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Author: Patti Digh
Publisher: Rowman & Littlefield
Published: 2010-10-19
Total Pages: 224
ISBN-13: 0762768711
DOWNLOAD EBOOKA guidebook for all who call themselves artists and those who need permission to re-insert creativity into their lives.
Author: Patti Digh
Publisher: Rowman & Littlefield
Published: 2010-10-19
Total Pages: 352
ISBN-13: 0762784520
DOWNLOAD EBOOKA guidebook for all who call themselves artists and those who need permission to re-insert creativity into their lives.
Author: Patti Digh
Publisher: Rowman & Littlefield
Published: 2008-08-26
Total Pages: 451
ISBN-13: 0762785101
DOWNLOAD EBOOKIn October 2003, Patti Digh's stepfather was diagnosed with lung cancer. He died 37 days later. The timeframe made an impression on her. What emerged was a commitment to ask herself every morning: What would I be doing today if I had only 37 days left to live? The answers changed her life and led to this new kind of book. Part meditation, part how-to guide, part memoir, Life is a Verb is all heart. Within these pages—enhanced by original artwork and wide, inviting margins ready to be written in—Digh identifies six core practices to jump-start a meaningful life: Say Yes, Trust Yourself, Slow Down, Be Generous, Speak Up, and Love More. Within this framework she supplies 37 edgy, funny, and literary life stories, each followed by a “do it now” 10-minute exercise as well as a practice to try for 37 days—and perhaps the rest of your life.
Author: Catalina Zuleta
Publisher:
Published: 2020-08-20
Total Pages: 294
ISBN-13:
DOWNLOAD EBOOKIf this book has traveled to your hands it has serve its purpose of inviting people to reconnect with their inner potential and bring it to everyday life to enjoy fulfillment. The awakening of creativity is an exploration of human capacity from a rich voyage of their authors through experiences and references, that let us discover the ways in which we stand up for our dreams and challenges. Is the lighting of a spark that will allow opening up to your innate creative potential.We are all born creative but disconnect from our capability as we grow up and find ourselves exposed to traditional educational systems as well as cultural trends that build upon limiting beliefs. Creativity in 7 Verbs entails a complete methodology tested in an innovative school in Bogota, Colombia, called Gimnasio Fontana, were students are taught that questions are more important that answers. The seven verbs of creativity (question, doubt, connect, integrate, explore, innovate and grow) are a pathway to re discover our inner treasure of having creative minds that can find the answers to the most complex challenges of today ́s world. A book for triggering enquiry and purpose in all walks of life. The reader will find concrete examples of how to apply each verb as well as interesting anecdotes that reveal how rich is the creative experience in different scenarios of everyday life.
Author: Colleen Warren
Publisher: Wipf and Stock Publishers
Published: 2024-02-28
Total Pages: 147
ISBN-13: 1666785261
DOWNLOAD EBOOKFrustrated by years of neglecting her creativity, Colleen Warren finally vowed in a New Year’s resolution to do something creative every day, a decision that literally transformed her life. This book tells her story and reveals the ideas, mindsets, habits, and practices she adopted that enabled that change. The First Verb offers the encouraging message that creativity is every person’s possession, by virtue of being created in the image of a creative God. Readers will be inspired by the book’s celebration of God’s own creative attributes, spiritually strengthened by its theological affirmation of creativity, motivated by exploring the benefits of creativity and the qualities of creative people, and energized by engaging in activities that enlarge creativity.
Author: Twyla Tharp
Publisher: Simon and Schuster
Published: 2009-03-24
Total Pages: 324
ISBN-13: 1439106568
DOWNLOAD EBOOKOne of the world’s leading creative artists, choreographers, and creator of the smash-hit Broadway show, Movin’ Out, shares her secrets for developing and honing your creative talents—at once prescriptive and inspirational, a book to stand alongside The Artist’s Way and Bird by Bird. All it takes to make creativity a part of your life is the willingness to make it a habit. It is the product of preparation and effort, and is within reach of everyone. Whether you are a painter, musician, businessperson, or simply an individual yearning to put your creativity to use, The Creative Habit provides you with thirty-two practical exercises based on the lessons Twyla Tharp has learned in her remarkable thirty-five-year career. In "Where's Your Pencil?" Tharp reminds you to observe the world -- and get it down on paper. In "Coins and Chaos," she gives you an easy way to restore order and peace. In "Do a Verb," she turns your mind and body into coworkers. In "Build a Bridge to the Next Day," she shows you how to clean the clutter from your mind overnight. Tharp leads you through the painful first steps of scratching for ideas, finding the spine of your work, and getting out of ruts and into productive grooves. The wide-open realm of possibilities can be energizing, and Twyla Tharp explains how to take a deep breath and begin...
