Contemporary Chinese Fiction by Su Tong and Yu Hua

Contemporary Chinese Fiction by Su Tong and Yu Hua

Author: Hua Li

Publisher: BRILL

Published: 2011-02-18

Total Pages: 239

ISBN-13: 9004202269

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The focus of this study is coming of age in troubled Cultural Revolutionary times as portrayed in contemporary Chinese Bildungsroman fiction by Su Tong and Yu Hua, along with a comprehensive overview of the Bildungsroman in China and the west.


Advanced Reader of Contemporary Chinese Short Stories

Advanced Reader of Contemporary Chinese Short Stories

Author:

Publisher: University of Washington Press

Published: 2012-02-01

Total Pages: 300

ISBN-13: 0295802448

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This reader for advanced students of Chinese presents ten post-1990 short stories by prominent writers such as Su Tong and Yu Hua, whose novels Raise the Red Lantern and To Live served as the basis for internationally acclaimed films. With its captivating content dealing with current social issues, it fills a gap in the literature for advanced language students who are eager to read extensively in “real” literature. Vocabulary lists free the student from the chore of constantly consulting a dictionary while reading, grammar and usage examples highlight new patterns, and questions for discussion explore the literary content. This all-fiction collection of contemporary works can be used as a text in language or literature courses or can be read independently.


Adapted for the Screen

Adapted for the Screen

Author: Hsiu-Chuang Deppman

Publisher: University of Hawaii Press

Published: 2010-04-30

Total Pages: 258

ISBN-13: 0824833732

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Hsiu-Chang Deppman puts landmark contemporary Chinese films in the context of their literary origins & explores how the best Chinese directors adapt fictional narratives & styles for film.


Chinese Avant-garde Fiction

Chinese Avant-garde Fiction

Author: Zhansui Yu

Publisher: Cambria Sinophone World

Published: 2017

Total Pages: 252

ISBN-13: 9781604979688

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This book examines the works of three leading writers-Su Tong, Yu Hua, and Ge Fei-and their significant contributions to the genre of Chinese avant-garde fiction.


China's Avant-Garde Fiction

China's Avant-Garde Fiction

Author: Jing Wang

Publisher: Duke University Press

Published: 1998-03-27

Total Pages: 300

ISBN-13: 9780822321163

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DIVAn anthology of translated short stories from Chinese writers of the 1980s. Authors considered “avant-garde” because work reflects the seriousness of revolutionary concerns, the disinterest in the progress of the Chinese nation and celebra/div


Decadence in Modern Chinese Literature and Culture

Decadence in Modern Chinese Literature and Culture

Author: Hongjian Wang

Publisher:

Published: 2020-10

Total Pages:

ISBN-13: 9781621965435

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"European Decadence, a controversial artistic movement that flourished mainly in late-nineteenth-century France and Britain, has inspired several generations of Chinese writers and literary scholars since it was introduced to China in the early 1920s. Translated into Chinese as tuifei, which has strong hedonistic and pessimistic connotations, the concept of Decadence has proven instrumental in multiple waves of cultural rebellion, but has also become susceptible to moralistic criticism. This is the first comprehensive study of decadence in Chinese literature since the early twentieth century. Standing at the intersection of comparative literature and cultural history, it transcends the framework of tuifei by locating European Decadence in its sociocultural context and uses it as a critical lens to examine Chinese Decadent literature and Chinese society. Its in-depth analysis reveals that some Chinese writers and literary scholars creatively appropriated the concept of Decadence for enlightenment purposes or to bid farewell to revolution. This study is also the first to offer a holistic understanding of European Decadence, uncovering both its internal logic and external circumstances, hence excavating its distinct explanatory power. It also sheds fresh light on modern Chinese literature and culture. By examining the careers of seven prominent writers-Yu Dafu, Shao Xunmei, Yu Hua, Su Tong, Wang Shuo, Wang Xiaobo, and Yin Lichuan-this study disentangles apparent contradictions in their writing and reveals the nuances in the changing status of China's modern cultural elite. Last but not least, the book significantly expands the scope of comparative literary studies beyond influence studies and cultural translation by effectively adopting a literary-historical approach-a literary phenomenon is seen at once as a product and an indicator of certain sociocultural conditions, so similar literary phenomena can illuminate comparable contexts"--


Visions of Dystopia in China’s New Historical Novels

Visions of Dystopia in China’s New Historical Novels

Author: Jeffrey C. Kinkley

Publisher: Columbia University Press

Published: 2014-11-18

Total Pages: 304

ISBN-13: 0231532296

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The depiction of personal and collective suffering in modern Chinese novels differs significantly from standard Communist accounts and many Eastern and Western historical narratives. Writers such as Yu Hua, Su Tong, Wang Anyi, Mo Yan, Han Shaogong, Ge Fei, Li Rui, and Zhang Wei skew and scramble common conceptions of China's modern development, deploying avant-garde narrative techniques from Latin American and Euro-American modernism to project a surprisingly "un-Chinese" dystopian vision and critical view of human culture and ethics. The epic narratives of modern Chinese fiction make rich use of magical realism, surrealism, and unusual treatments of historical time. Also featuring graphic depictions of sex and violence, as well as dark, raunchy comedy, these novels reflect China's recent history re-presenting the overthrow of the monarchy in the early twentieth century and the resulting chaos of revolution and war; the recurring miseries perpetrated by class warfare during the dictatorship of Mao Zedong; and the social dislocations caused by China's industrialization and rise as a global power. This book casts China's highbrow historical novels from the late 1980s to the first decade of the twenty-first century as a distinctively Chinese contribution to the form of the global dystopian novel and, consequently, to global thinking about the interrelations of utopia and dystopia.


Misogyny, Cultural Nihilism, and Oppositional Politics

Misogyny, Cultural Nihilism, and Oppositional Politics

Author: Tonglin Lu

Publisher: Stanford University Press

Published: 1995

Total Pages: 252

ISBN-13: 9780804724647

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Written from a feminist perspective, this is a cultural and ideological study of modern China as seen in the writing of experimental fiction, one of the main attempts to subvert the conventions of socialist realism in contemporary Chinese literature.


Historical Dictionary of Modern Chinese Literature

Historical Dictionary of Modern Chinese Literature

Author: Li-hua Ying

Publisher: Rowman & Littlefield

Published: 2021-11-15

Total Pages: 825

ISBN-13: 1538130068

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Modern Chinese literature has been flourishing for over a century, with varying degrees of intensity and energy at different junctures of history and points of locale. An integral part of world literature from the moment it was born, it has been in constant dialogue with its counterparts from the rest of the world. As it has been challenged and enriched by external influences, it has contributed to the wealth of literary culture of the entire world. In terms of themes and styles, modern Chinese literature is rich and varied; from the revolutionary to the pastoral, from romanticism to feminism, from modernism to post-modernism, critical realism, psychological realism, socialist realism, and magical realism. Indeed, it encompasses a full range of ideological and aesthetic concerns. This second edition of Historical Dictionary of Modern Chinese Literature presents a broad perspective on the development and history of literature in modern China. It offers a chronology, introduction, bibliography, and over 400 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Chinese literature.