Thomas Cranmer's Doctrine of Repentance
Thomas Cranmer's Doctrine of Repentance

Author: Ashley Null

Publisher: OUP Oxford

Published: 2001-04-06

Total Pages: 309

ISBN-13: 0191520756

DOWNLOAD EBOOK

Self-serving lacky, self-deceiving puppet, Swiss Protestant partisan, or sensible Erasmian humanist: which, if any, was Thomas Cranmer? For centuries historians have offered often bitterly contradictory answers. Although Cranmer was a key participant in the changes to English life brought about by the Reformation, his reticent nature and lack of extensive personal writings have left a vacuum that in the past has too often been filled by scholarly prejudice or presumption. For the first time, however, this book examines in-depth little used manuscript sources to reconstruct Cranmer's theological development on the crucial Protestant doctrine of justification. The author explores Cranmer's cultural heritage, why he would have been attracted to Luther's thought, and then provides convincing evidence for the Reformed Protestant Augustinianism which Cranmer enshrined in the formularies of the Church of England. For Cranmer the glory of God was his love for the unworthy; the heart of theology was proclaiming this truth through word and sacrament. Hence, the focus of both was on the life of on-going repentance, remembering God's gracious love inspired grateful human love.

Western Plainchant
Western Plainchant

Author: David Hiley

Publisher: Oxford University Press

Published: 1995

Total Pages: 764

ISBN-13: 9780198165729

DOWNLOAD EBOOK

Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.