Hexie Farm (蟹农场) is the name of a series of political cartoons created by an anonymous Chinese cartoonist under the pen name Crazy Crab (疯蟹). His drawings quickly gained a large following online for their unique blend of satire, wit, and razor-sharp commentary on current events in China and beyond. Crazy Crab uses visual references to traditional fairy tales, George Orwell, and political propaganda slogans to critique China’s leadership. Crazy Crab’s Chinese Dream: Political Cartoons 2012-2013 includes 40 images drawn exclusively for China Digital Times, with explanatory text written by Executive Editor Sophie Beach and a Q&A with the cartoonist. “I hope to make change, to draw something that we have never thought about, or dared to draw, before,” Crazy Crab tells China Digital Times. “I also want to use cartoons to…spread some question marks in the censorship system.” All cartoons in the eBook were drawn between February 2012 and September 2013, when Crazy Crab was a contributing cartoonist for China Digital Times. His drawings covered a busy period in Chinese political history, from the downfall of former Chongqing Party Chief Bo Xilai to the transition of power from Hu Jintao to Xi Jinping.
As scholars and publics look for alternatives to what is understood as a violent Western world order, many claim that China can provide such an alternative through the Chinese dream of a harmonious world. This book takes this claim seriously and examines its effects by tracing the notion across several contexts: the policy documents and speeches that launched harmony as an official term under previous president Hu Jintao; the academic literatures that asked what a harmonious world might look like; the propaganda and mega events that aimed to illustrate it; the online spoofing culture that is used to criticise and avoid "harmonization"; and the incorporation of harmony into current president Xi Jinping’s "Chinese dream". This book finds contemporary Chinese society and international relations saturated with harmony. Yet, rather than offering an alternative to problems in "Western" thought, it counter-intuitively argues that harmony has not taken place, is not taking place, and will not take place. The argument unfolds as a contribution to wider debates on time, space and multiplicity in world politics. Offering analysis of the important but understudied concept of harmony, Nordin provides new and creative insights into wider contemporary issues in Chinese politics, society and scholarship. The book also suggests a creative and novel methodology for studying foreign policy concepts more broadly, drawing on critical thinkers in innovative ways and in a new empirical context. It will be of interest to students and scholars of IR, Chinese foreign and security policy and IR theory.
In China's Public Diplomacy, author Ingrid d'Hooghe contributes to our understanding of what constitutes and shapes a country's public diplomacy, and what factors undermine or contribute to its success. China invests heavily in policies aimed at improving its image, guarding itself against international criticism and advancing its domestic and international agenda. This volume explores how the Chinese government seeks to develop a distinct Chinese approach to public diplomacy, one that suits the country's culture and authoritarian system. Based on in-depth case studies, it provides a thorough analysis of this approach, which is characterized by a long-term vision, a dominant role for the government, an inseparable and complementary domestic dimension, and a high level of interconnectedness with China's overall foreign policy and diplomacy.
A comprehensive selection of poems and essays spanning the career of one of China's most celebrated 20th-century poets."You can write poetry and then again you can't. It comes into this world of its own accord, not by the will of the poet."Gu Cheng Gu Cheng (1956-1993) is one of China's most celebrated contemporary poets. His early death ended a literary career that was influenced by the Cultural Revolution and that reawakened the lyricism of Chinese poets during the 1980s. Offering a unique blend of brooding imagism and political innuendo, Gu Cheng's poetry traces complex changes in the poet's lifefamilial, psychological, culturaland also radiates an innocence and a touching melancholy. His poetry began on the farms in Shandong province where his parents were exiled during the Cultural Revolution, and ended on a small island in New Zealand where he took up a Thoreau-like existence before his tragic suicide. His poem "One Generation" became emblematic for the generation coming of age in China in the '60s and '70s. Here for the first time is poetry based on the poet's own personal selections from his work, Sea Basket Blue. There are also prose works, including excerpts of Gu Cheng's novel Ying'er, plus a selection of his essays.
The first of its kind in English, this anthology translates twenty-two popular Chinese plays published between 1919 and 2000, accompanied by a critical introduction to the historical, cultural, and aesthetic evolution of twentieth-century Chinese spoken drama. Primarily comprising works from the People's Republic of China, though including representative plays from Hong Kong and Taiwan, this collection not only showcases the revolutionary rethinking of Chinese theater and performance that began in the late Qing dynasty. It also highlights the formation of Chinese national and gender identities during a period of tremendous social and political change, along with the genesis of contemporary attitudes toward the West. Early twentieth-century Chinese drama embodies the uncertainty and anxiety brought on by modernism, socialism, political conflict, and war. After 1949, PRC theater painted a complex portrait of the rise of communism in China, with the ideals of Chinese socialism juxtaposed against the sacrifices made for a new society. The Cultural Revolution promoted a "model theater" cultivated from the achievements of earlier, leftist spoken drama, even though this theater arose from the destruction of old culture. Post-Mao drama addresses the socialist legacy and the attempts of a wounded nation to reexamine its cultural roots. Taiwan's spoken drama synthesizes regional and foreign traditions, and Hong Kong's spoken drama sparkles as a hybrid of Chinese and Western influences. Immensely valuable for cross-disciplinary, comparative, and performance study, this anthology provides essential perspective on China's theatricality and representation of political life.
