Whether the setting is a Parisian-inspired Neoclassical Brooklyn townhouse, an elegant Central Park West penthouse, or a modern retreat in the Hudson Valley, Kathryn Scott is a designer whose disciplined eye results in interiors praised for their beauty and minimalism, as well as their artisanal details. Readers who responded to Nancy Braithwaite's aesthetic will love Creating Beauty. The first book from acclaimed Brooklyn-based interior designer, Kathryn Scott, whose handcrafted interiors evoke a sense of serenity, harmony, and simplicity.
Why do physicians who've taken the Hippocratic Oath willingly cut into seemingly healthy patients? How do you measure the success of surgery aimed at making someone happier by altering his or her body? Sander L. Gilman explores such questions in Creating Beauty to Cure the Soul, a cultural history of the connections between beauty of body and happiness of mind. Following these themes through an impressive range of historical moments and players, Gilman traces how aesthetic alterations of the body have been used to "cure" dissatisfied states of mind. In his exploration of the striking parallels between the development of cosmetic surgery and the field of psychiatry, Gilman entertains an array of philosophical and psychological questions that underlie the more practical decisions rountinely made by doctors and potential patients considering these types of surgery. While surveying and incorporating the relevant theories of Sigmund Freud, Alfred Adler, Karl Menninger, Paul Schilder, contemporary feminist critics, and others, Gilman considers the highly unstable nature of cultural notions of health, happiness, and beauty. He reveals how ideas of race and gender structured early understandings of aesthetic surgery in discussions of both the "abnormality" of the Jewish nose and the historical requirement that healthy and virtuous females look "normal," thereby enabling them to achieve invisibility. Reflecting upon historically widespread prejudices, Gilman describes the persecutions, harrassment, attacks, and even murders that continue to result from bodily difference and he encourages readers to question the cultural assumptions that underlie the increasing acceptability of this surgical form of psychotherapy. Synthesizing a vast body of related literature and containing a comprehensive bibliography, Creating Beauty to Cure the Soul will appeal to a broad audience, including those interested in the histories of medicine and psychiatry, and in philosophy, cultural studies, Jewish cultural studies, and race and ethnicity.
A course that shows you how to find the beauty that is within you using a simple series of collages and exercises and magazine pages as the raw material for your creations.
On the surface, Mia Tyler led a seemingly perfect life. She was a world-renowned plus-size model and the daughter of Aerosmith's Steven Tyler and seventies It girl Cyrinda Foxe. But growing up under the shadow of celebrity wasn't as glamorous as it's cracked up to be. From a poverty-stricken childhood in New Hampshire to running with troubled rich kids on Manhattan's Upper East Side, she has an incredible story to tell. In Creating Myself, Mia shares scintillating details about her rock-and-roll family, as well as battling her own personal demons: dumping her mother's cocaine vial down the toilet at just eight years old, running around backstage at her father's concerts (including the one where she first met her sister, Liv), and attempting to distract herself from her pain through drug addiction and self-mutilation. Yet this memoir is ultimately a tale of redemption. Mia learns that in order to truly grow up, she must forgive both herself and those who hurt her, give up the quest for perfection, and acknowledge that she is still a work in progress. Creating Myself is raw and inspirational, the tale of a hell-and-back journey from the depths of depression and addiction to triumphant self-discovery.
For over 150 years, Tlingit women artists have beaded colorful, intricately beautiful designs on moccasins, dolls, octopus bags, tunics, and other garments. Painful Beauty suggests that at a time when Indigenous cultural practices were actively being repressed, beading supported cultural continuity, demonstrating Tlingit women’s resilience, strength, and power. Beadwork served many uses, from the ceremonial to the economic, as women created beaded pieces for community use and to sell to tourists. Like other Tlingit art, beadwork reflects rich artistic visions with deep connections to the environment, clan histories, and Tlingit worldviews. Contemporary Tlingit artists Alison Bremner, Chloe French, Shgen Doo Tan George, Lily Hudson Hope, Tanis S’eiltin, and Larry McNeil foreground the significance of historical beading practices in their diverse, boundary-pushing artworks. Working with museum collection materials, photographs, archives, and interviews with artists and elders, Megan Smetzer reframes this often overlooked artform as a site of historical negotiations and contemporary inspirations. She shows how beading gave Tlingit women the freedom to innovate aesthetically, assert their clan crests and identities, support tribal sovereignty, and pass on cultural knowledge. Painful Beauty is the first dedicated study of Tlingit beadwork and contributes to the expanding literature addressing women’s artistic expressions on the Northwest Coast.
