A selection of essays on writing and reading by the master short-fiction writer Lydia Davis Lydia Davis is a writer whose originality, influence, and wit are beyond compare. Jonathan Franzen has called her “a magician of self-consciousness,” while Rick Moody hails her as "the best prose stylist in America." And for Claire Messud, “Davis's signal gift is to make us feel alive.” Best known for her masterful short stories and translations, Davis’s gifts extend equally to her nonfiction. In Essays One, Davis has, for the first time, gathered a selection of essays, commentaries, and lectures composed over the past five decades. In this first of two volumes, her subjects range from her earliest influences to her favorite short stories, from John Ashbery’s translation of Rimbaud to Alan Cote’s painting, and from the Shepherd’s Psalm to early tourist photographs. On display is the development and range of one of the sharpest, most capacious minds writing today.
The wildly varied essays in Not–Knowing combine to form a posthumous manifesto of one of America's masters of literary experiment. Here are Barthelme's thoughts on writing (his own and others); his observations on art, architecture, film, and city life; interviews, including two previously unpublished; and meditations on everything from Superman III to the art of rendering "Melancholy Baby" on jazz banjolele. This is a rich and eclectic selection of work by the man Robert Coover has called "one of the great citizens of contemporary world letters."
Donald Barthelme was one of the most influential and inventive writers of the 20th century. In this volume of unpublished and previously uncollected stories, he transforms the absurd into the real in his usual epiphanic and engaging style. Delving into such themes as the perils of the unfulfilled existence and the relationships among politics, sex, art, and life, this collection will delight both old fans and new readers.
“Eccentric, dazzling…the literary conversation piece of the year.” –San Francisco Chronicle An American short story writer and novelist acclaimed for his playful, postmodern style of short fiction, Barthelme’s first novel, Snow White, is a countercultural, experimental reconstruction of the Disney version of the traditional fairytale. In Barthelme’s modern day world, Snow White is a seductive woman waiting for her prince to return to New York. Pushing the bounds of fiction and form, Barthelme subverts the classic tale, prompting The New York Times to call him “a splendid practitioner at the peak of his power” and inspiring a new generation of authors including Charles Baxter, Dave Eggers, and David Gates.
The definitive collection of a twentieth-century master of the short story, whose unforgettable inventions revolutionized the form The short stories of Donald Barthelme, revered by the likes of Thomas Pynchon and George Saunders, are gems of invention and pathos that have dazzled and delighted readers since the 1960s. Here, for the first time, these essential stories are preserved as they were published in Barthelme's original collections, beginning with Come Back, Dr. Caligari (1964), a book that made a generation of readers sit up and take notice. Collected Stories also includes the work that appeared for the first time in Barthelme's two retrospective anthologies, Sixty and Forty, as well as a selection of uncollected stories. Discover, in this comprehensive gathering, Barthelme's unique approach to fiction, his upside-down worlds that are nonetheless grounded in fundamental human truths, his scrambled visions of history that yield unexpected insights, and his genius for dialogue, parody, and collage, which was for him "the central principle of all art in the twentieth century." Engage with sophisticated works of fiction that, often in just the space of a few pages, wrest profundities out of what might first seem merely ephemeral, even trivial. And experience, along with Barthelme's imaginative and frequently subversive ideas, the pleasures of a consummate stylist whose sentences are worth marveling at and savoring. Introduced with a sharp and discerning essay by editor Charles McGrath and annotation that clarifies Barthelme's freewheeling, wide-ranging allusions, the landmark volume is a desert-island edition for fans and the ideal introduction to new readers eager to find out why, as Dave Eggers writes, Barthelme's "every sentence ... makes me want to stop and write something of my own. He fires all of my synapses and connects them in new ways."
McCaffery interprets the works of three major writers of radically experimental fiction: Robert Coover; Donald Barthelme; and Willam H. Gass. The term "metafiction" here refers to a strain in American writing where the self-concious approach to the art of fiction-making is a commentary on the nature of meaning itself.
With these audacious and murderously witty stories, Donald Barthelme threw the preoccupations of our time into the literary equivalent of a Cuisinart and served up a gorgeous salad of American culture, high and low. Here are the urban upheavals reimagined as frontier myth; travelogues through countries that might have been created by Kafka; cryptic dialogues that bore down to the bedrock of our longings, dreams, and angsts. Like all of Barthelme's work, the sixty stories collected in this volume are triumphs of language and perception, at once unsettling and irresistible. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Chronicling a literary life that ended not so long ago, Donald Barthelme: The Genesis of a Cool Sound gives the reader a glimpse at the years when Barthelme began to find his literary voice. A revealing look at Donald Barthelme's influences and development, this account begins with a detailed biographical sketch of his life and spans his growth into a true avant-garde literary figure. Donald Barthleme was born in Philadelphia but raised in Houston, the son of a forward-thinking architect father and a literary mother. Educated at the University of Houston, he became a fine arts critic for the Houston Post; then, following duty in the Korean conflict, he returned to the Post for a short time before becoming editor for Forum literary magazine. After that, he was also director of the Contemporary Arts Museum while writing and publishing his first stories. In the 1960s he moved to New York, where he became editor of Location and was able to practice the art of short fiction in such vehicles as the New Yorker and Harper's Bazaar. In a witty, playful, ironic, and bizarrely imaginative style, he wrote more than one hundred short stories and several novels over the years. In this literary memoir, Donald Barthelme's former wife, Helen Moore Barthelme, offers insights into his career as well as his private life, focusing especially on the decade they were married, from the mid-fifties to the mid-sixties, a period when he was developing the forms and genres that made him famous. During that time Barthelme was finding his voice as a writer and his short stories were beginning to receive notice. In her memoir, Helen Moore Barthelme writes about Donald's early years and her life with him in Houston and New York. In open, straightforward language she tells about their love for each other and about the events that finally divided them. She also describes, from the point of view of the person closest to Donald during that time, the making of one of the most original and imaginative American writers of the twentieth century. Scholars of avant-garde American literature will gain insider perspective to one man's life and the years which, for all their myriad joys and downturns, produced some of the best-remembered works in the literary canon.
