Critical Analyses in English Renaissance Drama

Critical Analyses in English Renaissance Drama

Author: Brownell Salomon

Publisher: Popular Press

Published: 1979

Total Pages: 172

ISBN-13: 9780879721251

DOWNLOAD EBOOK

This bibliographic guide directs the reader to a prize selection of the best modern, analytical studies of every play, anonymous play, masque, pageant, and "entertainment" written by more than two dozen contemporaries of Shakespeare in the years between 1580 and 1642. Together with Shakespeare's plays, these works comprise the most illustrious body of drama in the English language.


Othello

Othello

Author: Virginia Vaughan

Publisher:

Published: 1996-10

Total Pages: 276

ISBN-13: 9781611471403

DOWNLOAD EBOOK

For more information on similar titles, please visit www.lexingtonbooks.com


The Bed-trick in English Renaissance Drama

The Bed-trick in English Renaissance Drama

Author: Marliss C. Desens

Publisher: University of Delaware Press

Published: 1994

Total Pages: 188

ISBN-13: 9780874134766

DOWNLOAD EBOOK

None of these assumptions has been tested against the evidence of the surviving plays from the period - an oversight that the present study seeks to remedy.


The Performance of Pleasure in English Renaissance Drama

The Performance of Pleasure in English Renaissance Drama

Author: R. Huebert

Publisher: Springer

Published: 2003-08-19

Total Pages: 229

ISBN-13: 0230503160

DOWNLOAD EBOOK

Offering new and theatrically informed readings of plays by a broad range of Renaissance dramatists - including Marlowe, Jonson, Marston, Webster, Middleton and Ford - this new book addresses the question of pleasure: both erotic pleasure as represented on stage and aesthetic pleasure as experienced by readers and spectators. Some of the issues raised (the distribution of pleasure by gender, the notion of consent) intersect with feminist reinterpretations of Renaissance culture.


The Invention of Suspicion

The Invention of Suspicion

Author: Lorna Hutson

Publisher: OUP Oxford

Published: 2011-04-14

Total Pages: 392

ISBN-13: 0191615897

DOWNLOAD EBOOK

The Invention of Suspicion argues that the English justice system underwent changes in the sixteenth century that, because of the system's participatory nature, had a widespread effect and a decisive impact on the development of English Renaissance drama. These changes gradually made evidence evaluation a popular skill: justices of peace and juries were increasingly required to weigh up the probabilities of competing narratives of facts. At precisely the same time, English dramatists were absorbing, from Latin legal rhetoric and from Latin comedy, poetic strategies that enabled them to make their plays more persuasively realistic, more 'probable'. The result of this enormously rich conjunction of popular legal culture and ancient forensic rhetoric was a drama in which dramatis personae habitually gather evidence and 'invent' arguments of suspicion and conjecture about one another, thus prompting us, as readers and audience, to reconstruct this 'evidence' as stories of characters' private histories and inner lives. In this drama, people act in uncertainty, inferring one another's motives and testing evidence for their conclusions. As well as offering an overarching account of how changes in juridical epistemology relate to post-Reformation drama, this book examines comic dramatic writing associated with the Inns of Court in the overlooked decades of the 1560s and 70s. It argues that these experiments constituted an influential sub-genre, assimilating the structures of Roman comedy to current civic and political concerns with the administration of justice. This sub-genre's impact may be seen in Shakespeare's early experiments in revenge tragedy, history play and romance comedy, in Titus Andronicus, Henry VI and The Comedy of Errors, as well as Jonson's Every Man in his Humour, Bartholomew Fair and The Alchemist. The book ranges from mid-fifteenth century drama, through sixteenth century interludes to the drama of the 1590s and 1600s. It draws on recent research by legal historians, and on a range of legal-historical sources in print and manuscript.


The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial Arts 1580-1630

The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial Arts 1580-1630

Author: Henry S. Turner

Publisher: OUP Oxford

Published: 2006-02-23

Total Pages: 344

ISBN-13: 9780199287383

DOWNLOAD EBOOK

Drawing on entirely new evidence, The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts 1580-1630 examines the history of English dramatic form and its relationship to the mathematics, technology, and early scientific thought during the Renaissance period. The book demonstrates how practical modes of thinking that were typical of the sixteenth century resulted in new genres of plays and a new vocabulary for problems of poetic representation. Inthe epistemological moment the book recovers, we find new ideas about form and language that would become central to Renaissance literary discourse; in this same moment, too, we find new ways of thinking about the relationship between theory and practice that are typical of modernity, new attitudes towardsspatial representation, and a new interest in both poetics and mathematics as distinctive ways of producing knowledge about the world. By emphasizing the importance of theatrical performance, the book engages with continuing debates over the cultural function of the early modern stage and with scholarship on the status of modern authorship. When we consider playwrights in relation to the theatre rather than the printed book, they appear less as 'authors' than as figures whose social positionand epistemological presuppositions were very similar to the craftsmen, surveyors, and engineers who began to flourish during the sixteenth century and whose mathematical knowledge made them increasingly sought after by men of wealth and power.


Memory and Intertextuality in Renaissance Literature

Memory and Intertextuality in Renaissance Literature

Author: Raphael Lyne

Publisher: Cambridge University Press

Published: 2019-01-24

Total Pages: 0

ISBN-13: 9781107443907

DOWNLOAD EBOOK

This book uses theories of memory derived from cognitive science to offer new ways of understanding how literary works remember other literary works. Using terms derived from psychology - implicit and explicit memory, interference and forgetting - Raphael Lyne shows how works by Renaissance writers such as Wyatt, Shakespeare, Jonson, and Milton interact with their sources. The poems and plays in question are themselves sources of insight into the workings of memory, sharing and anticipating some scientific categories in the process of their thinking. Lyne proposes a way forward for cognitive approaches to literature, in which both experiments and texts are valued as contributors to interdisciplinary questions. His book will interest researchers and upper-level students of renaissance literature and drama, Shakespeare studies, memory studies, and classical reception.


Site Unscene

Site Unscene

Author: Jonathan Walker

Publisher: Northwestern University Press

Published: 2017-05-15

Total Pages: 329

ISBN-13: 0810135035

DOWNLOAD EBOOK

Site Unscene: The Offstage in English Renaissance Drama explores the key role of dramatic episodes that occur offstage and beyond the knowledge-generating faculty of playgoers’ sight. Does Ophelia drown? Is Desdemona unfaithful to Othello? Does Macbeth murder Duncan in his sleep? Site Unscene considers how the drama’s nonvisible and eccentric elements embellish, alter, and subvert visible action on the stage. Jonathan Walker demonstrates that by removing scenes from visible performance, playwrights take up the nondramatic mode of storytelling in order to transcend the limits of the stage. Through this technique, they present dramatic action from the subjective, self-interested, and idiosyncratic perspectives of individual characters. By recovering these offstage elements, Walker reveals the pervasive and formative dynamic between the onstage and offstage and between the seen and unseen in Renaissance drama. Examining premodern dramatic theory, Renaissance plays, period amphitheaters, and material texts, this interdisciplinary work considers woodcuts, engravings, archaeology, architecture, rhetoric, the history of the book, as well as plays by Shakespeare, Marlowe, Kyd, Ford, Middleton, and Webster, among others. It addresses readers engaged in literary criticism, dramatic theory, theater history, and textual studies.