Author: Emily Urquhart
Publisher: House of Anansi
Published: 2020-09-01
Total Pages: 169
ISBN-13: 1487005326
DOWNLOAD EBOOKA moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart, the bestselling author of Beyond the Pale: Folklore, Family, and the Mystery of Our Hidden Genes. “The fundamental misunderstanding of our time is that we belong to one age group or another. We all grow old. There is no us and them. There was only ever an us.” — from The Age of Creativity It has long been thought that artistic output declines in old age. When Emily Urquhart and her family celebrated the eightieth birthday of her father, the illustrious painter Tony Urquhart, she found it remarkable that, although his pace had slowed, he was continuing his daily art practice of drawing, painting, and constructing large-scale sculptures, and was even innovating his style. Was he defying the odds, or is it possible that some assumptions about the elderly are flat-out wrong? After all, many well-known visual artists completed their best work in the last decade of their lives, Turner, Monet, and Cézanne among them. With the eye of a memoirist and the curiosity of a journalist, Urquhart began an investigation into late-stage creativity, asking: Is it possible that our best work is ahead of us? Is there an expiry date on creativity? Do we ever really know when we’ve done anything for the last time? The Age of Creativity is a graceful, intimate blend of research on ageing and creativity, including on progressive senior-led organizations, such as a home for elderly theatre performers and a gallery in New York City that only represents artists over sixty, and her experiences living and travelling with her father. Emily Urquhart reveals how creative work, both amateur and professional, sustains people in the third act of their lives, and tells a new story about the possibilities of elder-hood.
Author: Joybrato Mukherjee
Publisher: Rodopi
Published: 2005
Total Pages: 314
ISBN-13: 9789042019348
DOWNLOAD EBOOKThe present book offers fresh insights into the description of ditransitive verbs and their complementation in present-day English. In the theory-oriented first part, a pluralist framework is developed on the basis of previous research that integrates ditransitive verbs as lexical items with both the entirety of their complementation patterns and the cognitive and semantic aspects of ditransitivity. This approach is combined with modern corpus-linguistic methodology in the present study, which draws on an exhaustive semi-automatic analysis of all patterns of ditransitive verbs in the British component of the International Corpus of English (ICE-GB) and also takes into account selected data from the British National Corpus (BNC). In the second part of the study, the complementation of ditransitive verbs (e.g. give, send) is analysed quantitatively and qualitatively. Special emphasis is placed here on the identification of significant principles of pattern selection, i.e. factors that lead language users to prefer specific patterns over other patterns in given contexts (e.g. weight, focus, pattern flow in text, lexical constraints). In the last part, some general aspects of a network-like, usage-based model of ditransitive verbs, their patterns and the relevant principles of pattern selection are sketched out, thus bridging the gap between the performance-related description of language use and a competence-related model of language cognition.
Author: Reinier De Graaf
Publisher: Verso Books
Published: 2024-02-27
Total Pages: 273
ISBN-13: 183976192X
DOWNLOAD EBOOKThe Hidden Rules of Architecture: how to build world-class, award winning, creative, innovative, sustainable, liveable and beautiful spaces that foster a sense of place and well being Leading architect Reinier de Graaf De Graaf punctures the myths behind the debates on what contemporary architecture is, with wit and devastating honesty. Architecture, it seems, has become too important to leave to architects. No longer does it suffice to judge a building solely by its appearance, it must be measured, and certified. When architects talk about “Excellence,” “Sustainability,” “Well-being,” “Liveability,” “Placemaking,” “Creativity,” “Beauty” and “Innovation” what do they actually mean? In architect, verb. De Graff dryly skewers the doublespeak and hot air of an industry in search of an identity in the 21st century. Who determines how to measure a “green building”? Why is Vancouver more “liveable” than Vienna? How do developers get away with advertising their buildings as promoting “well-being”? Why did Silicon Valley become so obsessed with devising “creative” spaces or developing code that replaces architects? How much revenue can be attributed to the design of public space? Who gets to decide what these measurements should be, and what do they actually mean? And what does it mean for the future of our homes, cities, planet? He also includes a biting, satirical dictionary of “profspeak”: the corporate language of consultants, developers and planners from “Active listening” to “Zoom Readiness.”
Author: Letitia R. Naigles
Publisher: John Wiley & Sons
Published: 2009-09-01
Total Pages: 153
ISBN-13: 1444333577
DOWNLOAD EBOOKFlexibility and productivity are hallmarks of human language use. Competent speakers have the capacity to use the words they know to serve a variety of communicative functions, to refer to new and varied exemplars of the categories to which words refer, and in new and varied combinations with other words. When and how children achieve this flexibility—and when they are truly productive language users—are central issues among accounts of language acquisition. The current study tests competing hypotheses of the achievement of flexibility and some kinds of productivity against data on children’s first uses of their first-acquired verbs. Eight mothers recorded their children's first 10 uses of 34 early-acquired verbs, if those verbs were produced within the window of the study. The children were between 16 and 20 months when the study began (depending on when the children started to produce verbs), were followed for between 3 and 12 months, and produced between 13 and 31 of the target verbs. These diary records provided the basis for a description of the pragmatic, semantic, and syntactic properties of early verb use. The data revealed that within this early, initial period of verb use, children use their verbs both to command and describe, they use their verbs in reference to a variety of appropriate actions enacted by a variety of actors and with a variety of affected objects, and they use their verbs in a variety of syntactic structures. All 8 children displayed semantic and grammatical flexibility before 24 months of age. These findings are more consistent with a model of the language learning child as an avid generalizer than as a conservative language user. Children’s early verb use suggests abilities and inclinations to abstract from experience that may indeed begin in infancy.
