Creative Harmony and Musicianship
Author: Howard Ansley Murphy
Publisher:
Published: 1951
Total Pages: 648
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Howard Ansley Murphy
Publisher:
Published: 1951
Total Pages: 648
ISBN-13:
DOWNLOAD EBOOKAuthor: Howard Ansley Murphy
Publisher:
Published: 2003-01-01
Total Pages: 618
ISBN-13: 9780758159830
DOWNLOAD EBOOKAuthor: Howard Ansley Murphy
Publisher:
Published: 1952
Total Pages: 618
ISBN-13:
DOWNLOAD EBOOKAuthor: Ruth Lloyd
Publisher:
Published: 1975-01-01
Total Pages: 326
ISBN-13: 9780396067542
DOWNLOAD EBOOKAuthor: Howard Ansley Murphy
Publisher:
Published: 1964
Total Pages: 618
ISBN-13:
DOWNLOAD EBOOKAuthor: Jonathan Pac Cantin
Publisher:
Published: 2010-12-01
Total Pages: 94
ISBN-13: 9780615431116
DOWNLOAD EBOOKChord-Scale Theory and Linear Harmony for Guitar: Creative Tools for Improvisation and Composition in Contemporary Music is a guide to music theory as it relates to the guitar fretboard. It covers topics such as intervals, scales and modes, chords and voicings, progressions, and melodic devices and how they are commonly used in contemporary Western music. It thoroughly explains basic harmony as well as the complex harmonies used in jazz. It contains examples in standard notation, guitar TAB, fretboard diagrams, and charts. Great for intermediate and advanced guitarists looking to expand their horizons and musical creativity.
Author: Howard Ansley Murphy
Publisher:
Published: 1962
Total Pages: 280
ISBN-13:
DOWNLOAD EBOOKAuthor: Timothy Sullivan
Publisher: Canadian Music Educators' Association
Published: 2002-09-15
Total Pages: 274
ISBN-13: 0920630111
DOWNLOAD EBOOKSeventeen contributors make a compelling case for including creativity as part of the music classroom, from kindergarten to teacher training courses. Practical solutions and time tested practices are provided.
Author: Ed Sarath
Publisher: Routledge
Published: 2013-07-04
Total Pages: 434
ISBN-13: 113521526X
DOWNLOAD EBOOKDesigned for Music Theory courses, Music Theory Through Improvisation presents a unique approach to basic theory and musicianship training that examines the study of traditional theory through the art of improvisation. The book follows the same general progression of diatonic to non-diatonic harmony in conventional approaches, but integrates improvisation, composition, keyboard harmony, analysis, and rhythm. Conventional approaches to basic musicianship have largely been oriented toward study of common practice harmony from the Euroclassical tradition, with a heavy emphasis in four-part chorale writing. The author’s entirely new pathway places the study of harmony within improvisation and composition in stylistically diverse format, with jazz and popular music serving as important stylistic sources. Supplemental materials include a play-along audio in the downloadable resources for improvisation and a companion website with resources for students and instructors.