**** Expanded edition of the work originally published by Cornell U. Press in 1984 and endorsed by BCL3. Annotation copyright by Book News, Inc., Portland, OR
The new edition of Critical Survey of American Literature, previously published as Magill's Survey of American Literature in 2006, offers detailed profiles of major American authors of fiction, drama, and poetry, each with sections on biography, general analysis, and analysis of the author's most important works.
Examines all 39 of the most influential plays by Shakespeare, with an in-depth examination of each play's historical significance, literary technique, and contemporary alignment. The plays of William Shakespeare, from tragedies such as Hamlet to comedies such as A Midsummer Night's Dream, have endured since their first productions in the late 16th and early 17th centuries. A vital part of high school and college literature curricula today, these plays continue to educate and entertain, showing students - as well as the general populace - themes of humanity that have persevered throughout the ages, such as romantic love, greed, power, revenge, forgiveness, and many more. Written by leading experts in the field of Shakespearean studies, Critical Survey of Shakespeare's Plays closely examines all 39 of Shakespeare's plays, as well as Shakespeare's life, style, technique, and influences. This title begins with a biography of Shakespeare and an introduction to his plays as a whole, followed by close readings of individual plays. Each essay is devoted to a single work and provides an in-depth critical analysis of the play's historical significance, literary/dramatic techniques, and meaning to a contemporary audience. An abstract, explanation of context, and lists of keywords, works cited, and recommended books for further study also enhance each essay. The second half of the book focuses on various critical readings, analyzing Shakespeare's form, technique, and syntax, as well as main themes, motifs, and related topics. Also included are other resources useful to studying Shakespeare's plays, including a guide to free online sources and more literary criticism, a bibliography, a list of contributors, and a complete index. The essays in this single volume compile the essentials for any person interested in Shakespeare, whether a student approaching his works for the first time or a habitual theatergoer about to witness a new production of one of the plays. This title is a set of essays that record the history of Shakespeare the man, the dramatist, and the poet, and analyze each work attributed to his pen. With so much comprehensive analysis of Shakespeare's life and works, Critical Survey of Shakespeare's Plays is a must-have resource for high school and undergraduate literature departments, as well as public libraries who wish to support their literature collections.
Of all Russian writers, Chekhov is one of the best liked and most easily appreciated. Yet because his work is subtle and understated, we need help to understand him. Chekhov can be (as his friends complained) the most elusive of writers, and one who appears capable of having two opposite views and opposite intentions simultaneously. Donald Rayfield, one of the world's foremost Chekhov scholars, reveals the layers of meaning on which the stories and plays are built. All Chekhov's important works are studied: we see how closely the two genres are connected and gain insight into Chekhov's rapid development over his brief twenty years of creative life, from medical student supplementing his income by writing comic stories, to father of twentieth-century drama and narrative prose.
This edition first published in 1962. The Shakespeare Claimants is a critical survey of the great controversy that has raged over the authorship of the Shakespearean plays. It provides the general reader with an outline history of this controversy and with a full description and analysis of the main anti-Stratfordian arguments. This book concentrates on the four main claimants: Bacon, Oxford, Derby and Marlowe. The book contains an extensive bibliography and footnotes to guide the reader through the text.
Provides thoughtful examination of the authors, works, genres, themes and film adaptations that have contributed to the popularity and success of the young adult genre.
Ancient Greek tragedy is ubiquitously studied and researched, but is generally considered to have ended, as it began, in the fifth century BC. However, plays continued to be written and staged in the Greek world for centuries, enjoying a period of unprecedented popularity and changing significantly from the better known Classical drama. Hellenistic drama also heavily influenced the birth of Roman tragedy and the development of other theatrical forms and literature (including comedies, mime and Greek romance). Hellenistic Tragedy: Texts, Translations and a Critical Survey offers a comprehensive picture of tragedy and the satyr play from the fourth century BCE. The surviving fragments of this dramatic genre are presented, alongside English translations and critical analysis, as well as a survey of the main writers involved and an exploration of the genre's formation, later influence and staging. Key features of the plays are analysed through extant texts and other evidence, including plots based on contemporary political themes, mythical subjects and Biblical themes, and features of metre and language. Practical elements of Hellenistic performance are also discussed, including those which have become the hallmarks of ancient theatre: actors' costumes of long robes, kothurnoi and high onkos-masks, the theatre building and the closed stage on the logeion. Piecing together a synthetic picture of Hellenistic tragedy and the satyr play, the volume also examines the key points of departure from earlier drama, including the mass audience, the mutual influence of Greek and Eastern traditions and the changes inside the genre which prove Hellenistic drama was an important stage in the development of the European theatre.