First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company. In Her Own Voice examines the literary history of women’s nonfiction writing through studies of individual writers, their works, and their careers. The essays in this collection consider the development of women’s public voices, relationships between women essayists and their editors and readers, and the fuzzy line that divides—or seems to divide—fiction from nonfiction. The book includes studies of some of the best known American women essayists, including Margaret Fuller, Lydia Maria Child, and Fanny Fern, and articles on women writers whose work has received very little attention, such as Gail Hamilton, Anna Julia Cooper, Ann Sophia Stephens, and Zitkala-Sa.
Featuring 37 essays by distinguished literary scholars, A Companion to the American Novel provides a comprehensive single-volume treatment of the development of the novel in the United States from the late 18th century to the present day. Represents the most comprehensive single-volume introduction to this popular literary form currently available Features 37 contributions from a wide range of distinguished literary scholars Includes essays on topics and genres, historical overviews, and key individual works, including The Scarlet Letter, Moby Dick, The Great Gatsby, Beloved, and many more.
The Complete Letters of Henry James fills a crucial gap in modern literary studies by presenting in a scholarly edition the complete letters of one of the great novelists and letter writers of the English language. Comprising more than ten thousand letters reflecting on a remarkably wide range of topics--from James's own life and literary projects to broader questions on art, literature, and criticism--this edition is an indispensable resource for students of James and of American and English literature, culture, and criticism as well as for research libraries throughout North America and Europe and for scholars who specialize in James, the European novel, and modern literature.
First published in 1988, this book looks at the enormous impact Dickens’ writings had on American novelists in the second half of the nineteenth century. Dickens dominated not only popular taste but the American novel for sixty years and the author argues that even the most original writers showed themselves again and again to be in ‘conscious sympathy’ with Dickens. Along with Dickens, this book examines four radically different American writers — Mark Twain, William Dean Howells, Henry James and Frank Norris — whose debt to Dickens, the author asserts, is nevertheless clearly evident in their work. This book will be of interest to students of literature.
Bayard Taylor (1825–1878) was a nineteenth-century American who combined in his writings and career a catalog of accomplishments and creations that made him one of the most celebrated literary men of his time. The range and significance of Taylor’s oeuvre explains his growing importance today to scholars working in the fields of American studies, gender and queer theory, and the aesthetics of racial and class identities. In less than 35 years, he wrote seventeen volumes of poetry, four novels, eight critical works and translations of German classics, nineteen travel narratives, innumerable magazine essays, stories, and reviews, and thousands of letters to friends, admirers, hostile reviewers, business acquaintances, and intimate male companions. His extraordinary success on the public lecture circuit made him one of the best-known men of his day. Taylor's diplomatic career enhanced his reputation and influence as a travel writer and included service as a writer for the Perry Expedition to Japan, as a charge d’affaires to Russia during the Civil War, and ambassador to Germany in 1878. This analysis of Taylor’s life and works helps to explain three important shifts in American culture: the contradictory development of American ethnocentrism and cosmopolitanism in the nineteenth century; the impact of homophobia and homophilia upon American literary production, criticism, and culture; and the inspirational role played by poetry within a religious and economically-driven society. The introduction describes Taylor's changing fortunes within literary history and presents a methodological approach to the Genteel tradition that recovers its distinctive aesthetic and social values and explains how Taylor is its most winning and significant representative. Taylor was a key figure in the genealogy of American interactions with the Islamic world, and his travel writing demonstrates how individual advancement in an egalitarian society can be linked with aggressive imperialism abroad. Taylor’s novels display a subtle pattern of transgressive sexuality and demonstrate how Taylor's manipulation of reputation and genteel aesthetics created a space for individual expression and freedom. Taylor’s 1870 novel, Joseph and His Friend, is frequently cited as America's first gay novel. This book's analysis of Taylor’s poetry draws the strands of egalitarian racialization and male-male intimacy together with his abiding concern with regional American identities and the mixed influences of religious subcultures.
Mark Twain, American Humorist examines the ways that Mark Twain’s reputation developed at home and abroad in the period between 1865 and 1882, years in which he went from a regional humorist to national and international fame. In the late 1860s, Mark Twain became the exemplar of a school of humor that was thought to be uniquely American. As he moved into more respectable venues in the 1870s, especially through the promotion of William Dean Howells in the Atlantic Monthly, Mark Twain muddied the hierarchical distinctions between class-appropriate leisure and burgeoning forms of mass entertainment, between uplifting humor and debased laughter, and between the literature of high culture and the passing whim of the merely popular.
At a time when America's faculties of taste and judgment—along with the sense of the sacred and shameful—have become utterly vacant, Rochelle Gurstein's The Repeal of Reticence delivers an important and troubling warning. Covering landmark developments in America's modern culture and law, she charts the demise of what was dismissively called "gentility" in the face of First Amendment triumphs for journalists, sex educators, and novelists—from Margaret Sanger's advocacy of birth control to Judge Woolsey's celebrated defense of Ulysses. Weaving together a study of the legal debates over obscenity and free speech with a cultural study of the critics and writers who framed the issues, Gurstein offers a trenchant reconsideration of the sacred value of privacy.
A convenient source of commentary on the careers and works of acclaimed poets, novelists, short story writers, dramatists and philosophers who died between 1800 and 1899. Cumulative title, author, nationality and topic indexes are provided.