This book contains my impressions and perspectives of the Philippines, the United States, and the world for that matter, of my life struggles and dream of opportunity. It's intended as a guidebook for regular and ordinary life both in the Philippines and in the United States depending on your inclinations, abilities, income and economic status. Consider this as a report from my own listening post. It contains actual interviews with people and excerpts from newspapers, magazines, books and the Internet. My intention was to depict my own personal life and my family s, and write about my own story based upon personal experiences, but also to describe certain mores, attitudes, customs and cultures of various people in Philippine and American society as I see or interpret them, trying not to offend or annoy. My observations may not jibe with some people's cultural make-up, political conviction, religious beliefs, personal experience, sensitivity and interpretation of certain issues and things, but such is life. I know that no matter where I stand and wherever I go, it's always my opinion against any others, and I have lots of opinions that can cause obvious negative reactions in the simplest of minds. The world is full of cuckoos and we even admire some of them depending on who you ask. When it comes to some very burning questions, the first casualty is truth since there's a big difference between knowing the real story and the story we're told. The historical events and lore that I have used as backdrop are based upon factual records and are of common knowledge in the Philippines and in the United States, but people inject their own spin, opinion, hypocrisy, dogma, self-righteousness, politics, pandering, feeling, insight and experience into certain circumstances, as I did. I have tried to be as truthful and transparent as possible in my own light. You can scoff at me but I have no political agenda and I'm not a conspiracy theorist. I am just that I am. I'm not rewriting history but trying to give history its true light and history is fickle. In my defense I quote the philosopher Voltaire "I disapprove of what you say, but I will defend to the death your right to say it". I also have to show my credentials as Filipino so as to be able to tell Filipino jokes and not get in trouble, in consideration that this is my swan song. I have lived in these United States since 1968, been drafted to the conflict in Vietnam, worked long and hard in my profession, have family, traveled far, now retired, and have seen so much of the American society that I almost think of myself as a native. On this note I beg for tolerance.
The Chinese Dream: China, I Love You is an omnibus edition with three short novels and a short story, all about love, featuring a Canadian doctor who changes his name to Bethune and goes to China, taking a cure for cancer with him, to make millions going against the mainstream Western medication establishment and saving millions while making millions.
A global exploration of internet memes as agents of pop culture, politics, protest, and propaganda on- and offline, and how they will save or destroy us all. Memes are the street art of the social web. Using social media–driven movements as her guide, technologist and digital media scholar An Xiao Mina unpacks the mechanics of memes and how they operate to reinforce, amplify, and shape today’s politics. She finds that the “silly” stuff of meme culture—the photo remixes, the selfies, the YouTube songs, and the pun-tastic hashtags—are fundamentally intertwined with how we find and affirm one another, direct attention to human rights and social justice issues, build narratives, and make culture. Mina finds parallels, for example, between a photo of Black Lives Matter protestors in Ferguson, Missouri, raising their hands in a gesture of resistance and one from eight thousand miles away, in Hong Kong, of Umbrella Movement activists raising yellow umbrellas as they fight for voting rights. She shows how a viral video of then presidential nominee Donald Trump laid the groundwork for pink pussyhats, a meme come to life as the widely recognized symbol for the international Women’s March. Crucially, Mina reveals how, in parts of the world where public dissent is downright dangerous, memes can belie contentious political opinions that would incur drastic consequences if expressed outright. Activists in China evade censorship by critiquing their government with grass mud horse pictures online. Meanwhile, governments and hate groups are also beginning to utilize memes to spread propaganda, xenophobia, and misinformation. Botnets and state-sponsored agents spread them to confuse and distract internet communities. On the long, winding road from innocuous cat photos, internet memes have become a central practice for political contention and civic engagement. Memes to Movements unveils the transformative power of memes, for better and for worse. At a time when our movements are growing more complex and open-ended—when governments are learning to wield the internet as effectively as protestors—Mina brings a fresh and sharply innovative take to the media discourse.
The world’s nearly 7,000 species of crabs are immediately recognizable by their claws, sideways movement, stalked eyes, and thick outer shells. These common crustaceans are found internationally, thriving in various habitats from the edge of the sea to the depths of the ocean, in fresh water or on land. Despite having the same basic body type as decapod crustaceans—true crabs have heavy exoskeletons and ten limbs with front pincer claws—crabs come in an enormous variety of shapes and sizes, from the near microscopic to the giant Japanese spider crab. In Walking Sideways, Judith S. Weis provides an engaging and informative tour of the remarkable world of crabs, highlighting their unique biology and natural history. She introduces us to recently discovered crabs such as the Yeti crab found in deep sea vents, explains what scientists are learning about blue and hermit crabs commonly found at the shore, and gives us insight into the lifecycles of the king and Dungeness crabs typically seen only on dinner plates. Among the topics Weis covers are the evolution and classification of crabs, their habitats, unique adaptations to water and land, reproduction and development, behavior, ecology, and threats, including up-to-date research. Crabs are of special interest to biologists for their communication behaviors, sexual dimorphism, and use of chemical stimuli and touch receptors, and Weis explains the importance of new scientific discoveries. In addition to the traditional ten-legged crabs, the book also treats those that appear eight-legged, including hermit crabs, king crabs, and sand crabs. Sidebars address topics of special interest, such as the relationship of lobsters to crabs and medical uses of compounds derived from horseshoe crabs (which aren’t really crabs). While Weis emphasizes conservation and the threats that crabs face, she also addresses the use of crabs as food (detailing how crabs are caught and cooked) and their commercial value from fisheries and aquaculture. She highlights other interactions between crabs and people, including keeping hermit crabs as pets or studying marine species in the laboratory and field. Reminding us of characters such as The Little Mermaid’s Sebastian and Sherman Lagoon’s Hawthorne, she also surveys the role of crabs in literature (for both children and adults), film, and television, as well in mythology and astrology. With illustrations that offer delightful visual evidence of crab diversity and their unique behaviors, Walking Sideways will appeal to anyone who has encountered these fascinating animals on the beach, at an aquarium, or in the kitchen.
