This work tells of seven crucial years in Constable's life when he flowered as a painter while at the same time wooing Maria Bicknell, the woman he would marry.
By the year 2000 more than 350 Internet agencies were plying the email-order marriage trade, and the business of matching up mostly Western men with women from Asia, Eastern Europe, and Latin America had become an example of globalization writ large. This provocative work opens a window onto the complex motivations and experiences of the people behind the stereotypes and misconceptions that have exploded along with the practice of transnational courtship and marriage. Combining extensive Internet ethnography and face-to-face fieldwork, Romance on a Global Stage looks at the intimate realities of Filipinas, Chinese women, and U.S. men corresponding in hopes of finding a suitable marriage partner. Through the experiences of those engaged in pen pal relationships—their stories of love, romance, migration, and long-distance dating—this book conveys the richness and dignity of women's and men's choices without reducing these correspondents to calculating opportunists or naive romantics. Attentive to the structural, cultural, and personal factors that prompt women and men to seek marriage partners abroad, Romance on a Global Stage questions the dichotomies so frequently drawn between structure and agency, and between global and local levels of analysis.
A darkly comic Dickensian ghost story from Blue Peter Award winner Gareth P. Jones: it's not the dead you'll need to worry about! Sam Toop lives in a funeral parlour, blessed (or cursed) with an unusual gift. While his father buries the dead, Sam is haunted by their constant demands for attention. Trouble is afoot on the 'other side' - there is a horrible disease that is mysteriously imprisoning ghosts into empty houses in the world of the living. And Sam is caught in the middle - will he be able to bring himself to help? Blue Peter Award winner Gareth P. Jones has woven a darkly comic story, a wonderfully funny adventure that roams the grimy streets of Victorian London.
Tomomi Ishikawa is dead but she has bequeathed a treasure hunt to her friend Ben Constable. The prizes are places to go and sit and things to taste and smell. There is also a series of notebooks detailing the murders she has committed.
A fresh and lively biography of the revolutionary landscape painter John Constable. John Constable, who captured the landscapes and skies of southern England in a way never before seen on canvas, is beloved but little-understood artist. His paintings reflect visions of landscape that shocked and perplexed his contemporaries: attentive to detail, spontaneous in gesture, brave in their use of color. His landscapes show that he had sharp local knowledge of the environment. His skyscapes show a clarity of expression rarely seen in other artist's work. The figures within show an understanding of the human tides of his time. And his late paintings of Salisbury Cathedral show a rare ability to transform silent, suppressed passion into paint. Constable was also an active and energetic correspondent. His letters and diaries reveal a man of opinion, passion, and discord. His letters also reveal the lives and circumstances of his extended family who serve to define the social and economic landscape against which he can be most clearly seen. These multifaceted reflections draw a sharp picture of the person, as well as the painter. James Hamilton's biography reveals a complex and troubled man. Hamilton's portrait explodes previous mythologies about this timeless artist and establishes him in his proper context as a giant of European art.
With the warmth, charm, and wry sense of humor that won readers' hearts in Evans Above, Rhys Bowen offers a delightful installment to an already cherished mystery series: Evan Help Us. Evan Evans is settling into his role as Constable of Llanfair, a small town nestled in the mountains of North Wales. Here, he has been a mediator of the minor disputes of the locals, between competing ministers, country merchants, and seemingly every Welch eccentric throughout the region. But an unusual series of events brings unseen hostilities to light, and Evan realizes just how deep the townsfolk's passions and hostilities lie. While the village of Llanfair has always been at odds with the neighboring town of Beddgelert, an intriguing archeological find in the nearby hills brings that rivalry to dangerous extremes, and creates a circus of local enthusiasm and gossip. The circus quickly turns deadly, however, when Llanfair's prodigal son, Ted Morgan, announces plans to erect an amusement park over the site's excavation. Soon Constable Evans is drawn into a whirl of cultural pride, deception, and greed, and while he's at it uncovers the town's undaunted ambition - to earn the right to the longest name in the world.
A coming-of-age story for younger teens, set in New Guinea around the time of independence. Julie's grown up not knowing her father. When she comes to stay with him one long summer, she learns to appreciate not only her long-lost father and his love of flying, but also New Guinea itself and the people she meets.
Accurate re-creations of 30 portraits and landscapes include Boat-Building near Flatford Mill;Malvern Hall, Warwickshire;The White Horse; The Haywain; and MarineParade and Chain Pier, Brighton."
YA. A dark secret is tearing Tremaris apart. From the frozen Bay of Sardi to the endless winter on Antaris, sickness is spreading and even the seasons are slipping into chaos. 11 yrs+
Calwyn has never been beyond the high ice-wall that guards the sisters of Antaris from the world of Tremaris. She knows only the rounds of her life as a novice ice priestess, tending her bees, singing her ice chantments, and dreaming. But then Calwyn befriends Darrow, a mysterious Outlander who appears inside the Wall and warns of an approaching danger. To help Darrow, to see the world, and perhaps to save it, Calwyn will leave the safety of the Wall for a journey with a man she barely knows--and an adventure as beautiful and dangerous as the music of chantment itself.