The Improbable First Century of Cosmopolitan Magazine

The Improbable First Century of Cosmopolitan Magazine

Author: James Landers

Publisher: University of Missouri Press

Published: 2010-11-01

Total Pages: 369

ISBN-13: 0826272339

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Today, monthly issues of Cosmopolitan magazine scream out to readers from checkout counters and newsstands. With bright covers and bold, sexy headlines, this famous periodical targets young, single women aspiring to become the quintessential “Cosmo girl.” Cosmopolitan is known for its vivacious character and frank, explicit attitude toward sex, yet because of its reputation, many people don’t realize that the magazine has undergone many incarnations before its current one, including family literary magazine and muckraking investigative journal, and all are presented in The Improbable First Century of Cosmopolitan Magazine. The book boasts one particularly impressive contributor: Helen Gurley Brown herself, who rarely grants interviews but spoke and corresponded with James Landers to aid in his research. When launched in 1886, Cosmopolitan was a family literary magazine that published quality fiction, children’s stories, and homemaking tips. In 1889 it was rescued from bankruptcy by wealthy entrepreneur John Brisben Walker, who introduced illustrations and attracted writers such as Mark Twain, Willa Cather, and H. G. Wells. Then, when newspaper magnate William Randolph Hearst purchased Cosmopolitan in 1905, he turned it into a purveyor of exposé journalism to aid his personal political pursuits. But when Hearst abandoned those ambitions, he changed the magazine in the 1920s back to a fiction periodical featuring leading writers such as Theodore Dreiser, Sinclair Lewis, and William Somerset Maugham. His approach garnered success by the 1930s, but poor editing sunk Cosmo’s readership as decades went on. By the mid-1960s executives considered letting Cosmopolitan die, but Helen Gurley Brown, an ambitious and savvy businesswoman, submitted a plan for a dramatic editorial makeover. Gurley Brown took the helm and saved Cosmopolitan by publishing articles about topics other women’s magazines avoided. Twenty years later, when the magazine ended its first century, Cosmopolitan was the profit center of the Hearst Corporation and a culturally significant force in young women’s lives. The Improbable First Century of Cosmopolitan Magazine explores how Cosmopolitan survived three near-death experiences to become one of the most dynamic and successful magazines of the twentieth century. Landers uses a wealth of primary source materials to place this important magazine in the context of history and depict how it became the cultural touchstone it is today. This book will be of interest not only to modern Cosmo aficionadas but also to journalism students, news historians, and anyone interested in publishing.


The Best of Cosmopolitan

The Best of Cosmopolitan

Author: Cosmopolitan

Publisher: Anova Books

Published: 2007-09-28

Total Pages: 184

ISBN-13: 9781906032159

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"When the first issue of British Cosmopolitan went on sale in March 1972, it was a publishing sensation. By lunchtime on the first day it had sold out. Famous for its refreshingly frank approach to sex and relationships, its practical advice on careers and its own brand of accessible feminism, Cosmo went on to become the world's no. 1 women's magazine. This compulsive compilation brings together highlights from Cosmo's archive and offers a fascinating chronicle of women's lives in the decades that style forgot - from burning your bra to how to wear leg warmers. Definitive ads from the '70s and '80s stand alongside Cosmo's own classic features: fabulous fashion spreads, special reader offers, Irma Kurtz's agony column and On the Couch with Tom Crabtree."--Back cover.


Cosmo's Zodiac Sex

Cosmo's Zodiac Sex

Author: Cosmopolitan

Publisher: Hearst Home & Hearst Home Kids

Published: 2020-10-13

Total Pages: 130

ISBN-13: 1950785076

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The ultimate collection of 75+ sex moves for each star sign from Cosmopolitan! Ever wonder why one month is a nonstop bonefest and the next is more bust than thrust? Blame it on astrology! That's because each sign has its own sexy season and its own crazy sexy moves. Put this knowledge to sexcellent use with these zodiac-inspired positions. From Bossy in Bed Aries season with its commanding positions, to Slow 'n Sizzly Taurus season with its sensual vibe, you'll find yourself trying new foreplay, incorporating toys, and hooking up in places you've never dared to before. Get ready for sex so good, you'll be seeing stars! Includes: A full-color illustration for every position A Mercury Retrograde Emergency chapter with intimate sex positions for a time when misfortunes and miscommunications happen A compatibility chart to find out how well you and bae vibe in bed together


