Contemporary North American Film Directors

Contemporary North American Film Directors

Author: Yoram Allon

Publisher: Wallflower Press

Published: 2002

Total Pages: 644

ISBN-13: 9781903364529

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"Encompassing the careers of up to 600 directors - over 60 new to this edition - working in the US and Canada today, this volume is an invaluable reference for students, researchers and enthusiasts of film and popular culture. Each entry provides biographical information as well as insightful textual and thematic analysis of the director's work. In comprehensively covering a wide range of film-makers - from more established mainstream luminaries such as Steven Spielberg, Martin Scorsese, Ridley Scott and Kathryn Bigelow, through independent mavericks like Hal Hartley, Atom Egoyan, Jim Jarmusch and the Coen brothers, to innovative emerging talents including Marc Forster (Monster's Ball), Todd Field (In the Bedroom) and David Gordon Green (George Washington) - the shifting landscape of contemporary film-making is brought into sharp focus." Sur la 4e de couv.


Richard Linklater

Richard Linklater

Author: David T. Johnson

Publisher: University of Illinois Press

Published: 2012-03-30

Total Pages: 203

ISBN-13: 0252036921

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This title provides an incisive analysis of popular American filmmaker, Richard Linklater.


Spike Lee

Spike Lee

Author: Todd McGowan

Publisher: University of Illinois Press

Published: 2014-02-15

Total Pages: 185

ISBN-13: 0252095405

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Since the release of Do the Right Thing in 1989, Spike Lee has established himself as a cinematic icon. Lee's mostly independent films garner popular audiences while at the same time engaging in substantial political and social commentary. He is arguably the most accomplished African American filmmaker in cinematic history, and his breakthrough paved the way for the success of many other African Americans in film. In this first single-author scholarly examination of Spike Lee's oeuvre, Todd McGowan shows how Lee's films, from She's Gotta Have It through Red Hook Summer, address crucial social issues such as racism, paranoia, and economic exploitation in a formally inventive manner. McGowan argues that Lee uses excess in his films to intervene in issues of philosophy, politics, and art. McGowan contends that it is impossible to watch a Spike Lee film in the way that one watches a typical Hollywood film. By forcing observers to recognize their unconscious enjoyment of violence, paranoia, racism, sexism, and oppression, Lee's films prod spectators to see differently and to confront their own excess. In the process, his films reveal what is at stake in desire, interpersonal relations, work, and artistic creation itself.


Jane Campion

Jane Campion

Author: Kathleen McHugh

Publisher: University of Illinois Press

Published: 2007-05

Total Pages: 208

ISBN-13: 0252074475

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Jim Jarmusch

Jim Jarmusch

Author: Juan A. Suárez

Publisher: University of Illinois Press

Published: 2007-08-13

Total Pages: 216

ISBN-13: 0252074432

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Contemporary British and Irish Film Directors

Contemporary British and Irish Film Directors

Author: Yoram Allon

Publisher: Wallflower Press

Published: 2001

Total Pages: 422

ISBN-13: 9781903364215

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The guide encompasses the careers of over 350 directors from the last 20 years. A must for any film studies library, it is a unique reference to the changing dynamics of these cinemas.


Lars Von Trier

Lars Von Trier

Author: Linda Badley

Publisher: University of Illinois Press

Published: 2010

Total Pages: 234

ISBN-13: 0252077903

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This volume provides an overview of von Trier's career while focusing on his more recent work, including the Gold Heart Trilogy, the USA Trilogy, and individual projects such as the comedy The Boss of It All and the horror psychodrama Antichrist. The author draws on a range of cultural references and critical approaches, including genre, gender, and cultural studies, performance theory, and trauma culture and includes two interviews with Trier.


Philip Kaufman

Philip Kaufman

Author: Annette Insdorf

Publisher: University of Illinois Press

Published: 2012-03-15

Total Pages: 178

ISBN-13: 0252093976

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American director Philip Kaufman is hard to pin down: a visual stylist who is truly literate, a San Franciscan who often makes European films, he is an accessible storyteller with a sophisticated touch. Celebrated for his vigorous, sexy, and reflective cinema, Kaufman is best known for his masterpiece The Unbearable Lightness of Being and the astronaut saga The Right Stuff. His latest film, Hemingway & Gellhorn(premiering May 2012 on HBO), stars Nicole Kidman and Clive Owen. In this study, Annette Insdorf argues that the stylistic and philosophical richness of Kaufman's cinema makes him a versatile auteur. She demonstrates Kaufman's skill at adaptation, how he finds the precise cinematic device for a story drawn from seemingly unadaptable sources, and how his eye translates the authorial voice from books that serve as inspiration for his films. Closely analyzing his movies to date (including Invasion of the Body Snatchers, The Wanderers, and Quills), Insdorf links them by exploring the recurring and resonant themes of sensuality, artistic creation, codes of honor, and freedom from manipulation. While there is no overarching label or bold signature that can be applied to his oeuvre, she illustrates the consistency of themes, techniques, images, and concerns that permeates all of Kaufman's works.


Michael Haneke

Michael Haneke

Author: Peter Brunette

Publisher: University of Illinois Press

Published: 2010-10-01

Total Pages: 186

ISBN-13: 0252090667

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In this book, Peter Brunette analyzes the theatrical releases of Austrian film director Michael Haneke, including The White Ribbon, winner of the 2009 Palme d'Or at the Cannes Film Festival. Perhaps best known to U.S. audiences for Caché, The Piano Teacher, and his remake of his own disturbing Funny Games, Haneke has consistently challenged critics and film viewers to consider their own responsibility for what they watch when they seek to be "merely" entertained by such studio-produced Hollywood thrillers. Brunette highlights Haneke's brilliant use of uncompromising visual and aural techniques to express complex themes. His most recent films contain what has become his hallmark: a moment of violence or shock that is not intended to be exploitative, but that nevertheless goes beyond the conventional boundaries of most art cinema. Lauded for graphically revealing the powerful influence of contemporary media on social behavior, his films offer a chilling critique of contemporary consumer society. Brunette discusses Haneke's major releases in English, French, and German, including the film that first brought him to international attention, Benny's Video. The first full-length study of Haneke's work in any language, this book also includes an interview with the director that explores his motivations and methods.