This is the only book dedicated to the Geometry of Polycentric Ovals. It includes problem solving constructions and mathematical formulas. For anyone interested in drawing or recognizing an oval, this book gives all the necessary construction and calculation tools. More than 30 basic construction problems are solved, with references to Geogebra animation videos, plus the solution to the Frame Problem and solutions to the Stadium Problem. A chapter (co-written with Margherita Caputo) is dedicated to totally new hypotheses on the project of Borromini’s oval dome of the church of San Carlo alle Quattro Fontane in Rome. Another one presents the case study of the Colosseum as an example of ovals with eight centres. The book is unique and new in its kind: original contributions add up to about 60% of the whole book, the rest being taken from published literature (and mostly from other work by the same author). The primary audience is: architects, graphic designers, industrial designers, architecture historians, civil engineers; moreover, the systematic way in which the book is organised could make it a companion to a textbook on descriptive geometry or on CAD.
The global beauty business permeates our lives, influencing how we perceive ourselves and what it is to be beautiful. The brands and firms which have shaped this industry, such as Avon, Coty, Estée Lauder, L'Oréal, and Shiseido, have imagined beauty for us. This book provides the first authoritative history of the global beauty industry from its emergence in the nineteenth century to the present day, exploring how today's global giants grew. It shows how successive generations of entrepreneurs built brands which shaped perceptions of beauty, and the business organizations needed to market them. They democratized access to beauty products, once the privilege of elites, but they also defined the gender and ethnic borders of beauty, and its association with a handful of cities, notably Paris and later New York. The result was a homogenization of beauty ideals throughout the world. Today globalization is changing the beauty industry again; its impact can be seen in a range of competing strategies. Global brands have swept into China, Russia, and India, but at the same time, these brands are having to respond to a far greater diversity of cultures and lifestyles as new markets are opened up worldwide. In the twenty first century, beauty is again being re-imagined anew.
Table of Contents Introduction Making up Your Mind to Start! Begin Your Collection Pressing Leaves Steps and Tips Techniques for Pressing Flowers Grasses, Mosses, Lichens, and Ferns To Varnish or Not to Varnish – That Is the Question… Lacquer Traditional Gums Beginning Our Projects Floral Wreath Bookmark Cards Conclusion Author Bio Publisher Introduction Just imagine that you have a number of dried flowers and leaves, which you wanted to make into a thing of beauty and a joy forever. This, of course, is a challenge for anybody who thinks she or he has a creative instinct and talent. If I was living in the 19th century and had plenty of time on my hands, I would have studied young, under the tutelage of a teacher or a governess or perhaps my mother. But now, living in the 21st century world, tied up to my PC/laptop and my cell phone and my apps, who really has the time, and energy to spend some enjoyable man-hours in making some beautiful creative pictures, out of some dried flowers and leaves? On the other hand, if you are the sort who does not mind going outdoors, ever so often, looking at the beauties of nature from April to October, or later until it becomes the time of Blow, Blow, Thou Winter Wind, is it surprising that many of the treasures that you have carried home during the autumn or the summer, may be turned into a thing of beauty or a decorative item for posterity, when it is cold outside. In the 18th and 19th century, people loved to make decorations with dried flowers, leaves, and other dried items of nature, and even though it took a little bit of time and energy, the results were well worth it. The pictures that you are going to see in this book are more of instruction so that you can know how to make these decorations on your own. Naturally, I cannot tell you which flowers to use in your designs, because I do not know where you are, and I do not know which flowers you have at hand. At any given time of the year, my gardens are going to be full of nasturtiums, gardenias, Bougainvillea, Larkspur, pansies, delphiniums, sweet peas, pansies, forget-me-nots, baby’s breath, roses, and other flowers, depending upon where I am.
Have you ever wondered why the words struggle and beauty ignites such opposing emotions? Some may think that without struggle, we would live a life full of bliss. This is not true. It is because of struggle that bliss exist. Niki Spears, motivational speaker and author challenges readers to grab a pencil and create their best BUS story by discovering the Beauty Underneath the Struggle. On this journey to self-discovery Niki will share strategies, personal stories, and testimonials from people just like you, who have found great opportunities hidden beneath every challenge. Once we are able to embrace our struggles in a new way, the outcomes will add new meaning to our life. Our thoughts, beliefs, and the stories we tell ourselves are the factors that shape who we are as well as our perceptions of ourselves, the people we meet, and the world around us. When you walk in purpose, you feel passionate about life, and the pages of your story will naturally evolve as you begin to see the Beauty Underneath the Struggle. Grab your pencil and join Niki on this journey to self-discovery as you create your best BUS story!
The application of the Seven Virtues, as presented throughout this lively narrative, will help women transform bad habits into beautiful behaviors, mapping the way to a radiant Inner Beauty that will sustain us for years to come.