Tales from the Back Row

Tales from the Back Row

Author: Amy Odell

Publisher: Simon and Schuster

Published: 2015-09

Total Pages: 240

ISBN-13: 1476749752

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"Hilarious, insightful and smart. A must-read for anyone who wears clothes.” —Chelsea Handler *US Weekly, “Riveting Reads for Labor Day”* *Bustle, “2015 Books Every Funny Woman Should Read” and “September 2015’s Best Books”* *Refinery29 “Fall’s Most Highly Anticipated Nonfiction Reads”* *theSkimm, “Skimm Reads”* *Popsugar, “Motivational Books You Should Read this Fall”* *AM NY, “New Books for New Yorkers to Read This Fall”* The Lowdown on High Fashion Cosmopolitan.com editor Amy Odell knows what it’s really like to be a young woman working in the fashion industry. In Tales from the Back Row, Amy—funny and fearless—takes readers behind the stage of New York’s hottest fashion shows to meet the world’s most influential models, designers, celebrities, editors, and photographers. But first, she has to push her way through the crowds outside, where we see the lengths people go to be noticed by the lurking paparazzi, and weave her way through the packed venue, from the very back row to the front. And as Amy climbs the ladder (with tips about how you can, too), she introduces an industry powered by larger-than-life characters: she meets the intimidating Anna Wintour and the surprisingly gracious Rachel Zoe, not to mention the hilarious Chelsea Handler, and more. As she describes the allure of Alexander Wang’s ripped tights and Marchesa’s Oscar-worthy dresses, Amy artfully layers in something else: ultimately this book is about how the fashion industry is an exaggerated mirror of human fallibility—reflecting our desperate desire to belong, to make a mark, to be included. For Amy is the first to admit that as much as she is embarrassed by the thrill she gets when she receives an invitation to an exclusive after-party, she can’t help but RSVP “yes.”


Cosmopolitan Dreams

Cosmopolitan Dreams

Author: Jennifer Dubrow

Publisher: University of Hawaii Press

Published: 2018-10-31

Total Pages: 194

ISBN-13: 0824876695

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In late nineteenth-century South Asia, the arrival of print fostered a dynamic and interactive literary culture. There, within the pages of Urdu-language periodicals and newspapers, readers found a public sphere that not only catered to their interests but encouraged their reactions to featured content. Cosmopolitan Dreams brings this culture to light, showing how literature became a site in which modern daily life could be portrayed and satirized, the protocols of modernity challenged, and new futures imagined. Drawing on never-before-translated Urdu fiction and prose and focusing on the novel and satire, Jennifer Dubrow shows that modern Urdu literature was defined by its practice of self-critique and parody. Urdu writers resisted the cultural models offered by colonialism, creating instead a global community of imagination in which literary models could freely circulate and be readapted, mixed, and drawn upon to develop alternative lines of thinking. Highlighting the participation of readers and writers from diverse social and religious backgrounds, the book reveals an Urdu cosmopolis where lively debates thrived in newspapers, literary journals, and letters to the editor, shedding fresh light on the role of readers in shaping vernacular literary culture. Arguing against current understandings of Urdu as an exclusively Muslim language, Dubrow demonstrates that in the late nineteenth century, Urdu was a cosmopolitan language spoken by a transregional, transnational community that eschewed identities of religion, caste, and class. The Urdu cosmopolis pictured here was soon fractured by the forces of nationalism and communalism. Even so, Dubrow is able to establish the persistence of Urdu cosmopolitanism into the present and shows that Urdu’s strong tradition as a language of secular, critical modernity did not end in the late nineteenth century but continues to flourish in film, television, and on line. In lucid prose, Dubrow makes the dynamic world of colonial Urdu print culture come to life in a way that will interest scholars of modern Asian literatures, South Asian literature and history, cosmopolitanism, and the history of print culture.