The book examines basic areas of marine research, subjects of special and topical importance; and new areas as they arise. This series is consistently among the highest ranking in terms of impact factor in the marine biology category of the citation indices compiled by the Institute of Scientific Information. It is an essential reference for research workers and students in all fields of marine science, and the series volumes find a place in the libraries of universities, marine laboratories, research institutes and government departments.
Even more than authorship, ownership is challenged by the rise of digital and computational methods of design and production. These challenges are simultaneously legal, ethical and economic. How are new methods of fabrication and manufacture going to irreversibly change not only ways of working, but also designers’ ethics and their stance on ownership? In his 2013 second-term State of the Union address, President Obama stated that 3D printing ‘has the potential to revolutionize the way we make almost everything’. Nowhere will the impact of 3D printing be felt greater than in the architectural and design communities. When anyone can print out an object or structure from a digital file, will designers still exert the same creative rights or will they need to develop new practice and payment models? As architecture becomes more collaborative with open-source processes, will the emphasis on signature as the basis of ownership remain relevant? How will wider teams working globally be accredited and compensated? This issue of AD explores this subject; it features the work of designers who are developing wholly new approaches to practice by exploring means of commercialising process-based products rather than objects. Contributors: Phil Bernstein, Mark Garcia, Antoine Picon, Carlo Ratti and David Ruy Featured architects: Francis Bitonti, Marjan Colletti, Wendy W Fok, Panagiotis Michalatos, Jose Sanchez, Thibault Schwartz, Aaron Sprecher, Feng Xu and Philip Yuan
Published to accompany a major exhibition at the Smithsonian Institution in New York City, Colour Moves focuses not only on abstract painter and colourist Sonia Delaunay's art but also her avant-garde fashion designs from her own Atelier Simultané in Paris during the 1920s as well as textiles she designed for the Metz & Co Department store in Amsterdam in the 1930s. Applying her talents and theories to all areas of visual expression, including graphics, interiors, theatre and film, fashion and textiles, a trademark of Delaunay's work is the sense of movement and rhythm created by the simultaneous contrasts of certain colours. The book features authoritative essays by Matilda McQuaid, Matteo de Leeuw-de Monti and Petra Timmer, accompanied by reproductions of over 250 of Delaunay's paintings, drawings, textiles and garments with correlating designs, fashion illustrations and period photographs.
A powerful reminder to anyone who thinks design is primarily a visual pursuit, The Senses accompanies a major exhibition at the Cooper-Hewitt Smithsonian Design Museum that explores how space, materials, sound, and light affect the mind and body. Learn how contemporary designers, including Petra Blaisse, Bruce Mau, Malin+Goetz and many others, engage sensory experience. Multisensory design can solve problems and enhance life for everyone, including those with sensory disabilities. Featuring thematic essays on topics ranging from design for the table to tactile graphics, tactile sound, and visualizing the senses, this book is a call to action for multisensory design practice. The Senses: Design Beyond Vision is mandatory reading for students and professionals working in diverse fields, including products, interiors, graphics, interaction, sound, animation, and data visualization, or anyone seeking the widest possible understanding of design. The book, designed by David Genco with Ellen Lupton, is edited by Lupton and curator Andrea Lipps. Includes essays by Lupton, Lipps, Christopher Brosius, Hansel Bauman, Karen Kraskow, Binglei Yan, and Simon Kinnear.
The Trinidadian guppy represents a uniguely tractable vertebrate system, which has raised key questions in evolutionary ecology and supplied many of the answers. This work discusses this study and incorporates significant new findings and insights.
"This stunning book offers a unique perspective on textile designs... a beautiful document of the partnership between artists and manufacturers. Those interested in textiles as well as students of design will find it refreshing and inspirational." Librar