A man’s home is his castle, but for Percy Spender that motto has been taken just a bit too literally. After the sudden death of first one distant relative and then another, the amiable Perce has become the 12th Earl of Ellesmere. And his home, no longer a cozy council flat, is now the drafty, imposing Chetton Hall, complete with more bedrooms than Perce can count and an army of servants. Frankly, all these fancy trappings make Perce itch. He’d just as soon sell up, buy a comfy cottage, and put a bundle on the ponies. However, some of his mates and family members have other ideas. And the sad fact is that an Unfortunate Accident can happen to anyone, even a lord of the realm.
After growing up on a farm in Virginia, Walthingham Hall in England seems like another world to sixteen-year-old Katherine Randolph. Her new life, filled with the splendor of upper class England in the 1820s, is shattered when she discovers the corpse of her brother George in a lake on the estate-the tragic accidental drowning of a young man, the coroner reports, despite the wound to George's head. Katherine is expected to observe the mourning customs and get on with her life, but she can't accept that her brother's death was an accident. A bitter poacher prowls the estate, and strange visitors threaten the occupants of the house. There's a rumor, too, that a wild animal stalks the woods of Walthingham. Can Katherine retain her sanity long enough to find out the truth? Or will her brother's killer claim her life, too?
Kiva trades one cage for another when she leaves behind a deadly prison for a deceptive palace in this dark and dangerous sequel to The Prison Healer, which Sarah J. Maas called "a must-read." Kiva Meridan is a survivor. She survived not only Zalindov prison, but also the deadly Trial by Ordeal. Now Kiva's purpose goes beyond survival to vengeance. For the past ten years, her only goal was to reunite with her family and destroy the people responsible for ruining their lives. But now that she has escaped Zalindov, her mission has become more complicated than ever. As Kiva settles into her new life in the capital, she discovers she wasn't the only one who suffered while she was in Zalindov--her siblings and their beliefs have changed too. Soon it's not just her enemies she's keeping secrets from, but her own family as well. Outside the city walls, tensions are brewing from the rebels, along with whispers of a growing threat from the northern kingdoms. Kiva's allegiances are more important than ever, but she's beginning to question where they truly lie. To survive this time, she'll have to navigate a complicated web of lies before both sides of the battle turn against her and she loses everything.
Matt Harper, a television and radio personality and a former professional soccer player, has just bought Elderholm, an old stone house in Leeds in the north of England. It's ideal for him, his partner Aileen, and her three children. Even the attic space seems just right -- the perfect place for a game room or a children's retreat. But as Matt and his decorator tour the property, they find something that will put the attic off-limits for a long time to come: a tiny child's skeleton that has clearly been there for years. What happened to the child, and how did its skeleton get into the attic? Detective Sergeant Charlie Peace and his forensic team think the child's remains have been in the attic for thirty years. Thirty years? Matt remembers that time. It was 1969 and he was seven years old. He was in the neighborhood, spending the summer with an aunt. That was the summer that Elderholm's owner left her house empty when she went to visit a daughter in Australia. What happened that summer? What memories lie deep in Matt's consciousness? Where are the other children from that summer who now, of course, are adults? Who killed the little child and why was he or she never reported missing? And who has now written to Matt, assuring him that he had no part in what occurred, that he had gone home to London before it happened? As Matt struggles to recover his memory of that strange summer, both he and Charlie Peace ponder what it means to love and lose a child and how one thoughtless decision can change a life forever. Richly evocative and deeply poignant, The Bones in the Attic is crime writing at its best from one of the great contemporary masters of mystery.
From Robert Barnard, the internationally acclaimed Diamond Dagger-winning crime writer . . . Some memories are better left buried in the past. Well-known author Graham Broadbent has managed to repress one particularly dangerous memory for many years, but a trip home to a school reunion brings back the shocking reality of a desperate youthful passion. It all begins with a knock on Graham's hotel door. His visitor is nineteen-year-old Christa, who read in the newspaper that he would be in town. She introduces herself as his long-lost daughter. His daughter? It's true that many years ago Graham had a fling with Christa's mother, an exquisitely alluring school actress named Peggy Somers. The dates don't work, though. Graham maintains he was out of the country when Christa was conceived. He couldn't be her father. He's almost sorry that he can't claim Christa, a lively young woman who intrigues him in a strange way. And what about Christa's mother, the formidable Peggy, who made such an impression when she portrayed Saint Joan in the school play all those years ago? Why would she have lied to Christa about her paternity? Why name Graham as the girl's father? Separated from his wife, at loose ends in his writing, Graham takes the fateful step of searching out Peggy. It's a big mistake. Peggy's life, which started with such promise, has been a major disappointment. Now it's about to become a disaster. Peggy lies. She fabricates. She fantasizes. She is the kind of person who will destroy Graham if he lets her. As Graham finds himself drawn increasingly into the turmoil surrounding this woman and her children, he must deal with deception and, ultimately, with murder. The sins of the past return to haunt the living, and the lives of those who survive will never be the same. Writing with the piercing insight and wit for which he is renowned, Robert Barnard creates a poignant masterpiece of mystery, as thoughtful as it is entertaining.
Vernon Watts may have been beloved by the millions of faithful viewers of the long-running soap opera Jubilee Terrace but his fellow cast members knew him for what he was -- an egotistical former music-hall performer whose untimely death in a pedestrian accident was not something to be universally regretted. Sadly, though, director Reggie Friedman soon fills the supposed void by asking Hamish Fawley, an equally unpleasant former member of the Jubilee Terrace troupe, to rejoin the soap. Hamish was never much liked. Now he's more obnoxious than ever. The mood on the set is not exactly serene, a situation made worse when the police receive an anonymous letter suggesting that Vernon Watts's "accident" may in fact have been murder. Did one of his fellow actors push Vernon into the oncoming traffic? Detective Inspector Charlie Peace faces tough challenges as he probes the make-believe world of skilled thespians to find a possible killer. With a cast of suspects who are trained to emote on cue, Charlie will need all of his policeman's instincts if he's to avert further tragedy. Writing with his usual acerbic wit and penetrating insight into human foibles, acclaimed master of mystery Robert Barnard gives us another winning entry in his magnificent body of work.
Master of mystery Robert Barnard, internationally acclaimed for his suspenseful, witty literary gems, cleverly mixes past and present in A Cry from the Dark, an intriguing tour de force sweeping from 1930s Australia to contemporary London. Bettina Whitelaw has come a long way from her childhood in the little outback town of Bundaroo, Australia. Many years have passed, a lifetime really, but she's never forgotten what happened there on the evening that changed her life forever. How could she forget the school dance, her taunting classmates, dancing with the strange but brilliant English boy, Hughie Naismyth? How could she forget what happened next, when, overheated and exhilarated by the music and the moment, she wandered off alone into a secluded, wooded area? Now a renowned, elderly author living in London's elegant Holland Park, Bettina faces a flood of memories as she works on her memoirs, even though her focus is more on the frightening things that are happening today. Someone has recently entered her home and gone through her desk. The intruder is clearly not an ordinary burglar. It must be someone she knows. She's been a little lax in handing out keys, so the suspects are many -- her nephew, Mark; her agent, Clare; her friends, Peter or Katie. Or it could be someone else. What does Bettina possess that this person would want to steal? A puzzle that at first seems mildly disturbing soon turns deadly serious. Someone is willing to kill -- but why? Does the answer rest in Bundaroo or nearer to home? A Cry from the Dark shows us vintage Robert Barnard as he slyly lays the clues that lead to his trademark surprise -- and poignant -- ending.
