World Encyclopedia of Contemporary Theatre

World Encyclopedia of Contemporary Theatre

Author: Irving Brown (Consulting Bibliographer)

Publisher: Routledge

Published: 2013-10-11

Total Pages: 1344

ISBN-13: 1136119086

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An annotated world theatre bibliography documenting significant theatre materials published world wide since 1945, plus an index to key names throughout the six volumes of the series.


Recent Puerto Rican Theater

Recent Puerto Rican Theater

Author: John V. Antush

Publisher:

Published: 1991

Total Pages: 266

ISBN-13:

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A collection of contemporary drama written by Puerto Ricans, the plays included in the collection are: Bodega, by Federico Fraguada; Family Scenes, by Ivette M. Ramirez; Midnight Blues, by Juan Shamsul Alam; Ariano, by Richard V. Irizarry; and First Class, by Candido Tirado. All of the plays are in English, and they have all been successfully produced on stage.


World Encyclopedia of Contemporary Theatre

World Encyclopedia of Contemporary Theatre

Author: Arthur Holmberg

Publisher: Routledge

Published: 2014-06-03

Total Pages: 640

ISBN-13: 1136118365

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The second volume of the World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Entries on twenty-six countries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre. The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes. Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin. Each entry covers all aspects of theatre genres, practitioners, writers, critics and styles, with bibliographies, over 200 black & white photographs and a substantial index. This is a unique volume in its own right; in conjunction with the other volumes in this series it forms a reference resource of unparalleled value.


World Encyclopedia of Contemporary Theatre

World Encyclopedia of Contemporary Theatre

Author: Don Rubin

Publisher: Routledge

Published: 2013-10-08

Total Pages: 644

ISBN-13: 1136359281

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This new in paperback edition of World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Entries on twenty six countries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre. The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes. Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin. Each entry covers all aspects of theatre genres, practitioners, writers, critics and styles, with bibliographies, over 200 black & white photographs and a substantial index. This Encyclopedia is indispensable for anyone interested in the cultures of the Americas or in modern theatre. It is also an invaluable reference tool for students and scholars of a wide range of disciplines including history, performance studies, anthropology and cultural studies.


Holy Terrors

Holy Terrors

Author: Diana Taylor

Publisher: Duke University Press

Published: 2003-12-24

Total Pages: 472

ISBN-13: 9780822332404

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DIVTranslations of texts by important Latin American women playwrights, and performance artists, together with essays about their work./div


Nuestro New York

Nuestro New York

Author: John V. Antush

Publisher: Signet Book

Published: 1994

Total Pages: 616

ISBN-13:

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Anthology of Puerto-Rican drama includes contributions by Ruben Gonzalez, Eva Lopez, and other writers.


Family and Identity in Contemporary Cuban and Puerto Rican Drama

Family and Identity in Contemporary Cuban and Puerto Rican Drama

Author: Camilla Stevens

Publisher:

Published: 2004

Total Pages: 271

ISBN-13: 9780813027074

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Stevens illuminates the link between the pervasive image of the family in the theater and the struggle for national and cultural identity in Cuba and Puerto Rico. By focusing on two key periods of family drama productions - the mid-1950s to the mid-1960s and the mid-1980s to the mid-1990s - she traces the historical articulation of the concepts of family and nation in the theater. Through the close readings of 16 plays, Stevens demonstrates how onstage family quarrels between husbands and wives, parents and children, and siblings allegorize divergent views of national experience and provide insight into how and by whom communities are defined, as well as how visions of national culture change over time. America and the Hispanic Caribbean to identify the role of writing in the project of constructing and defining nationhood, the place of performance in the cultural politics of representing the nation has been less rigorously investigated. Stevens's genealogy of modern Cuban and Puerto Rican drama reveals theater and performance to be a special site and activity for imagining communities.


Nuyorican Feminist Performance

Nuyorican Feminist Performance

Author: Patricia Herrera

Publisher: University of Michigan Press

Published: 2020-05-12

Total Pages: 247

ISBN-13: 0472054481

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The Nuyorican Poets Café has for the past forty years provided a space for multicultural artistic expression and a platform for the articulation of Puerto Rican and black cultural politics. The Café’s performances—poetry, music, hip hop, comedy, and drama—have been studied in detail, but until now, little attention has been paid to the voices of its women artists. Through archival research and interview, Nuyorican Feminist Performance examines the contributions of 1970s and ’80s performeras and how they challenged the Café’s gender politics. It also looks at recent artists who have built on that foundation with hip hop performances that speak to contemporary audiences. The book spotlights the work of foundational artists such as Sandra María Esteves, Martita Morales, Luz Rodríguez, and Amina Muñoz, before turning to contemporary artists La Bruja, Mariposa, Aya de León, and Nilaja Sun, who infuse their poetry and solo pieces with both Nuyorican and hip hop aesthetics.