical endeavors. This history is hitherto unknown to most researchers. Indeed, it is possibly the most neglected field of modern literary history.
Barbeau reconstructs the system of religion that Coleridge develops in Confessions of an Inquiring Spirit (1840). Coleridge's late system links four sources of divinity the Bible, the traditions of the church, the interior work of the Spirit, and the inspired preacher to Christ, the Word. In thousands of marginalia and private notebook entries, Coleridge challenges traditional views of the formation and inspiration of the Bible, clarifies the role of the church in biblical interpretation, and elucidates the relationship between the objective and subjective sources of revelation. In late writings that develop a robust system of religion, Coleridge conveys his commitment to biblical wisdom.
Rev. ed. of: The Princeton encyclopedia of poetry and poetics / Alex Preminger and T.V.F. Brogan, co-editors; Frank J. Warnke, O.B. Hardison, Jr., and Earl Miner, associate editors. 1993.
Stressing the historical and theological significance of pivotal figures and movements, William Baird guides the reader through intriguing developments and critical interpretation of the New Testament from its beginnings in Deism through the watershed of the Tubingen school. Familiar figures appear in a new light, and important, previously forgotten stages of the journey emerge. Baird gives attention to the biographical and cultural setting of persons and approaches, affording both beginning student and seasoned scholar an authoritative account that is useful for orientation as well as research.
Growing out of a conference entitled Literary Theory volume reveal, among other more particularistic points, a fundamental overt disagreement regarding the question of coherence in narrative point of view, i.e. between the assumption or discovery of coherent and unitary narratives and narrators, the critique of this assumption, and the assumption or discovery of its opposite. No index. Annotation copyrighted by Book News, Inc., Portland, OR
Molly Oshatz reveals the antislavery origins of liberal Protestantism, arguing that the antebellum slavery debates forced antislavery Protestants to develop new understandings of truth and morality and apply the theological lessons of antislavery to the challenges posed by evolution and historical biblical criticism.
Focusing on canonical works by Daniel Defoe, Henry Fielding, Laurence Sterne, and others, this book explains the relationship between British fiction and historical writing when both were struggling to attain status and authority. History was at once powerful and vulnerable in the empiricist climate of seventeenth- and eighteenth-century England, suspect because of its reliance on testimony, yet essential if empiricism were ever to move beyond natural philosophy. The Boundaries of Fiction shows how, in this time of historiographical instability, the British novel exploited analogies to history. Titles incorporating the term ?history,? pseudo-editors presenting pseudo-documentary ?evidence,? and narrative theorizing about historical truth were some of the means used to distinguish novels from the fictions of poetry and other literary forms. These efforts, Everett Zimmerman maintains, amounted to a critique of history's limits and pointed to the novel's power to transcend them. He offers rich analyses of texts central to the tradition of the novel, chiefly Clarissa, Tom Jones, and Tristram Shandy, and concludes with discussions of Sir Walter Scott's development of the historical novel and David Hume's philosophy of history. Along the way, Zimmerman refers to such other important historical figures as John Locke, Richard Bentley, William Wotton, and Edward Gibbon and engages contemporary thinkers, including Paul Ricoeur and Michel Foucault, who have addressed the philosophical and methodological issues of historical evidence and narrative.
