Critical Perspectives on Applied Theatre
Critical Perspectives on Applied Theatre

Author: Jenny Hughes

Publisher: Cambridge University Press

Published: 2016-04-11

Total Pages: 293

ISBN-13: 1316589196

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As the twenty-first century moves towards its third decade, applied theatre is being shaped by contemporary economic and environmental concerns and is contributing to new conceptual paradigms that influence the ways in which socially engaged art is produced and understood. This collection offers fresh perspectives on the aesthetics, politics and histories of applied theatre. With contributions from leading scholars in the field, the book illuminates theatre in a diverse range of global contexts and regions. Divided into three sections - histories and cultural memories; place, community and environment; and poetics and participation - the chapters interweave cutting-edge theoretical insights with examples of innovative creative practice that traverse different places, spaces and times. Essential reading for researchers and artists working within applied theatre, this collection will also be of interest to those in theatre and performance studies, education, cultural policy, social history and cultural geography.

Critical Perspectives on Applied Theatre
Critical Perspectives on Applied Theatre

Author: Jenny Hughes

Publisher: Cambridge University Press

Published: 2016-04-14

Total Pages: 293

ISBN-13: 1107065046

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This collection offers fresh perspectives on the aesthetics, politics and histories of applied theatre in a range of global contexts.

Applied Theatre: Understanding Change
Applied Theatre: Understanding Change

Author: Kelly Freebody

Publisher: Springer

Published: 2018-06-26

Total Pages: 187

ISBN-13: 3319781782

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This volume offers researchers and practitioners new perspectives on applied theatre work, exploring the relationship between applied theatre and its intent, success and value. Applied theatre is a well-established field focused on the social application of the arts in a range of contexts including schools, prisons, residential aged care and community settings. The increased uptake of applied theatre in these contexts requires increased analysis and understanding of indications of success and value. This volume provides critical commentary and questions regarding issues associated with developing, delivering and evaluating applied theatre programs. Part 1 of the volume presents a discussion of the ways the concept of change is presented to and by funding bodies, practitioners, participants, researchers and policy makers to discover and analyse the relationships between applied theatre practice, transformative intent, and evaluation. Part 2 of the volume offers perspectives from key authors in the field which extend and contextualize the discussion by examining key themes and practice-based examples.

Applied Theatre
Applied Theatre

Author: Philip Taylor

Publisher: Heinemann Drama

Published: 2003

Total Pages: 172

ISBN-13:

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Philip Taylor offers strategies for using theatre to raise awareness, propose alternatives, provide healing, and implement community change.

Performance Perspectives
Performance Perspectives

Author: Jonathan Pitches

Publisher: Bloomsbury Publishing

Published: 2011-10-18

Total Pages: 267

ISBN-13: 1350316539

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What is 'performance'? What are the boundaries of Performance Studies? How do we talk about contemporary performance practices today in simple but probing terms? What kinds of practices represent the field and how can we interpret them? Combining the voices of academics, artists, cultural critics and teachers, Performance Perspectives answers these questions and provides a critical introduction to Performance Studies. Presenting an accessible way into key terminology and context, it offers a new model for analyzing contemporary performance based on six frames or perspectives: - Body - Space - Time - Technology - Interactivity - Organization Drawing on examples from a wide range of practices across site specific performance, virtual reality, dance, applied theatre and everyday performance, Performance Perspectives addresses the binary of theory and practice and highlights the many meeting points between studio and seminar room. Each chapter takes the innovative form of a three-way conversation, bringing together theoretical introductions with artist interviews and practitioner statements. The book is supported by activities for discussion and practical devising work, as well as clear guidance for further reading and an extensive reference list across media Performance Perspectives is essential reading for anyone studying, interpreting or making performance.

Applied Theatre
Applied Theatre

Author: Monica Prendergast

Publisher: Intellect Books

Published: 2009

Total Pages: 0

ISBN-13: 9781841502816

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"Applied Theatre is the first study to assist practitioners and students to develop critical frameworks for planning and implementing their own theatrical projects. This reader-friendly text considers an international range of case studies in applied theatre through discussion questions, practical activities and detailed analysis of specific theatre projects globally."--Provided by the publisher.

Curating Live Arts
Curating Live Arts

Author: Dena Davida

Publisher: Berghahn Books

Published: 2018-11-29

Total Pages: 416

ISBN-13: 1785339648

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Situated at the crossroads of performance practice, museology, and cultural studies, live arts curation has grown in recent years to become a vibrant interdisciplinary project and a genuine global phenomenon. Curating Live Arts brings together bold and innovative essays from an international group of theorist-practitioners to pose vital questions, propose future visions, and survey the landscape of this rapidly evolving discipline. Reflecting the field’s characteristic eclecticism, the writings assembled here offer practical and insightful investigations into the curation of theatre, dance, sound art, music, and other performance forms—not only in museums, but in community, site-specific, and time-based contexts, placing it at the forefront of contemporary dialogue and discourse.

Performing Feminisms
Performing Feminisms

Author: Sue-Ellen Case

Publisher: JHU Press

Published: 1990-02

Total Pages: 342

ISBN-13: 9780801839696

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A valuable, provoking, important addition to any theatre scholar or practitioner's library, especially since feminist theory is a relative newcomer to the world of theatre.

The Applied Theatre Artist
The Applied Theatre Artist

Author: Kay Hepplewhite

Publisher: Springer Nature

Published: 2020-07-30

Total Pages: 236

ISBN-13: 303047268X

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This book analyses the work of applied theatre practitioners using a new framework of ‘responsivity’ to make visible their unique expertise. In-depth investigation of practice combines with theorisation to provide a fresh view of the work of artists and facilitators. Case studies are drawn from community contexts: with women, mental health service users, refugees, adults with a learning disability, older people in care, and young people in school. Common skills and qualities are given a vocabulary to help define applied theatre work, such as awareness, anticipation, adaptation, attunement, and responsiveness. The Applied Theatre Artist is of scholarly, practical, and educational interest. The book offers detailed analysis of how skilled theatre artists make in-action decisions within socially engaged participatory projects. Rich description of in-session activity reveals what workshop facilitators actually do and how they think, offering a rare focus in applied theatre.

Messy Connections
Messy Connections

Author: Cathy Sloan

Publisher: Taylor & Francis

Published: 2024-04-25

Total Pages: 120

ISBN-13: 1040013570

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This book examines performance practices that involve people in recovery from addiction, theorising such practices as recovery-engaged. Focusing on examples of practice from a growing movement of UK-based recovery arts practitioners and performers, it highlights a unique approach to performance that infuses an understanding of lived experiences of addiction and recovery with creative practice. It offers a philosophy of being in recovery that understands lived experience, and performance practice, as a dynamic system of interrelations with the human and nonhuman elements that make up the societal settings in which recovery communities struggle to exist. It thereby frames the process of recovery, and recovery-engaged performance, as an affective ecology – a system of messy connections. Building upon ideas from posthumanist research on addiction, cultural theory on identity and new materialist interpretations of performance practice, it considers how such contemporary theory might offer additional ways of thinking and doing arts practice with people affected by addiction. The discussion highlights the distinct aesthetics, ethics and politics of this area of performance practice. This study will be of great interest to students and scholars in Applied Theatre and Critical Arts and Mental Health studies.