Context and Narrative in Photography

Context and Narrative in Photography

Author: Maria Short

Publisher: Routledge

Published: 2020-08-15

Total Pages: 232

ISBN-13: 1000211533

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However beautiful or technically dazzling your photographs might be, if they don't tell a story, convey an idea or make your viewer stop and think, they are unlikely to make a lasting impression.Context and Narrative in Photography introduces practical methods to help you plan, develop and present meaningful, communicative images. With dozens of examples from some of the world's most thought-provoking photographers, this is a beautiful introduction to a fascinating aspect of photography.Beginning with an exploration of different narrative techniques, you'll be guided through selecting and developing a compelling concept for your project and how it might be conveyed either through a single image or a series of photographs. You'll also learn ways to incorporate signs, symbols and text into your work and how to present the finished piece to best reach your audience.New to this edition are extended projects, additional exercises and discussion questions, expanded case studies, around 25% of the images and an expanded Chapter 6 on integrating text into photographic projects.


Basics Creative Photography 02: Context and Narrative

Basics Creative Photography 02: Context and Narrative

Author: Maria Short

Publisher: Bloomsbury Publishing

Published: 2011-08-19

Total Pages: 186

ISBN-13: 2940447128

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Throughout this book, Maria Short guides you through the ideas and methods behind creating meaningful, communicative images. With case studies and dozens of examples from some of the world's most engaging photographers, this is a beautiful introduction to a fascinating aspect of photography. Featured topics: The function of photographs; What is narrative?; Choosing your subject; Concept; Intention and interpretation; The single image; Series of photographs; Signs and symbols; Using text; The response of the audience. Featured photographers: Berenice Abbott; Eve Arnold; Tina Barney; Robert Capa; Henri Cartier-Bresson; Jill Cole; Gregory Crewdson; Paul Fusco; Stuart Griffiths; Britta Jaschinski; Seba Kurtis; Jem Southam; Tom Stoddart; Newsha Tavakolian and Weegee.


I Know How Furiously Your Hear T Is Beating

I Know How Furiously Your Hear T Is Beating

Author:

Publisher:

Published: 2019-02

Total Pages:

ISBN-13: 9781912339310

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"Taking its name from a line in the Wallace Stevens' poem "The Gray Room," Alec Soth's latest book is a lyrical exploration of the limitations of photographic representation. While these large-format color photographs are made all over the world, they aren't about any particular place or population. By a process of intimate and often extended engagement, Soth's portraits and images of his subject's surroundings involve an enquiry into the extent to which a photographic likeness can depict more than the outer surface of an individual, and perhaps even plumb the depths of something unknowable about both the sitter and the photographer"--The publisher.


Criticizing Photographs

Criticizing Photographs

Author: Terry Barrett

Publisher: Routledge

Published: 2020-11-29

Total Pages: 249

ISBN-13: 1000182363

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Emphasizing the understanding of images and their influences on how they affect our attitudes, beliefs, and actions, this fully updated sixth edition offers consequential ways of looking at images from the perspectives of photographers, critics, theoreticians, historians, curators, and editors. It invites informed conversations about meanings and implications of images, providing multiple and sometimes conflicting answers to questions such as: What are photographs? Should they be called art? Are they ethical? What are their implications for self, society, and the world? From showing how critics verbalize what they see in images and how they persuade us to see similarly, to dealing with what different photographs might mean, the book posits that some interpretations are better than others and explains how to deliberate among competing interpretations. It looks at how the worth of photographs is judged aesthetically and socially, offering samples and practical considerations for both studio critiques for artists and professional criticism for public audiences. This book is a clear and accessible guide for students of art history, photography and criticism, as well as anyone interested in carefully looking at and talking about photographs and their effects on the world in which we live.


Basic Critical Theory for Photographers

Basic Critical Theory for Photographers

Author: Ashley la Grange

Publisher: Taylor & Francis

Published: 2013-08-06

Total Pages: 279

ISBN-13: 1136090134

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Basic Critical Theory for Photographers generates discussion, thought and practical assignments around key debates in photography. Ashley la Grange avoids the trap of an elitist and purely academic approach to critical theory, taking a dual theoretical and practical approach when considering the issues. Key critical theory texts (such as Sontag's 'On Photography' and Barthes' 'Camera Lucida') are clarified and shortened. La Grange avoids editorilising, letting the arguments develop as the writers had intended; it is the assignments which call into question each writer's approach and promote debate. This is the ideal book if you want to understand key debates in photography and have a ready-made structure within which to discuss and explore these fascinating issues. It is accessible to students, from high school to university level, but will also be of interest to the general reader and to those photographers whose training and work is concerned with the practical aspects of photography. Also includes invaluable glossary of terms and a substantial index that incorporates the classic texts, helping you to navigate your way through these un-indexed works. The book also contains useful information on photo-mechanical processes, explaining how a photograph can appear very differently, and as a result be interpreted in a range of ways, in a variety of books.


Handling the Truth

Handling the Truth

Author: Beth Kephart

Publisher: Avery

Published: 2013-08-06

Total Pages: 274

ISBN-13: 159240815X

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A memoir-writing guide offers writing lessons and examples for those interested in putting their memories down on paper, explains the difference between remembering and imagining, and describes the language of truth.


Basics Creative Photography 02

Basics Creative Photography 02

Author: Maria Short

Publisher: A&C Black

Published: 2011-06-01

Total Pages: 186

ISBN-13: 2940411409

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Basics Creative Photography 02: Context and Narrative is a visually stunning introduction to the use of storytelling in photographic imagery


Auto Focus

Auto Focus

Author: Susan Bright

Publisher:

Published: 2010

Total Pages: 0

ISBN-13: 9780500543894

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'Auto Focus' features the work of 75 contemporary photographers from around the world for whom self-portraiture is a central part of their work. Issues of identity, nationality, sexuality and race are raised by the portraits.


Believing Is Seeing

Believing Is Seeing

Author: Errol Morris

Publisher: Penguin

Published: 2014-05-27

Total Pages: 338

ISBN-13: 0143124250

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Academy Award–winning director Errol Morris turns his eye to the nature of truth in photography In his inimitable style, Errol Morris untangles the mysteries behind an eclectic range of documentary photographs. With his keen sense of irony, skepticism, and humor, Morris shows how photographs can obscure as much as they reveal, and how what we see is often determined by our beliefs. Each essay in this book is part detective story, part philosophical meditation, presenting readers with a conundrum, and investigates the relationship between photographs and the real world they supposedly record. Believing Is Seeing is a highly original exploration of photography and perception, from one of America’s most provocative observers.


The Perfect Medium

The Perfect Medium

Author: Clément Chéroux

Publisher: Yale University Press

Published: 2005-01-01

Total Pages: 294

ISBN-13: 0300111363

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In the early days of photography, many believed and hoped that the camera would prove more efficient than the human eye in capturing the unseen. Spiritualists and animists of the nineteenth century seized on the new technology as a method of substantiating the existence of supernatural beings and happenings. This fascinating book assembles more than 250 photographic images from the Victorian era to the 1960s, each purporting to document an occult phenomenon: levitations, apparitions, transfigurations, ectoplasms, spectres, ghosts, and auras. Drawn from the archives of European and American occult societies and private and public collections, the photographs in many cases have never before been published. The Perfect Medium studies these rare and remarkable photographs through cultural, historical, and artistic lenses. More than mere curiosities, the images on film are important records of the cultural forces and technical methods that brought about their production. They document in unexpected ways a period when developing photographic technology merged with a popular obsession with the occult to create a new genre of haunting experimental photographs.